It has often appeared in
debates about photography's status as index or trace, in exhibitions about abstraction and the use of impoverished materials, and even in discussions of landscape imagery.
Not exact matches
The group used media, such as television adverts, Disney films, press articles, image bank
photography to social media, to stimulate
debate about the particular issue being explored.
In our times, there are endless
debates about whether we can consider a
photography as an art, or it is only the source of its achievement, all the same as, for example, canvas and paint?
Marcelo Brodsky is a conceptual artist and Human Rights activist who uses
photography to intervene in the ongoing
debate about Argentina's Dirty War (1976 - 1983).
Marcelo Brodsky (1954) is a conceptual artist and Human Rights activist who uses
photography to intervene in the ongoing
debate about Argentina's Dirty War (1976 - 1983).
In today's hyper - visual world the concept of image fatigue is familiar and often
debated, and it's something that Foam, whose mission statement is «All
about photography», challenges with the variety of its programmes, exhibitions, publications and events: «We present diverse forms of
photography and we usually have four exhibitions at a time in our museum.»
Conceived as an experimental platform for free - form critical discussions, the Forums are designed to engage in
debates about the perspectives and scope of contemporary
photography with leading artists, curators, and theorists in the field.
Central to all of Shonibare's work, which includes sculpture, painting,
photography, and film - making, is the
debate about social, cultural, and political issues that shape history and constructs identity.
Conceived as an experimental platform for free - form critical discussions, these forums are designed to encourage
debate about the perspectives and scope of contemporary
photography among leading artists, curators, and theorists in the field.
Conceived as an experimental platform for free - form critical discussions, the Forums are designed to foster
debate about the perspectives and scope of contemporary
photography among leading artists, curators, and theorists in the field.
Conceived as an experimental platform for free - form critical discussions, the Forums encourage
debate about the perspectives and scope of contemporary
photography among leading artists, curators, and theorists in the field.
Cofounded by curators Roxana Marcoci and Eva Respini on February 16, 2010, and conceived as an experimental platform for free - form critical discussions, MoMA's forums on contemporary
photography are designed to encourage
debate about the perspectives and scope of still and moving images and other forms of picture - making among leading artists, curators, and theorists in the field.
The pervasive use of
photography by Conceptual artists — and a generation later by artists of the so - called Pictures Generation — effectively ended any
debate about the validity of
photography operating legitimately within the sphere of contemporary art.
Established on February 16, 2010, and conceived as an experimental platform for free - form critical discussions, these forums are designed to encourage
debate about the perspectives and scope of contemporary
photography among leading artists, curators, and theorists in the field.