Sentences with phrase «debut as a cinematographer»

Beautifully shot on 35 mm by Ben Kasulke (who made his debut as a cinematographer on the film).
The film itself is beautifully photographed by Thomas Townend, who makes his feature debut as cinematographer.

Not exact matches

Crowe is effectively restrained in his acting, but in his debut as a director, he overdoes the manipulative music and the pretty images from cinematographer Andrew Lesnie.
Ripley is engulfed by darkness and despair in director David Fincher's claustrophobic and underrated big - screen debut (which looks a lot better in light of Seven — photographed by Alien Resurrection cinematographer Darius Khondji — and The Game), as she crash lands on Fiorina «Fury» 161, a remote, nearly deserted, Class C Prison, maximum security, Double Y Chromosome - Work Correctional Facility after drifting in space — again — for an unspecified time.
Dean Semler, the cinematographer on her 2011 directorial debut, «In the Land of Blood and Honey,» called Jolie «a true screen goddess» as he presented her with the Board of Governors Award.
Making his debut as a feature director is Wally Pfister — Christopher Nolan's go - to cinematographer.
• Noteworthy, as usual, is the film's extreme technical mastery — particularly remarkable given that the Coens were operating without their principal collaborator, cinematographer Barry Sonnenfeld, who had decamped to make his own directorial debut with The Addams Family.
Still, no one much cared for Saulnier's debut, Murder Party, back when he was still known primarily as the cinematographer for fellow indie director Matthew Porterfield (I Used To Be Darker).
Director Lawrence Sher, making his feature debut after a career as a cinematographer, brings the skills he established shooting movies for Todd Phillips (including the Hangover trilogy, with Helms), which is to say he uses better lighting and more textured visuals than a typically overlit studio comedy while still neglecting to frame, cut, or pace scenes for actual laughs.
After an eight year period of silence following his time travelling Sundance Grand Jury Prize winning debut Primer, Shane Carruth returns to his position not only at the helm with his latest masterpiece, Upstream Color, but once again as writer, actor, cinematographer, sound designer, editor and even distributor.
Additional celebrities at SIFF this year included Academy Award - winning director Morgan Neville with his documentary The Music of Strangers: Yo - Yo Ma and the Silk Road Ensemble; award - winning writer and director James Schamus of Indignation; award - winning cinematographer Kirsten Johnson with her directorial debut Cameraperson; acclaimed actor Clea DuVall with her directorial debut The Intervention; directors Miles B. Miller and Joshua H. Miller, producer Kathryn Tucker, and actor Paul Sparks of All the Birds Have Flown South; actor Craig Robinson in Morris From America; director Jonathan Parker, producers Catherine di Napoli and Deborah Parker, and actor Eric McCormack with The Architect; Mike Birbiglia, director of Don't Think Twice; YouTube sensation and documentary subject of Presenting Princess Shaw Samantha Montgomery, who performed at the Opening Night Gala; Irish drag queen and marriage equality advocate Panti Bliss, subject of the documentary The Queen of Ireland, as well as director Conor Horgan; director Martin Spirit and subject Spencer Haywood of Full Court: The Spencer Haywood Story; irector Ned Crowley and actor Jim O'Heir of Middle Man; director James Redford with his new documentary Resilience; Pearl Jam founding member and Gleason composer Mike McCready; actor Laura Carmichael and director Chanya Button with the US premiere of Burn Burn Burn; director Iwai Shunji of A Bride for Rip Van Winkle; Joshua Marston, director of Complete Unknown; actor Corentin Fila of Being 17; Andreas Öhman, director of Eternal Summer; Ti West, director of In A Valley of Violence; director Roger Ross Williams and subject Ron Suskind of Life, Animated; director Nathan Adloff, actor Tim Boardman and producers Stephen Israel and Ash Christian of Miles; director Linas Phillips and producer Ian Bugno of Rainbow Time; Richard Tanne, director of Southside With You; Jocelyn Moorhouse, director of The Dressmaker; Brent Hodge, director of The Pistol Shrimps.
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