In 1966, Mike Nichols made
his debut as a film director by bringing Edward Albee's Broadway sensation to the screen, with celebrity couple Elizabeth Taylor and Richard Burton taking on the venomous leading roles.
The sparse, hypnotic play ran at the West Yorkshire Playhouse and the Almeida in Islington; a commendably low - key cinema version in 1997 saw Rickman make
his debut as a film director.
La buena vida was his widely acclaimed
debut as a film director and was followed by Obra maestra, Soldados de Salamina, Bienvenido a casa, and La silla de Fernando.
Not exact matches
«Ready Player One,»
director Steven Spielberg's science - fiction thriller about a grim world where people seek escape through virtual reality, opened
as the top
film in North American theaters, delivering the first No. 1
debut this year for Warner Bros..
Written by Being John Malkovich scribe Charlie Kaufman, Human Nature was the feature
debut from acclaimed music - video
director Michel Gondry and featured Arquette
as a woman cursed with a coat of fur covering her body.
As the decade progressed, audiences could see Arquette in projects ranging from the star - studded documentary Searching for Debra Winger to the sleeper family
film Holes.
As schematic as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie sta
As schematic
as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie sta
as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the
film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable
debuts for first - time feature
director Mimi Leder and fledgling
film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)--
as well as ringing confirmation that George Clooney is indeed a movie sta
as well
as ringing confirmation that George Clooney is indeed a movie sta
as ringing confirmation that George Clooney is indeed a movie star.
Deniz Gamze Ergüven, who makes her feature
debut as writer -
director after a couple of short
films, tells the story exclusively from the girls» point of view — both emotionally,
as they have all our sympathy, and physically,
as almost nothing happens that one of them could not be seeing.
This is Anderson's feature
film debut as a
director, after work on television.
Dax Shepard, who serves
as co-director, one of the several producers, writer, and star of Hit and Run, appears to be heading in the right direction for actors - turned -
directors with his off - kilter
debut film.
Bridges made his
film debut as writer /
director with The Babymaker (1970).
The feature
debut of writer -
director Aimee Lagos, the
film feels overstuffed and overcooked,
as if the filmmaker were trying to get too much out all in one go.
Neil LaBute's
debut film was an adaptation of his own darkly comedic 1992 play, and its provocative, Mamet-esque dialogue marked the writer -
director as a rising star in indie
film world in the late 1990s, while also launching the career of star Aaron Eckhart, here playing one of a pair of coworkers seeking cruel revenge against women.
Announcing that the 1996 - 1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away
as a by - product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red - faced bible salesman in
director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's
film debut What Planet Are You From?
Below, find out what critics are saying about all of this year's notable festival
debuts, including
films that screened out of competition or
as part of the parallel
Directors» Fortnight and International Critics» Week programs.
The former music video
director's first feature
film since 2004's Birth is based on the satirical
debut novel by Michel Faber, which centers on an extraterrestrial who comes to Scotland to pick up unsuspecting hitchhikers and bring them to her corporate bosses for use
as meat.
I Don't Feel at Home in This World Anymore is perhaps most notable
as the
debut of Macon Blair
as a
director, who gained notoriety primarily
as an actor featured prominently in the
films of Jeremy Saulnier (Green Room), to which this
film attempts to emulate to some degree.
More of the same can be said for Crowe's
debut as a
director with the excellent Say Anything, showing once again he had a knack for taking what would ostensibly be a «just another...»
film and taking it to depths no one had bothered exploring before.
Much like the kids in this movie who come of age, so too does Robert Kirbyson's skill
as a writer -
director in his
debut film Snowmen.
She made her
debut with a small role in Maid to Order (1987) and appeared sporadically in
films such
as Easy Wheels (1989), but first gained national notice when
director Spike Lee cast her
as an aspiring actress who works for a phone sex service in Girl 6 (1996).
Writer -
director Damien Power advances from his work on short
films with his feature
debut, a solidly visceral and harshly unforgiving pic that's lean and taut in its plotting and pacing, even
as it shakes up linear chronology initially to tell its tale.
Director / co-scenarist Gerard McMurray's
debut isn't
as striking a treatment of the same theme
as last year's divisive «Goat,» a
film that went out of -LSB-...]
ROB REINER»S
debut as a feature
film director with the mock «rockumentary» This Is Spinal Tap was
as invigorating
as his second
film, The Sure Thing, is depressing: not since Michael Cimino followed The Deer Hunter with Heaven's Gate has there been such a dramatic comedown.
The
film is the
director's first effort since A Single Man, Ford's directorial
debut, which led to Golden Globe, Screen Actors Guild, and Academy Award nominations for Colin Firth,
as well
as a Golden...
Oslo, August 31st A 180 - degree turn from his 2006 semi —
film - à - clef
debut Reprise, Norwegian
director Joachim Trier's sophomore feature follows a former drug addict (the excellent Anders Danielsen Lie)
as he makes a tentative last stab at putting his life back together.
The
director: Markus Schleinzer (Austria) The talent: An actor and accomplished casting
director — whose credits in the latter field include several
films by his compatriots Michael Haneke and Jessica Hausner — 39 year - old Schleinzer has cast his
debut feature
as writer -
director with several actors he previously tapped for other
directors»
films.
Known for hard - hitting screenplays for Submarino and The Hunt which he co-wrote with
director Thomas Vinterberg, and for the popular Danish TV drama Borgen, Tobias Lindholm's solo directorial
debut is perhaps
as remarkable in the script department
as his previous work, but the
film itself — like the ship it depicts — sometimes goes adrift.
Shane Meadows» previous
film «Once Upon a Time in the Midlands» (2002) was,
as its title would suggest, an attempt to transplant the American western onto English soil — but the hybrid which emerged was a disappointing romantic comedy that almost ruined the
director's reputation (carefully built upon the improvised do - it - yourself naturalism of his 1997
debut «Twenty Four Seven» and his 1999 follow - up «A Room for Romeo Brass»).
First time
director Peter Billingsley (you may remember him
as Ralphie in A Christmas Story) picked the wrong
film to make his directorial
debut on.
Korean
director Park Chan - wook's English - language
debut plays like one giant homage to Alfred Hitchcock (particularly his 1943
film «Shadow of a Doubt»), but with a decidedly unique and erotic twist that's every bit
as perverse
as his previous work — the kind of movie that gets under your skin and stays there for days.
In highlighting the human element of the sport
as well
as the high - stakes, hair - raising reality of their exploits,
debut director Richard De Aragues has crafted a
film that transcends the bounds of traditional racing fans.
Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving
as a suitable spiritual sequel to the
director's
debut, «Afterschool,» in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous
film,
as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.
John Green's
debut novel, Looking for Alaska, is also set to be adapted into a
film with Sarah Polley (Away from Her, Take This Waltz) set
as director.
«Revenge» is the
film we need right now, from a filmmaker we need right now: French writer /
director Coralie Fargeat, who makes her stunning feature
debut with a rape - revenge fantasy that's
as brutal
as it is thrilling.
Director Fabien Constant, in his narrative feature
debut, finds a momentum in that knowledge that propels the
film forward,
as Vivienne explores her fate (while never disclosing it) in encounters with friends, family and strangers.
It's no wonder her
debut as a feature
film writer and
director would be met with a certain level of expectation, but what she delivers with Lady Bird is something even more magical and grander than could have ever be expected.
Writer /
director Martin McDonagh - making his
debut here - has infused the majority of In Bruges with a deliberately - paced, overly talky sensibility that undoubtedly reflects his background
as a playwright, and it's certainly difficult not to admire the fervor with which both Farrell and Gleeson tackle their respective characters and the
film's ample dialogue (the actors» heavy accents does make it difficult to make out every word, admittedly).
There's a lot to like about Leon Ford's
debut feature
film as writer and
director.
Thief by Del Harvey
Director Michael Mann's
debut film rivals Rififi
as quintessential heist
film.
As directed by Steven Bernstein, a veteran
director of photography who makes his feature
film debut here, «Decoding Annie Parker» frequently dangles on the precipice of falling into Lifetime Original Movie territory.
The Indian movie star, who makes his Hollywood
debut in «Silver Linings Playbook»
as Dr. Patel, initially tried to connect with
director - writer David O. Russell via Skype, but when that didn't work, he asked the hotel attendant to
film his audition.
Featuring Howard Shore's hair - raising
debut film score, this deeply personal take on the trials of parenthood and the trauma of divorce — which Cronenberg described
as his version of Kramer vs. Kramer — establishes the mix of body horror and psychological terror that would soon become the
director's trademark.
It's not
as narratively or emotionally fluent
as Mexican
director Alonso Ruizpalacios» breakout
debut Güeros (2014), another Berlinale
debut which won the prize for best first
film that year, but looks and sounds just
as gorgeous, AND it has the same kind of melancholic charm to it.
, About a Boy) makes his
debut as a
director, shooting his modest
film in 16 days on a shoestring $ 300,000 budget.
After securing the 2013 Sundance Film Festival's Screenwriting award, a slot on the National Board of Review's top ten list of indie
films, and the vocal support of critical heavy hitters like A.O. Scott, Lake Bell's pitch - perfectly precise comedy In A World... announced itself
as one of the more confident
debut features in recent memory, let alone from an actor - turned -
director / writer.
Of the various
films in the Netflix Original roster to date, Spectral, the
debut feature of
director Nic Mathieu, stands out
as considerably more expensive - seeming than its relatively modest brethren — although who knows how much Adam Sandler's future excuses to go on paid vacation will end up costing?
Join him,
director Robert Schwentke, and the
film's stars
as they share footage from the
film and
debut the final trailer before it's ever in theaters.
After producing multiple shorts, documentaries and experimental
films, Meredith Danluck is the latest
director to explore these ideas with her feature - narrative
debut State Like Sleep (which premiered at the 2018 Tribeca Film Festival) starring Katherine Waterston
as a photographer trying to find answers to her husband (Michiel Huisman)'s recent death; co-starring Michael Shannon and Luke Evans.
«The Forest» is a fairly promising feature
debut from
director Jason Zada, which isn't the same thing
as saying it's a good horror
film.
Not to be confused with Samuel L. Jackson's other snake movie, «Black Snake Moan» is the sophomore effort from writer /
director Craig Brewer, whose
debut film «Hustle & Flow» (another movie about a Southern musician battling his inner demons) earned the
director critical acclaim in 2005
as one of the generation's most promising young talents.
Mysterious, smart, and full of surprises, Ex Machina is about
as awesome a feature
debut a
director could have, and we had the privilege of speaking with Mr. Garland in a roundtable interview during his visit to San Francisco to promote the
film.