Sentences with phrase «debut gallery presentation»

Elizabeth Dee Gallery is proud to present Everything, a solo exhibition of work by Adrian Piper and the debut gallery presentation of the artist's most recent, ongoing series Everything, which she began in 2003.

Not exact matches

After several years in London, this fair makes its New York debut with presentations by more than two dozen galleries.
On view last year at Jeu de Paume in Paris (Simpon's first European exhibition), the presentation at Addison Gallery features «Chess,» 2013, a three - channel video installation making its U.S. debut.
Paul Kasmin Gallery is pleased to announce the debut presentation of a selection of Robert Polidori's large - scale color photographs of the frescoes of Fra Angelico (1395 - 1455) contained in the Dominican priory of San Marco in Florence.
Dedicated to debut solo museum presentations by emerging and under - recognized artists from around the world, the project space will feature commissions of site - specific or experimental works created in response to the flexible gallery.
WHAT»S NEW THIS SEASON The debut of Conversations, a presentation of galleries showing dual - artist exhibitions.
The stand presentation also includes works by Lawrence Weiner, Richard Long, Jorinde Voigt, Allora & Calzadilla and Stanley Whitney, who makes his debut with the gallery in his first solo exhibition in Milan this October.
The exhibition is the first significant presentation to revisit Posen's breakthrough shaped canvases and related paintings since his debut at New York's gallery O.K. Harris, nearly five decades ago.
Focus, a section of solo or curated presentations by young galleries conceived especially for the fair, debuting work that has never before been presented within an art fair context.
Following its acclaimed debut in 2015, the Collections section returns with eight specialist galleries chosen by Sir Norman Rosenthal, who said: «These dealers represent an enormous repository of art - each of the selected presentations is a kernel of an idea that could easily develop into significant exhibitions at any of the worlds» great museums.»
Sperone Westwater (New York) will participate for the first time with a solo presentation by Ali Banisadr; and also making their debuts at Frieze New York, Corbett Vs. Dempsey (Chicago) and Thomas Dane Gallery (London) will collaborate on a presentation which surveys figurative painting, with artists from both sides of the Atlantic including Cecily Brown, Arturo Herrera, Ella Kruglyanskaya and Karl Wirsum.
The highly anticipated presentation was the art - fair debut for the gallery arm of LA's United Talent Agency.
With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more than warranted: Salon 94's expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.
Focal points of the booth will be the presentation of The Lovers by Marina Abramović, a body of work she created after walking the Great Wall of China in 1988; Embajada Rusa, a new sculpture by Los Carpinteros constructed from LEGO ® bricks, playfully reimagining the architecture of the Russian Embassy in Cuba; a group of new paintings by Hugo McCloud; and The Time Vivarium, a stop - animation film by Sun Xun, created for his debut exhibition at the gallery in 2015.
Lyons Wier Gallery is pleased to introduce a solo presentation by artist Michael Boroniec at this year's SOFA Chicago (November 2 - 5, 2017), debuting the latest renditions of his «Spatial Spiral» series.
Featuring approximately fifteen works by the artist spanning the entirety of her career, the exhibition at the Gallery will also serve as the United States debut for Mariner 9, 2012, which has received accolades and critical acclaim since its initial presentation in Whitley Bay, England, earlier this year.
Miami Project 5 will feature presentations by prominent galleries from around the world — a renowned list of returning exhibitors, as well as an exciting slate of newcomers making their Miami Project debut.
This is his fifth exhibition with the gallery, including the U.S. debut of his massive installation Large Field Array, which was shown at Pace in New York in 2010 following its presentation at the Louisiana Museum of Modern Art, Copenhagen, and the De Pont Museum of Contemporary Art, Tilburg, Holland.
With selections of the series previously exhibited in Osaka (graf media gm, 2004) and Aomori (Yoshii Brick Brewhouse, 2006), Nara has personally selected Blum & Poe's gallery space for the debut presentation of the series in Tokyo and as a collective whole.
This will mark Shire's debut presentation with the gallery and will consist of ceramics, furniture, and work...
Kamps described the proposal for the presentation at Frieze - which follows Hales Gallery's debut exhibition by Jaramillo outside the US earlier in 2017 - as «just fantastic — the work, but also that great historical legacy.»
In this exhibition, the artist's fourth solo presentation with the gallery, Voigt debuts a brand new series of works, collectively titled Immersion.
ASHES / ASHES debuts the gallery's participation in Art Los Angeles Contemporary with a two - person presentation by Cheryl Donegan and Ryan McNamara.
In edition to the Solo and Discovery sectors, offering in - depth presentations and introductions to emerging artists, respectively, this latest edition of the fair also debuts a new sector, Rediscovery, in which 14 galleries showcase overlooked or marginalized historic artist practices.
Vokoun's presentation, and debut with the gallery, represents a collection of new mixed media paintings created in response to the artist's month - long residency in 2016 at Chaco Canyon in northern New Mexico, part of the National Parks Arts Foundation (NPAF) residency program in association with Chaco Culture National Historical Park of the National Park Service.
Following its Asia debut at last year's fair, the Kabinett segment returned with 30 curated solo presentations hosted by a selection of internationally - renowned galleries.
In this exhibition, the artist's second with the gallery and her first solo presentation in New York since 2010, Dumas debuts an expansive series of works on paper originally created for a recent Dutch translation of William Shakespeare's narrative poem Venus & Adonis (1593) by Hafid Bouazza.
Two presentations in Washington, D.C., «The Card Series II: The Rounds,» a 54 - part installation in the visual art gallery of the new Smithsonian National Museum of African American History and Culture, and «Whitfield Lovell: The Kin Series and Related Works,» a traveling exhibition that debuted this month at the Phillips Collection, have brought new attention to his work.
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