Sentences with phrase «debut of her narrative film»

Not exact matches

Ondi Timoner, the director of the documentaries, We Live in Public 69 and Cool It 61 will make her feature narrative debut with the latter film.

Somewhere between his debut feature Badlands and this year's Knight of Cups, Terrence Malick peeled conventional narrative from his films; his work became unashamedly naked.

«Jeff Unay's impressive and beautiful debut unfolds like a narrative film in which the story of Joe Carman and his journey is portrayed with empathy and universal accessibility,» Arianna Bocco, EVP of acquisitions and productions at IFC Films / Sundance Selects, said in a statement.

The 2017 lineup, which kicks off with Sorkin's directorial debut Molly's Game, will screen a total of 131 films, including 33 narrative films, 16 documentary films and 82 shorts, most of which are already beginning to build momentum for award season.

Coming of her debut film Somersault, Shortland's keen artistic eye makes Lore resonate despite its familiar narrative: a young woman facing brutal survival, while all the while trying to triumph and rise above her familial political ties.

One of the breakout films from the festival circuit this year was the unexpected narrative debut from Maggie Betts (who received high praise for her documentary feature

This is the second narrative feature film by writer / director Derek Cianfrance, who followed his little - known, Sundance - playing 1998 debut Brother Tied (made at age 23) with a number of shorts and music documentaries.

In addition to his directorial debut, Cheshire has written two narrative screenplays and recently taught a course on the history of film at the University of North Carolina at Chapel Hill.

The most recent addition to his series is Chilean director Marcela Said's 2013 narrative feature debut, The Summer of Flying Fish, which he first discovered while serving on a jury at a film festival.

The Russos, aided by a script from Christopher Markus and Stephen McFeely (the writes of both previous Captain America films), have the unenviable task of corralling a mammoth cast (that recap paragraph didn't even have room to mention Paul Bettany's Vision, Jeremy Renner's Hawkeye, Paul Rudd's Ant - Man or the debuting Tom Holland, bringing Spider - Man into the main Marvel Cinematic Universe) and steering them through a twisty narrative chock full of multiple belligerents coming from all angles.

The narrative thinness exacerbates the emptiness of the film's stylish flourishes, turning this debut into another «style over substance» cliche.

For his narrative feature film debut, Oranges and Sunshine, director Jim Loach chose to tackle a sprawling tale of warped governmental policy, spanning three decades and involving the forced deportation of British kids to Australia.

It's Diane Lane road tripping through France on the way to Paris, guided by the script and direction of Eleanor Coppola, in her narrative film debut (at age 80!).

British film director Steve McQueen's 2008 debut film, Hunger, is notable for many reasons: It is a great film, a great debut film, uses an innovative narrative structure, uses interesting cinematography in concert with its soundtrack, makes the best use of ambient sound to have the best non-musical soundtrack I've heard in a long time (if not ever), is the work of a black artist that is not obsessed with black only topics, and shows a maturity and grace that goes beyond even the first films of directors like David Gordon Green, in George Washington, and Terrence Malick, in Badlands.

The event kicked off last night with the world premiere of The Five - Year Engagement and now we've got 11 days of films ahead of us, one of which is the World Narrative Competition entry First Winter, and Shockya.com is lucky enough to exclusively host First Winter's poster debut!

by Walter Chaw Tom Green's Freddy Got Fingered is the most startling debut since Luis Buñuel's Un chien andalou, with which it has a few things in common: both are constructed with a wilful disdain towards narrative; both are aimed at the outer limits of shocking imagery; both display an open hostility for the cultural status quo; and both joke on their audience's entrenched preconceptions of film form.

Park Chan - wook's The Handmaiden (South Korea), his first film since his superb but unheralded American debut Stoker, returns to the intense imagery, twisting narratives, perverse subcultures, and elevated emotions of his Sympathy trilogy with a story of con artists in 1930s Korea.