Sentences with phrase «debut solo shows in»

The self - taught artist staged his debut solo show in 2016 at the Lower East Side gallery Canada, which received a positive notice from the New York Times.

It seems fitting that the Gugulective, in their debut solo show in Johannesburg, exhibit at Arts on Main.

Just this month, Yanai unveiled ANCIENNE RIVE, his debut solo show in New York City at Chelsea's Ameringer McEnery Yohe Gallery — on now through 14 August.

Quality Time is his debut solo show in Hong Kong, and will coincide with Art Basel week there.

It was the first of its kind in the country, and Hammons's debut solo show in New York was held there in 1975.

Galerie Huit is currently exhibiting the debut solo show in Hong Kong of the Chinese multi-disciplinary artist Xie Rong, otherwise known as Echo Morgan.

Michael Sailstorfer's debut solo show in Mexico City opens with Wolken Monclova (2017), an arrangement of truck tyre inner - tubes, composed Continue reading →

This will be the artist's debut solo show in his hometown of San Francisco.More Water comprises three separate but interrelated segments: two series of paintings and installation, Couples Therapy and Game of Life, and a selection of works by Yarrow's favorite artists who he's temporarily dubbed The Art Figaz.

We are proud to present her debut solo show in China, also our first exhibition by home - grown US artist in the Hong Kong gallery space.»

An uninitiated viewer of Lucas Blalock's debut solo show in Brussels might wrongly put his photographs into the pot of all - digital, cut - and - paste, internet - obsessed art.

Not exact matches

Showing the «nurturing, mothering side» in all its complexity is what actor - turned - director Greta Gerwig does in her solo directorial debut Lady Bird (in UK cinemas 23 February), a movie in which a mother lobs molotov cocktails of the emotional variety.

Our exclusive preview for Rise of the Black Panther # 3 shows how Earth reacts to Wakanda's debut - a question teased in his solo movie.

A new Solo: A Star Wars Story trailer has arrived ahead of the film's forthcoming debut at the Cannes Film Festival, and it shows off tons of new footage from the origin story that stars Alden Ehrenreich in the role originated by Harrison Ford in Star Wars: A New Hope back in 1977.

«Cristina de Miguel may have trained at a classically inclined art academy in Seville, Spain, but you'd be hard pressed to recognize that given the exuberant, large - scale paintings in «Absolutely Yours,» the artist's debut solo show with Freight + Volume in New York... [with] scenes that respond either to moments the artist has witnessed in New York, or to the act of painting itself.»

In her third solo show at the gallery, Castrillo Diaz debuts a series of three - dimensional wall works that continue parallel dialogues with light and shadow, visibility, surface and materials.

After debuting in a few group shows, including Drawings at the Museum of Modern Art, she had her first solo exhibition at Terry Dintenfass Gallery in 1964.

The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white paintings «Orestes» and «Zurich» (both 1947).

His gallery, Lehmann Maupin — whose Lower East Side location hosted his solo debut last year — is consciously cultivating a global profile for the Puerto Rico - born artist, placing him in a series of major shows all over the world throughout 2012.

This month Scharf will be unveiling two prominent new efforts that will take his impishly playful, cartoonish style in different directions: a solo show at Paul Kasmin Gallery (April 4 — May 4) debuting a new series of squiggly monochromes that tackle one of the more austere schools of painting, and a Munch-esque blue sculpture of a screaming cartoon head at the Standard Hotel by the High Line.

The catalyst was the debut solo show of the American artist Jasper Johns, which sold out at the Leo Castelli Gallery in New York at the beginning of 1958.

The artist recently exhibited a new body of work, «Under - Song For A Cipher» at the New Museum in New York — her first major solo show in the US since her museum debut at the Studio Museum, Harlem, in 2011.

She had her debut solo exhibition at Washington's Franz Bader Gallery in 1972, and for the next four decades frequently showed work in D.C. Over the last two decades, Cleary exhibited art at Georgetown's Addison / Ripley Gallery, where she had her last solo exhibit in 2009.

London - based artist Nicolas Deshayes creates some heat at his debut solo show, Thames Water, at Stuart Shave / Modern Art in London

Matthew Wong's show at Karma is one of the most impressive solo New York debuts I've seen in a while.

Opening: «Izumi Kato» at Galerie Perrotin After exhibiting in Japan since 1996, Izumi Kato makes his New York solo show debut with a display of recent paintings and sculptures of nude, alien - like figures with multiple heads, limbs that sprout plants and torsos with wings.

The BECC's advocacy arguably led to a dozen solo shows at the Whitney Museum, by artists such as Alma Thomas and Alvin Loving and, in 1974, Whitten's own solo institutional debut.

Despite the artist's inclusion in the 2004 Carnegie International in Pittsburgh and several solo shows at major American galleries in years since, her elusive, forlorn painterly world would not make its solo debut in a US institution until this past winter, when thirty of the Swedish artist ’s

Jonathan LeVine Projects is hosting The Fourth Dimension: Time, a solo exhibition of new work by Dutch artist Handiedan in what will be her debut solo show at the gallery.

STEVEN HARVEY FINE ART PROJECTS Sedrick Huckaby, who lives in Fort Worth, takes his New York solo debut bow with this wonderful show, «The 99 %,» and brings much of the population of his African - American neighborhood with him into the limelight.

Cristina de Miguel may have trained at a classically inclined art academy in Seville, Spain, but you'd be hard pressed to recognize that given the exuberant, large - scale paintings in «Absolutely Yours,» the artist's debut solo show with Freight + Volume in New York.

Wurm's debut at Lehmann Maupin's Chelsea home was his first solo show in New York in nearly a decade and it (along with a single project simultaneously on view at his longtime West Coast dealer Jack Hanley's Watts Street space) provided a welcome encounter with the more physical, artifactual side of the artist.

«Serial,» De la Mora's first solo show in Europe, debuts engrossing abstract works that are visually minimal but hold conceptual weight, due to the artist's exacting process and the unsuspecting found materials he employs — including discarded parts from printing presses and microscope coverslips.

In 2015 his solo show, Feels Like Real, debuted at Yancey Richardson Gallery in New YorIn 2015 his solo show, Feels Like Real, debuted at Yancey Richardson Gallery in New Yorin New York.

«Closer,» his debut solo show at Berlin's Guido W. Baudach, closed 10 days into the new year and launched Scherer on to exhibitions at Carl Kostyal in London, Salon Kennedy in Frankfurt, Exo Exo in Paris, and the Swiss Institute (SI) in New York.

For their debut solo show with the esteemed Lehmann Maupin gallery in NYC, Brasilian wonder twins Os Gemeos (aka: Read More

Contingency made its debut at Mary Baldwin College's Hunt Gallery in January 2009 and showed in a solo exhibition at Main Art Gallery, Richmond, Virginia, in May 2010.

Painter Jane Corrigan will debut fresh new figurative paintings at Feuer / Mesler — it's her first solo show in two years.

His first solo show debuted in 1968: fifty years before the opening of this new exhibition at Voorlinden.

After his sculptures made eye - catching appearances in group shows at Andrea Rosen and 247365 last year, Geronimas mounts his most ambitious solo show to date, which debuts new works including the over-10-foot-tall Yin Yang Shelf and the graphite - swathed Custom Work Table, embedded with carvings that recall school - desk doodles.

Martha Tuttle is a New York - based artist whose solo debut, Martha Tuttle: Metaxu, at Tilton Gallery in New York, brought her most recent body of work critical attention, with David Ebony describing it as «understated and graceful» in his «Top 10 New York Gallery Shows This Winter.»

In her debut solo exhibition at Gavin Brown's Enterprise, LaToya Ruby Frazier's self - titled show will be her largest exhibition in New York to datIn her debut solo exhibition at Gavin Brown's Enterprise, LaToya Ruby Frazier's self - titled show will be her largest exhibition in New York to datin New York to date.

In 2014 Gomez had his solo gallery debut at Charlie James Gallery in Los Angeles, and went on to show widely across North AmericIn 2014 Gomez had his solo gallery debut at Charlie James Gallery in Los Angeles, and went on to show widely across North Americin Los Angeles, and went on to show widely across North America.

Lehmann Maupin Gallery have the honour of presenting a solo show by English artist Tracey Emin, entitled I Fell in Love, the show will debut the artists bronze sculpture The Heart Has Its Reasons while the Sean Kelly Gallery will feature works from esteemed British sculptor Antony Gormley, famed for his giant Angel of the North sculpture located in Gateshead, UK and his Another Place work that saw the sculptor place 100 cast iron figures facing out to sea on Crosby Beach near Liverpool in the UK.

The German pavilion has culturally adopted the artist, including his work in a group show, but outside the Arsenale, he'll debut a solo exhibition that's already started receiving buzz: six half - scale fiberglas dioramas recreating scenes from his 2011 house arrest.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

At the Whitney Museum of American Art in New York, Marcia had become famous for her groundbreaking shows, having arrived in 1969 to co-organize the first exhibition devoted to process art in an American institution, «Anti-Illusion: Procedure / Materials,» before giving Bruce Nauman and Lee Krasner their solo museum debuts, and James Rosenquist and Joan Mitchell their first retrospectives.

London based artist Alexander Chappell debuted his solo show entitled «Nobody «at StolenSpace, exploring the path of anonymity in a society obsessed with being «somebody».

The artist had his debut solo show Metros at Robert Fontaine Gallery in September 2014.

«ISHMAEL» a solo show by Nira Pereg debuts in the U.S. at Braverman Gallery, hosted in collaboration with On Stellar Rays

An indisputable rising star who created a sensation with her critically adored solo debut at MoMA in 2009, Klara Lidén has since captivated collectors with her edgy videos — one, famously, showing her dancing berserkly on a Stockholm commuter train — and installations, which won her a special mention at the 2011 Venice Biennale.