Because this September, Joe Nanashe, a conceptual artist who sorta fits that bill himself as an Ohio - born transplant now based in New York, is
debuting his solo show American Vanitas at Bushwick's Victori + Mo gallery this September.
Not exact matches
The catalyst was the
debut solo show of the
American artist Jasper Johns, which sold out at the Leo Castelli Gallery in New York at the beginning of 1958.
Despite the artist's inclusion in the 2004 Carnegie International in Pittsburgh and several
solo shows at major
American galleries in years since, her elusive, forlorn painterly world would not make its
solo debut in a US institution until this past winter, when thirty of the Swedish artist ’s
STEVEN HARVEY FINE ART PROJECTS Sedrick Huckaby, who lives in Fort Worth, takes his New York
solo debut bow with this wonderful
show, «The 99 %,» and brings much of the population of his African -
American neighborhood with him into the limelight.
But beyond the gaudy veneer, her paintings and videos empower their subjects — Middle - aged African -
American women with different body types but a uniformly charismatic appeal — making this artist's long - awaited New York
solo -
show debut uncommonly upbeat and inspiring.
At the Whitney Museum of
American Art in New York, Marcia had become famous for her groundbreaking
shows, having arrived in 1969 to co-organize the first exhibition devoted to process art in an
American institution, «Anti-Illusion: Procedure / Materials,» before giving Bruce Nauman and Lee Krasner their
solo museum
debuts, and James Rosenquist and Joan Mitchell their first retrospectives.
Hinkle's critically acclaimed
solo show The Evanesced focused on the erasure of black women historically and presently
debuted at the California African
American Museum in Los Angeles in the spring of 2017.
Recent gallery
solo exhibitions include Alex Mackin Dolan, Lucy Dodd, Dawn Kasper, Greg Parma Smith and the gallery
solo debuts of Jared Madere and Jeffrey Joyal; with
solo museum exhibitions for Jared Madere and Lucy Dodd at the Whitney Museum of
American Art, among other institutional
shows.
In the last dozen years, Ms. Herrera has had a thriving career that would make any artist jealous: a
show opening May 3 at Lisson Gallery in New York, the
debut for the
American branch of the London dealer, and in the fall, a
solo exhibition at the Whitney Museum of
American Art.
A whisper of a
show, spare to the point of near - disappearance, Ann Veronica Janssens's recent exhibition at Bortolami — the Belgium - based artist's
solo debut at the gallery, timed to coincide with the first
American museum survey of her work, at the Nasher Sculpture Center in Dallas — provided a modest glimpse into her range of sculptural, spatial, and atmospheric concerns, and a sense of both the strengths and limitations of her practice.