In this show, Rocha Pitta
debuts work from the past year, including over 20 fresco paintings, watercolors, and a video, as well as a site - specific installation made from concrete and a bed of moss.
Levan Mindiashvili, in his second major exhibition at ODETTA, will
debut works from a new project entitled «The Color Of The Sky» in which he examines the issues concerning identity...
The Philatelist will include works from Bourke's celebrated «Lick My Rear,» «A Boy Named Sioux,» and «Sen» series, and will
debut work from Bourke's most recent «Frank the Buffalo» series.
Not exact matches
Since the series
debuted, Demos and Ricciardi have spent a fair amount of time defending their
work against claims (
from the likes of Kratz and others) that the documentary is unfairly skewed in Avery's favor.
The podcast later served as the inspiration for her
debut book,
Work It: Secrets for Success
from the Boldest Women in Business.
She also took
from her religious training a confessional impulse, on display in three memoirs and her
debut work of fiction, The Company She Keeps.
I scored a couple of points on my Formula 2
debut, but I came away
from the weekend feeling that it could have been so much better, and knowing that we have
work to do before the next round in Baku.
The forward who is on a season long loan
from Liverpool, his third spell on loan since joining the club two summers ago failed to make his
debut last weekend due to
work permit issues.
The Ivorian defender spoke about his memories of his
debut and the performance he put in during the match, also speaking about the
work that was put in against Manchester City the weekend before last, seeing the side come
from two goals down at half - time to equalise through a Paul Pogba brace, then win the match with a strike
from Chris Smalling, putting the celebrations on hold for the noisy neighbours, then talking about the disappointing defeat to relegation candidates West Bromwich Albion at the Theatre of Dreams on Sunday.
In a new television campaign ad that
debuted Tuesday, Mangano praises Cuomo for his shoulder to shoulder
work in helping Long Island recover
from Superstorm Sandy and then declares, «I'm a Republican and I'm voting for Gov. Cuomo.»
New
work from Carnegie's Steven Farber and his graduate student Vanessa Quinlivan
debuts a method using fluorescent tagging to visualize and help measure lipids in real time as they are metabolized by living fish.
So, starting on February 28th, I will be
debuting as the host of a new series on the Weather Channel called Hacking the Planet, and this is a series in which, each week, the format is I take a look at some kind of big natural threat, things like hurricanes and tornadoes and earthquakes and the like, and I explore what we understand, the science of how these things
work and where they came
from and how they stop and then we figure out, well, how can we use this knowledge to our advantage.
As a full - time
working mother of two young girls (one who recently made her
debut into this world), this is the reality for the masses, and yes, while it is «just a stage» and «this too shall pass», it can be frustrating and detrimental to our well - being if we really don't take that time to escape
from our mad, mad worlds.
From his
debuts to the eighties to nowadays, Azzedine Alaia constructed his clothes on a few staples that make his
work so iconic.
Since I unpacked my fall / winter clothes, my faux leather pants
from last season were waiting for me for a new
debut, so I thought it was the perfect occasion to wear them with a fun striped top, a bright purple as the pop of color, and my animal print pumps that
works as neutrals in these color combo.
My plan had been to
debut Simplicity 2444 next month, as in April, which YIKES, begins two days
from now, but it
worked really well as a template for my Betty bodice.
The first image
from the ads, set to
debut in May, show the Australian actress in a tailored white blazer, sans pants or bra,
working Sienna Miller-esque hair and a rather Voldemort - ish nose, with white smoke hovering in the background.
Working in relative anonymity through the»70s and early»80s, appearing in films ranging
from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable
debut, Blood Simple (1984).
Clustertruck
debuts on Switch retaining the «pure platform» vibe
from the PC version, with the core mechanics
working like a charm in portable mode.
The
debut feature
from writer - director Nicholas Smith, who surely will go on to more compelling
work.
An auspicious directorial
debut by DreamWorkers Andrew Adamson and Vicky Jenson,
working with a nicely barbed script
from a team headed by Ted Elliott and Terry Rossio, Shrek is a happy display of whizzy advances in computer animation (developed at PDI / DreamWorks) that allow faces and bodies to move and light to play on textures realistically.
The Oakland - born Coogler has steadily
worked his way out
from his home base,
debuting with 2013's stark «Fruitvale Station,» about the 2009 police shooting of Oscar Grant, then jump - starting the «Rocky» series by telling it
from the other side of the ring in «Creed» (2015).
This film
from stuntman turned director David Leitch (who
debuted behind the camera with «John Wick») starts with a literal bang, with our mysteriously depressed hero immolating himself atop a deathbed of explosive fuel canisters, then
works its way backwards to detail the trauma that made him sad enough to kill himself.
In 1932 he won great acclaim for his
work in the play The Animal Kingdom, leading to an invitation
from Hollywood where he made his film
debut in 1932.
Ever since he first burst upon the scene in 1988 with his hypnotic
debut feature «Tales
from the Gimli Hospital,» Guy Maddin has been one of those filmmakers whose new
work I most eagerly look forward to seeing.
Writer - director Damien Power advances
from his
work on short films with his feature
debut, a solidly visceral and harshly unforgiving pic that's lean and taut in its plotting and pacing, even as it shakes up linear chronology initially to tell its tale.
Somewhere between his
debut feature Badlands and this year's Knight of Cups, Terrence Malick peeled conventional narrative
from his films; his
work became unashamedly naked.
In The Stolen Man (El hombre robado), Argentine filmmaker Matías Piñeiro's 2007
debut feature, a young woman navigates her way through two different schemes: the stealing and subsequent selling of artifacts
from the museum she
works at and a series of encounters with friends and lovers that she aims to manipulate towards an ambiguous endgame.
You can see how all that plays out in the first Sleepless trailer that
debuted last fall, but now a clip
from the movie has
debuted, showing us the tense, cheeky relationship that Jamie Foxx has with Michelle Monaghan, who
works in internal affairs and has no idea that Foxx is just pretending to be a corrupt cop as part of his job, and isn't actually as bad as some of his colleagues.
Set in 1998 and derived
from a news story of that time, the film starts out by focusing on twenty - four - year - old tomboy Ilana (a strikingly charismatic
debut by Darya Zhovnar), who
works in the garage of her mechanic father.
And yet complex, compelling heroines have been a fixture of McDonagh's
work from the very start — his
debut play
from 1996, «The Beauty Queen of Leenane», centres on the destructive relationship between a depressive fortysomething and her manipulative elderly mother.
Midnighters is directed by up - and - coming filmmaker Julius Ramsay, a veteran
from the TV world making his feature directorial
debut after
work on «The Walking Dead» and as an editor for «Battlestar Galactica» and «Flashforward».
Modern day successors to Oldman's superlative kitchen - sink drama can be found in the form of Shane Meadows»
work, as well as Paddy Considine's own
debut feature
from 2011, Tyrannosaur.
If this is a directorial
debut, you may submit a film you have shot or edited instead, or a previous
work from a key creative member of the team (e.g. editor, cinematographer), will also be accepted.
The idea for 355 came
from Chastain, and she pitched it to him while they
worked on that superhero film on which Kinberg made his feature directing
debut.
From these limp ranks emerges Son of a Gun, Julius Avery's directorial
debut, an Australian crime thriller
working the top dog vs. new recruit angle.
With Paul Greengrass currently taking a break
from the series, helming duties for Legacy have fallen the way of Tony Gilroy, who
worked as a screenwriter on the previous Bourne films, and made his directorial
debut with the excellent Michael Clayton in 2007.
And while we had the young actress on the line, we had to quiz her about a myriad of upcoming projects she has in the
works, everything
from the upcoming Wes Anderson joint «The Grand Budapest Hotel,» to Ryan Gosling «s directorial
debut «How to Catch A Monster,» to things that are in a more nebulous state of flux, like Joe Wright «s «Little Mermaid» and the hotly rumored «Fantastic Four» and «Star Wars: Episode VII.»
For his directing
debut, Dustin Hoffman takes no chances, filling the screen with gifted actors who are
working from an intelligent script.
Ranging
from debut to valedictory
work, most of these fiction and documentary features have American distribution and will be presented at other festivals.
Debuting new
work from master directors such as the Taviani Brothers (CAESAR MUST DIE), Michael Winterbottom (THE TRIP TO ITALY), and Neil LaBute (DEATH AT A FUNERAL), audiences will also be introduced to new voices like first time director Henry Hobson's MAGGIE and PRAY THE DEVIL BACK TO HELL producer Abigail Disney's directorial
debut THE ARMOUR OF LIGHT.
Working closely under the tutelage of Terrence Malick for several years now, editor and second - unit director turned writer / director A.J. Edwards (who has logged time on «The New World,» «The Tree of Life» and «To the Wonder «-RRB-, might have been better advised to get out
from under the shadow of his mentor for his feature - length
debut, «The Better Angels.»
For his filmmaking
debut, Krasinski appears to have called in favors
from nearly every famous person he's ever met, but he hasn't yet developed the authority or command to
work their varying styles and skills into seamless cinema.
Lock Stock and Two Smoking Barrels Year: 1998 Director: Guy Ritchie The
debut film
from Guy Ritchie, this super stylistic take on the gangster formula pays homage to the
work of Quentin Tarantino.
Of the six features on this set, all but Playtime make their respective American Blu - ray
debuts and two appear on disc for the first time in the U.S..
From his
debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like
works of kinetic art driven by eccentric engines of personality.
I'm excited to see that they've generally bypassed plush heritage cinema in favor of edgier
work from the fringes: Gary Oldman's brilliant, frequently neglected directorial
debut «Nil by Mouth» is an adventurous choice for the Top 10, while my heart cheers the inclusion of Lynne Ramsay (potentially the greatest talent the country has) and her
debut «Ratcatcher.»
This season
works its way
from the shadowy deep south (the series
debut, «Black November,» takes them to a gothic town frozen in time by its own guilt and shame and ruled over by a virtual dictator, Everett Sloane) across the gulf coast through the southwest desert states and over to the west coast.
This trend would explain why UK's Channel 4 is currently
working on a TV series based on Monsters, the wildly entertaining
debut film
from Gareth Edwards, starring then - unknown leading man Scoot McNairy.
by Walter Chaw After years spent
working alongside such luminaries as Joe D'Amato, Lucio Fulci, and Dario Argento, Michele Soavi made his directorial
debut with 1987's StageFright (onscreen title: StageFright: Aquarius)-- not an update of Hitchcock's underestimated Jane Wyman vehicle, but a carrying of the giallo torch
from one generation ostensibly into the next.
Faces become clouds that become ripples of water that pool back into mutating images, and there's an agility to The Forbidden Room that marks it with a resplendency sometimes lacking in Maddin's
work (2011's Keyhole felt very much like an item plucked
from the dusty recesses of the director's brain, a realm that's been mined to better effect ever since his 1988
debut Tales
from the Gimli Hospital).