Bernar Venet (b. 1941, Alpes - de-Haute-Provence, France), known for his groundbreaking sculpture works, has explored a range of disciplines over his five -
decade conceptual practice, including sculpture, painting, photography, language and drawing.
Not exact matches
P.S. 1 Contemporary Art Center is pleased to present MY SECRET LIFE, Lutz Bacher's first museum survey exhibition, which spans several
decades of the artist's wide - ranging
conceptual practice.
Over the last three
decades, artists have turned to photography, film, and video as tools with which to articulate their
conceptual practices.
And, while painting has certainly been subject to a reappraisal during the last few
decades as postmodern theory,
conceptual and time - based art
practices have challenged the primacy of painting and increasingly advocated for the dematerialization of the traditional art object, the tenets and
practice of painting far from disappearing or being weakened by this realignment, have indeed emerged revitalized and re-imagined in the hand of many a creative practioner.
The ontological
practice seemed to assert: «Here I am, at this time and place» - much like the work of
conceptual artist On Kawara, who made this textual declaration in postcards
decades before.
A pioneer of
conceptual art
practice, the artist's career spans five
decades and embraces painting, photography, film, video, books, prints, objects and installation.
Among the first critical art historical examinations of Haendel's
conceptual drawing
practice, «Karl Haendel: Knight's Heritage» narrates four illuminating moments in the artist's career that show how the operations, effects, and reception of appropriation art have changed in recent
decades.
The so - called Pictures Generation — Richard Prince, Cindy Sherman, Robert Longo and others — who returned to representational imagery in the late 1970s, often via appropriation, after a
decade of minimal and
conceptual art, are a precedent for your
practice in terms of their appropriation of mass - media images.
I painted for many years, then for a
decade my
practice became more
conceptual - creating collections of contemporary material culture.
Within this
conceptual and historical framework, the concept of repair has guided Attia's artistic
practice well over a
decade.
«The works on view span the last four
decades, and provide an expansive yet necessarily incomplete picture of John Divola's
practice — a canny yet understated blend of documentary photography,
conceptual art, performance and installation.
Allen Ruppersberg's
conceptual art
practice has for five
decades focused on the American vernacular — its books, music, popular images, and everyday ephemera.
Before the Body — Matter brings works from the 1990s into dialogue with recent artistic
practice, to explore the ways in which our material and
conceptual consideration of the body has evolved and shifted over the past
decade.
Fred Wilson's two - part exhibition at the Neuberger Museum of Art features the artist's related studio and
conceptual practices comprising a survey of over two
decades of his work and a site - specific installation in which he re-contextualizes the collections of the museum and college to create a dialogue examining the relationship between institutions and individuals in the museum's Stairway Gallery.