Sentences with phrase «decades of work history»

In the experience section of the shift manager resume sample, the jobseeker includes three positions covering about a decade of work history.

Not exact matches

Company director Shinya Takahashi followed with a history of Nintendo's platforms illustrating how Switch is in effect a composite of everything the company's been working toward for decades: a game system you can dock with a TV, but also removed to go mobile, and attach a pair of left and right controllers — called Joy - Cons — that let you play anywhere.

Almost without exception, exemplars are scrappy young businesses whose brands were born on the same clean sheets of paper as their products were, whose history is measured in months or years rather than decades, and whose founders still show up for work in the morning.

They have a decades - long history of working effectively in the financial services industry, which is why there is now a sudden move in many countries towards establishing cryptocurrency SROs.

A decade after having proclaimed the «end of history» and the arrival of a new world order of prosperity based on «democracy and the market», globalised financial capital has subjected the majority of the planet's working populations to the burden of international recession, which has spread out in leaps and bounds, from Asia: recession and deflation in the world's second economy, Japan; recession and even depression m various east Asian countries, since the first quarter of 1997; the collapse of the Russian economy six years ago and financial bankruptcy in July 1998; brutal recession in the leading economy of Latin America, Brazil; the beginning of the downturn in the economies of the OECD countries.

He then spent decades working out the implications of that history for his own faith.

His 1921 work History of the Synoptic Tradition (Harper & Row, 1963) has been available in English for over a decade, and was joined in 1971 by an edition of his 1941 commentary, The Gospel of John (Westminster).

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

Although many philosophers in history have written from a process perspective, the term today is reserved for a particular school of thought centered around the works of Alfred North Whitehead, whose philosophical writings spanned the two decades of the 1920's and 1930's and the two countries of England and the United States.

I have retraced and reviewed these conversations, and attempted to assess their contribution to our contemporary understanding of process metaphysics, in a number of other works (e.g., The Rehabilitation of Whitehead, «The Compositional History of Whitehead's Writings,» «Outside the Camp: Recent Work in Whitehead's Philosophy»), which help contextualize historically the many contributions Ford has made in over 100 scholarly articles published during the past three decades.

Simon has spent the last two decades working in the public affairs industry, having studied history at the University of York and worked as a researcher to a Conservative MP.

His death is major loss for New York journalism, but students of our city's history will be reading his work for decades to come.»

«This is a special time in our city's history and we are going to continue the work we started together to all rise higher... it is onward to November another tremendous opportunity to bring our message to all the people of the city: Buffalo is in a far better shape today than it has been in decades,»

A decade later, as a postdoctoral researcher, he was working on a multi-university collaboration called the Tree of Life, to piece together the phylogeny — that branching tree of evolutionary history — for all flowering plants.

Known for complex narratives that often concern a network of characters engaging with the mediation of identity, truth and history, Egoyan's work over the last decade plus applies these concerns to a variety of film subjects, as well as installations, plays and operas.

Not surprisingly, with Tate Taylor, the director of The Help at the helm (along with some of his cast members from that movie) and the likes of Brian Grazer and Mick Jagger producing, Get On Up is a polished piece of work that covers decades of musical history surrounding one of the greatest legends of R&B and soul music.

Lawrence Kasdan straddles four decades of «Star Wars» history, having worked on the screenplays for «The Empire Strikes Back» and «Return of the Jedi» and now «The Force Awakens» and the planned Han Solo spinoff film, which he's co-writing with his son,...

WHY: Woody Allen is one of the most prolific filmmakers in history, but it's hard to maintain any level of quality with that sort of productivity, and moviegoers have witnessed the hit - and - miss nature of the director's work first - hand over the past two decades.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

The supercut pulls some great shots from «Raising Arizona,» «Fargo,» «No Country For Old Men,» «True Grit,» and just about every other film in their oeuvre, which over the decades has continued becoming one of the most complete, diverse, and well rounded bodies of work in cinematic history.

Austin, who has been working in education reform for two decades, said it is a unique time in LA Unified's history with the election of a pro-reform majority of the school board who won their seats without the support of an incumbent mayor.

Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel's doors.

The book you write and self - publish could be the most exciting work of fiction in a decade, a riveting looking into current events, a historical recounting of past events every history professor should read, a guide to your own personal area of expertise, or any of countless other types of book; but in terms of how you sell the book, it is just a unit.

Talent acquisition manager, Craig Pearn, tells us all about the benefits of working at Reflections, a bit of history behind the three decade old studio and its new studio in Leamington Spa

He gained his Masters in the History of Art at Aberdeen University and after a decade of working in and running behavioural difficulty schools, he has returned to his creative passion after discovering the possibilities of digital art combined with more traditional pencil work.

Yet over the last decade, she has forged a conceptual link in her work between the histories of abstraction and of modern jazz in America — «black guys in the 1950s taking jazz into the concert hall and making it this bluesy hybrid with Bach,» as she puts it.

The Gallery's curated exhibition History, Painting connects three painters whose work reflects three distinct movements in American social activism over a period of three decades.

Only now, after decades of revisionist / feminist art history is some attention finally being given to the work of Rosalyn Drexler and Marjorie Strider.

Vision in Motion animates an Australian history of modernism, presenting a survey of Jubelin's intricately sewn petit points of the past three decades alongside newly commissioned works inspired by architecture and the built environment.

Living and working in New York for several decades has helped me with this, as has my pretty traditional education in the history of art — an expertise that is based precisely in analyzing artistic trajectories.

In Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America, Copeland focuses on the work of Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson, and considers how slavery shaped American art in the last decades of the twentieth century in order to argue for a reorientation of modern and contemporary art history where the subject of race is concerned.

In reviewing our three - decade history, we are acutely aware that the struggle of talented artists to stabilize their careers and have time and resources to do their work is a never - ending challenge.

Almost forgotten by art history and the feminist movement, the work of Rama, stretching over seven decades, constitutes an anti-archive allowing a reconstruction of the avant - garde movements of the 20th century.

Born in poverty in Alabama, Dial has lived his entire life in the American South, and his art, informed by decades of struggle as a black working - class man, reveals a unique perspective on America's most difficult and pervasive challenges, such as its long history of race and class conflict, the war in Iraq, and the 9/11 tragedy.

Within their Bermondsey gallery, White Cube is currently exhibiting works by Josiah McElheny (Boston USA, 1966) narrating the last decade of McElheny's ongoing exploration of alternative histories of modernism and the politics of aesthetics.

«Carrying Off the Palaces» is one of the most important works on John Ruskin in recent decades and a major contribution to the history of photography

One of the most important photographers in the history of British contemporary art, Edward Woodman has been photographing artists and their work for over four decades, capturing historic moments and influential figures.

In one weird, hyphenated word, NOW - ISM insists that the works in it are both of the moment — particular to the circumstances in which they were made and attuned to the digital phase of the Information Age as it hurtles us through the first decade and a half of the twenty - first century — and outside of time: unshackled by the constraints of context and the restrictions of history because, as works of art, they are fully present in the moment and available to be intimately engaged by innumerable viewers, over and over again, in perpetuity.

Over the past decade, Fallah's work has probed the history of Western portraiture.

Created under the shadow of Reagan - era conservatism and, later on in the decade, the increasing anger, confusion, and tragedy of AIDS, Tseng's work reminds us of an extraordinary period in our recent cultural history — exuberantly relentless and insolent, but also full of humor, pathos and life.

One of the most important American photographers in history, Paul Strand spent several decades living and working in Europe.

Significant as these two works are, both within Oiticica's oeuvre and in terms of their impact on the trajectories of Brazilian culture and global art history, they comprise only one element of the Whitney's retrospective, which takes an expansive view of the impressively diverse work Oiticica produced in just two and a half decades from the mid 1950s until 1980.

May 23 - August 4, 2013 Sanford Biggers has achieved international prominence over the last decade with a diverse body of work that explores themes of identity, race, African - American history, and spirituality, often by blending installation and performance.

Donaldson's work across the decades is an amalgamation of energetic colors, intricate patterns, and African iconography that celebrates the history of African art and the roots of Black culture.

«After decades of spotty acquisitions, undernourished scholarship and token exhibitions, American museums are rewriting the history of 20th - century art to include black artists in a more visible and meaningful way than ever before, playing historical catch - up at full tilt, followed by collectors who are rushing to find the most significant works before they are out of reach,» the New York Times reported last year.

A look back over two of the most exciting decades in British art history — illustrated with works from Abso - bloody - lutely!

Retracing more than three decades of one of the world's most important contemporary art foundations through archival photographs, press clippings, critical reviews, correspondence and unabashed conversations with many main protagonists — Maurizio Cattelan, Jeffrey Deitch, Urs Fischer, Massimiliano Gioni and Jeff Koons, among others — this more than 850 - page book walks the reader through not only the extraordinary, artist - centric work, but also through the recent and entertaining history of contemporary art itself.

However, since his completion of the MFA at Yale and his residency at the Studio Museum Harlem more than half a decade ago, Wiley has been, essentially, exhibiting the same work — albeit cleverly and progressively investigating the broader themes of art history, power, war or the fallen with each new series.

For more than five decades, he was a singular figure whose rigorous and visionary works changed the very parameters of art history.

The first publication to document the Museum's collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.