One thing I love about vintage is how you can find
decades old pieces that look like they would be sold in stores today.
Not exact matches
While Odysseus on his return to Ithaca is exactly the same as when he left two
decades earlier, «what a road, what a fate, lie between the Jacob who cheated his father out of his blessing and the
old man whose favorite son has been torn to
pieces by a wild beast!»
It's been more than a
decade since a 4 - year -
old boy died of lead poisoning in Minneapolis after swallowing a
piece of a bracelet that was given away with children's shoes.
Two
decades -
old pieces of legislation — the Mineral Leasing Act of 1920 and the Mineral Leasing Act for Acquired Lands of 1947 — give the Department of the Interior's Bureau of Land Management responsibility for minerals leasing on more than 550 million acres of federally owned public lands, as well as state and private lands where mineral rights have been acquired by the federal government.
It feels like some Nick fan studied the
old game show for
decades and made a movie out of all its jagged
pieces.
Along the way, we encounter a wide array of characters, some of them charming, such as the gentle
Old King (Morton Selten), and some sinister, such as the devious Halima (Mary Morris), plus a range of color and lushly designed sets and set
pieces (and special effects) that still dazzle the eye seven
decades later, even in the wake of various remakes (which include Disney Studios» Aladdin).
It's certainly the closest that we've come this
decade to an
old fashioned MGM musical, with Gregory Jacobs
piecing together a series of lavish and playfully bawdy musical set -
pieces along the road to a giant stripper convention in Miami.
In the
decade - plus since the delightful Catch Me If You Can, Spielberg's made good starchy period
pieces (Lincoln), dull starchy period
pieces (War Horse) and a few
old - school adventure pictures that still can't shake a certain sedateness (War of the Worlds, The Adventures of Tintin).
It seemed like it would be an easy story, a quick
piece about an
old house that Harvard has owned for more than seven
decades.
The design gives the impression that the tail lights are of a three -
piece configuration but they are constructed with a single -
piece, sealed design that is over five -
decades old.
Interestingly, the literary
pieces themselves have been out for about a
decade now, long before ebooks have caught on with the reading community; being a
decade old also means those print books can not provide as refined a reading experience as the newer ebooks do.
Some auction records are
decades old, and others are set for
pieces so recent the paint is barely dry.
Observing this one hundred and one years
old artist's work is simply astonishing, especially when you consider that her
pieces have been in hiding for at least five
decades prior to 2004.
While retaining many original
pieces, like a
decades -
old crystal chandelier, Obama became the first White House occupant to add modern, 20th century touches to the room.
Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live
pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's
decade -
old roll in the clay).
Nearly two
decades ago, the 65 - year -
old artist Richard Prince — who is well - known for photographing advertisements, biker magazines and book covers to create his own wry
pieces — moved into a farmhouse.
In this show the Chicago - based artist presents new,
old, and reworked
pieces spanning his last
decade of production.
In one
piece, Bidisha Banerjee explores whether a largely dormant,
decades -
old treaty, The Convention on the Prohibition of Military or Any Other Hostile Use of Environmental Modification Techniques, could be wielded by foes of climate intervention.
As to younger lawyers wanting a bigger
piece of the pie, McEwen argues that today's firms are far better off than those of
decades ago, which kept
older lawyers on without any detriment to younger partners» earnings.