Sentences with phrase «decent films with»

Manages to deliver a decent film with some strong scares, yet certain moments will feel like a haunted trip you've already taken one too many times before.

Patti Cake $ is a decent film with a lot of strong ideas.

Still, it's a decent film with very notable craft.

If the script would have been reworked slightly, this would certainly have been a great comedy, as it is, it's a decent film with good on - screen gags.

Covenant is a decent film with great characters.

Can I just waltz into a major film studio, ask for the rights to Twilight, and actually make a decent film with the concept?

Not exact matches

Adult film star Stormy Daniels reportedly believes recent comments by President TrumpDonald John TrumpMexican presidential candidate vows to fire back at Trump's «offensive» tweets Elizabeth Warren urges grads to fight for «what is decent» in current political climate Jim Carrey takes aim at Kent State grad who posed with AR - 10 MORE's lawyer open the way for her to discuss publicly her alleged affair with Trump.

Rudy Giuliani called the attorney representing adult film star Stormy Daniels a «pimp» on Friday, the latest jab in a feud between the lawyers over the actress's claims she had an affair with President TrumpDonald John TrumpMexican presidential candidate vows to fire back at Trump's «offensive» tweets Elizabeth Warren urges grads to fight for «what is decent» in current political climate Jim Carrey takes aim at Kent State grad who posed with AR - 10 MORE.

hey im darren im very loving caring genuine fun honest kind nice decent down to earth independant trustworthy outgoing friendy respectful adventurous spontaneous with a gsoh also romantic i like making music like most types of films and music like swimming walking camping going out having fun...

(And although Galifianakis too often falls back on his ostentatiously off - kilter shtick, the comedian fares much better here than he did in The Hangover and actually does a decent job with the film's dramatic moments.)

With a decent script and direction picked up by the writer of the previous two films, this is definitely a step in the right direction after the second instalment, but I think this film has a nice cap as a trilogy and does not need to continue.

A decent, well - made, small - scale genre film with a great cast of on - the - cusp players, The Lazarus Effect begins as a modern - day spin on Frankensteinian mad science, but segues into more demonic matters.

Breathing a viscous cloud of money, groaningly stuffed with high - priced talent on both sides of the camera and apparently unlimited resources, the films of Scott the Elder (even the half - decent ones) nevertheless seem to wisp away the moment they end.

The artistic meditativeness to Refn's approach to this film may be a little more realized than it was with 1996's «Pusher», but nevertheless, this effort is even more of the very thing that ruined Refn's breakout, and even seriously threatened Refn's decent follow - up, «Bleeder», having an experimental, almost abstract, and perhaps even intentionally incoherent structure that is not only questionable, but frustrates with pretentiousness, or at least too much ambition.

The sweetness of the first stories seems now entirely gone, with this one adopting a much more serious tone, and Yates manages to condense the longest (and weakest) book into a decent film even if it feels more like a transition chapter between the fourth and sixth chapters.

The film definitely had potential in being something much better due to its very good concept, but for what it turned out, it was decent and with a cool thriller that was very interesting, it saved the film from being a total dud.

The film does look decent too, with atmospheric scenery and the editing is already an improvement over most SyFy movies in terms of quality.

Kino's presentation won't win any awards for A / V quality but it presents the film in decent shape and with a few fun extras too.

A decent character study whose main strength lies in two great performances by Foster and Harrelson, who shine in a sad story that deals with the psychological consequences of a terrible job, but the film also suffers from some tiresome pacing and unnecessary scenes.

Formulaic, cheesy with its fluff and histrionics, - to the point of superficializing a sense of narrative weight, and inconsistent with its tone, pacing and overall structure, this film falls as a pretty forgettable war drama, flavored up by the decent visual style, worthy subject matter, lively direction and endearing performances which secure Jesse Hibbs» «To Hell and Back» as an almost thoroughly entertaining and sometimes effective, if ultimately underwhelming account of Audie Murphy's struggles as a farm boy - turned - military man.

With these three films, Spielberg has crafted something like a Trilogy of Good Decisions, in which, at pivotal moments in our nation's history, more or less decent people took the opportunity to make the right choices based on fundamental beliefs in foundational American values.

There's consequently little doubt that the film, while always watchable, suffers from an opening half hour that's simply not all that engrossing, with Eyes Wide Shut's transformation from decent to electrifying triggered by a fantastic sequence detailing William and Alice's stoned confessions to one another.

X Files: Fight The Future is a terrific Sci Fi Horror film with a fairly good story and decent enough acting to keep one entertained.

It's a decent piece of low - budget film - making that shows what you can do with artfully built tension, skilful editing and a handful of shocking moments.

Nevertheless, the fact of the matter is that mediocrity is transcended, because if you're willing to run with a film this overtly stylish and incoherent in its pacing, you can expect plenty of decent liveliness, particularly in style.

Another thing holding the film back, while it does have a decent idea that they do not go as far with as they could, is that the acting by some of the cast is really fucking bad.

A decent little romantic film, although labeled a Rom - com most of the time it feels more of a drama with a lot of light hearted moments than truly laugh out loud scenes.

This is the case with Penn's film, and it is with derision and sincere admiration in equal measure that I consider it a wholly and unexpectedly decent enterprise.

What follows is a standard cat - and - mouse game between Shaun and the thieves» leader, Eddie (Billy Burke), that makes decent enough use of its domestic interior / exterior dynamic; the trash talk between the two underscores most of this, with Burke's character making do with corny, one - off lines like, «Moms don't run, not when their babies are trapped inside the nest,» providing the bulk of the film's punch.

I'm not sure how people who are not musical obsessives will react to the film — it takes the form very seriously — but for those with any decent amount of showtune-itis in their blood, Les Misérables is, I'm surprised to find myself saying, something of a must - see.

The film managed to capture the spirit of the beloved comics and this game tries to do the same with some decent results.

There's so little to say in this film, and if there was a little more heart here, then the final product would have stood as genuinely decent, but as things stand, this effort is not only forgettable, but mean -, if at all spirited, with unlikable characters behind a meandering narrative that mediocrity goes secured.

Despite a decent central turn from Miles Teller, the film is predictable and has a healthy relationship with genre cliché.

Overall this is a decent film, that is somewhat entertaining, but like I said, it never grabs your full attention, and it's a shame because the filmmakers could really have kept the momentum going, but it also seems they were a bit too overconfident with this one, and they seemed to try and outdo previous entries, and in a way they failed to capture the essence of what makes fort a truly entertaining and ultimately memorable Star Trek film.

It's essentially a things - that - go - bump - in - the - night - in - a-spooky-old-house film and it does deliver a few decent scares, although the frights diminish with time, as does the quality of Mirren's performance.

In a film filled with examples of whites either habitually exploiting blacks — or even in the case of the fundamentally decent but chronically guilt - stricken Schultz, deciding to «take responsibility» for them — Stephen's calculated and ultimately self - defeating betrayal of a figurative «brother» is truly diabolical and heartbreaking, not to mention a ballsy move for Tarantino, who could have easily gotten away cleaner as a white writer - director without hinging the back half of his movie on a case of Southern Stockholm Syndrome.

With a combination of good acting, effective thrills, decent enough effects, Brainscan is a good, underrated sci fi horror film.

I enjoyed the first one both as a popcorn flick but also as a film with a decent story.

STX's strategy of limited specialized initial play starting Christmas Day followed by a big national release on a slow week for new films has paid off with a decent if not spectacular second week.

The film has been injected with a decent special effects script, so it only makes it all the more frustrating that the impressive CGI tripods and the scarily made up kid aren't supported by a decent script.

It's hard to find a genre film with a decent script and solid performances, but this one has it.

Following the success of last year's Million Dollar Arm, which was pretty decent, and previous efforts like Cool Runnings (brilliant), Invincible (okay) and even Remember The Titans with Denzel Washington (decent), the studio presents McFarland, a film named after one of the poorest towns in California, situated just north of Los Angeles.

Hiltzik also comes up with a decent anecdote, describing a phone call from the MPAA's ratings board: they apparently thought he was gunning for a PG rating and wanted to warn him that the film would be receiving an R. (Hiltzik had feared an X, so it was welcome news.)

And then, there were a decent number of auteurs who appeared at the Cannes Market who should (hopefully) pop up in Venice, such as Lido regular Benoit Jacquot with his adaptation of Don DeLillo's The Body Artist, apparently retitled Never Ever, while Wim Wenders could be a contender with The Beautiful Days of Aranjuez (though he may hold out for Berlin 2017, the same guess we'd wage for a new film from Volker Schlondorff, Return to Montauk).

While it boasts some decent actors in Richard Armitage, Sarah Wayne Callies and Matt Walsh, the cast is saddled with a terrible script made even more insufferable by the ham - fisted attempts at staging the story as a quasi-found footage film.

The first half of the movie is not that great, filled with way too much bad acting, including that of the lead actors, but once things get going in the end of the second and into the third acts, the film turns into a pretty decent revenge flick.

To my delight, the film was actually pretty decent and goes along with

While its completely predictable, much of its target audience won't be as critical as the critics due to the fact that its a positive, uplifting family - safe film with decent music.

The film feels nice and old school, with a slow - burn build up and some decent scares.

The film has had great potential, and it is rather decent end - product overall, with good performances by the cast, especially Leslie Mann.