Sentences with phrase «decentered exhibition»

He also manages the centerpiece of a very decentered exhibition.

Not exact matches

At times, I work in a similar way; as a photographic practitioner, I decenter myself in relation to the production of the image, and extend that to the construction of my exhibitions.
Reflecting on our current climate of communication, the provocation consistent in Chun's exhibition is a decentering of English as the world's most dominant, «common» language: Could English ever become secondary?
Selected references: Arnason, H.H., History of Modern Art: Painting, Sculpture, Architecture, 1968 Barr, Alfred, Painting and Sculpture in the Museum of Modern Art, 1929 - 1967, 1977 Barrett, Cyril, Op Art, 1970 Barrett, Cyril, An Introduction to Optical Art, 1971 Houston, Joe, Optic Nerve, Perceptual Art of the 1960s, 2007 Kulterman, Udo, The New Painting, 1969 Lampe, Angela, Robert Delaunay, Rythmes Sans Fin, Centre Pompidou exhibition catalog, 2014 Pellegrini, Aldo, New Tendencies in Art, 1966 Popper, Frank, Origins and Development of Kinetic Art, 1968 Rickey, George, Constructivism: Origins and Evolution, 1967/1995 Rosenthal, Erwin, Contemporary Art in the Light of History, 1971/2013 Tiampo, Ming, Gutai: Decentering Modernism, 2011 Weller, Allen S., The Joys and Sorrows of Recent American Art, 1968
Ryan McGinness's 2005 exhibition installationview translated the media landscape of logos and advertising into an immersive installation, decentering full sensorial focus; and Cameron Martin's elegiac atonal paintings of branches and boulders, representing parts of nature for the whole, translated photographs into paintings through digital imaging, architectural stencils and house - paint sprayers.
The steel - mesh veiled structure, whose form is often likened to a decentered stack of sugarcubes, was a stunning and ballsy proposition for an institution that has always sought to be radical and cutting - edge — even if critics including New York Magazine's Jerry Saltz bemoaned that «the museum, cool - looking as it is, is short on exhibition space.»
2013 Draw Gym, 247365, Brooklyn, New York, US Hello Darling, Southfirst Gallery, Brooklyn, New York, US DNA: Strands of Abstraction, Loretta Howard Gallery, New York, US Drawing Now, Carrousel du Louvre, Paris, FR An Exhibition on the Centenary of the 1913 Armory Show: DECENTER, The Abrons Art Center / Henry Street Settlement, New York, US The Academy of Arts and Letters Invitational Exhibition, The Academy of Arts and Letters, New York, US Encounter, Zürcher Studio, New York, US
H. Halle, «Amy Feldman: High Sign», TimeOut, New York, 8 - 24 September J. Stopa, «September Shows to Know» Whitewall, 15 September H. Baysa, «Amy Feldman: High Sign» event listing The Village Voice, September M. Jones, «Amy Feldman by Mary Jones», BOMB Magazine, 26 June J. Yau, «Geometry Poems» in Exhibition Catalogue, New York, Janet Kurnatowski Gallery, Geometry Poems Sophie De Santo, «Brian Belott, Paul De Muro, Amy Feldman: Le Trio New Yorkais» Figaro Scope, 22 - 28 January Laurent Boudier, «Brian Belott, Paul De Muro, Amy Feldman» Sortir Telerama 29 January Dust Magazine Online, 2 February Barry Schwabsky, «Great Gray» in Exhibition Catalogue, Stockholm, ANNAELLE Gallery, Amy Feldman Stark Types 2013 Daniel S. Palmer, «Rethinking DECENTER» in Exhibition Catalogue, Washington, DC, The George Washington University and The Abrons Art Center, Decenter NY / DC: an exhibition on the centenary of the 1913 Armory Show Susanna Sløør, «Amy Feldman Stark Types, ANNAELLE Gallery» OMKONST Stockholm, 9 October Nirmala Nataraj, «Amy Feldman Melds Poise, Rough Edges» San Francisco Chronicle, 6 March Jonathan Curiel, «Amy Feldman: Raw Graces» SF Weekly, 7 March David M.Roth, «Amy Feldman @ Gregory Lind» Square CylinderExhibition Catalogue, New York, Janet Kurnatowski Gallery, Geometry Poems Sophie De Santo, «Brian Belott, Paul De Muro, Amy Feldman: Le Trio New Yorkais» Figaro Scope, 22 - 28 January Laurent Boudier, «Brian Belott, Paul De Muro, Amy Feldman» Sortir Telerama 29 January Dust Magazine Online, 2 February Barry Schwabsky, «Great Gray» in Exhibition Catalogue, Stockholm, ANNAELLE Gallery, Amy Feldman Stark Types 2013 Daniel S. Palmer, «Rethinking DECENTER» in Exhibition Catalogue, Washington, DC, The George Washington University and The Abrons Art Center, Decenter NY / DC: an exhibition on the centenary of the 1913 Armory Show Susanna Sløør, «Amy Feldman Stark Types, ANNAELLE Gallery» OMKONST Stockholm, 9 October Nirmala Nataraj, «Amy Feldman Melds Poise, Rough Edges» San Francisco Chronicle, 6 March Jonathan Curiel, «Amy Feldman: Raw Graces» SF Weekly, 7 March David M.Roth, «Amy Feldman @ Gregory Lind» Square CylinderExhibition Catalogue, Stockholm, ANNAELLE Gallery, Amy Feldman Stark Types 2013 Daniel S. Palmer, «Rethinking DECENTER» in Exhibition Catalogue, Washington, DC, The George Washington University and The Abrons Art Center, Decenter NY / DC: an exhibition on the centenary of the 1913 Armory Show Susanna Sløør, «Amy Feldman Stark Types, ANNAELLE Gallery» OMKONST Stockholm, 9 October Nirmala Nataraj, «Amy Feldman Melds Poise, Rough Edges» San Francisco Chronicle, 6 March Jonathan Curiel, «Amy Feldman: Raw Graces» SF Weekly, 7 March David M.Roth, «Amy Feldman @ Gregory Lind» Square CylinderExhibition Catalogue, Washington, DC, The George Washington University and The Abrons Art Center, Decenter NY / DC: an exhibition on the centenary of the 1913 Armory Show Susanna Sløør, «Amy Feldman Stark Types, ANNAELLE Gallery» OMKONST Stockholm, 9 October Nirmala Nataraj, «Amy Feldman Melds Poise, Rough Edges» San Francisco Chronicle, 6 March Jonathan Curiel, «Amy Feldman: Raw Graces» SF Weekly, 7 March David M.Roth, «Amy Feldman @ Gregory Lind» Square Cylinderexhibition on the centenary of the 1913 Armory Show Susanna Sløør, «Amy Feldman Stark Types, ANNAELLE Gallery» OMKONST Stockholm, 9 October Nirmala Nataraj, «Amy Feldman Melds Poise, Rough Edges» San Francisco Chronicle, 6 March Jonathan Curiel, «Amy Feldman: Raw Graces» SF Weekly, 7 March David M.Roth, «Amy Feldman @ Gregory Lind» Square Cylinder, 26 March
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