Ryan McGinness's 2005 exhibition installationview translated the media landscape of logos and advertising into an immersive installation,
decentering full sensorial focus; and Cameron Martin's elegiac atonal paintings of branches and boulders, representing parts of nature for the whole, translated photographs into paintings through digital imaging, architectural stencils and house - paint sprayers.
Not exact matches
Blackhat is, by and large, a
decentered, minor work,
full of things its director does better than anyone else, but which he's also done better elsewhere.
The aim of the intervention is to enable participants to
decenter or take distance from their negative thinking and therefore interrupt the cycle of negative, repetitive thoughts before they escalate into
full - blown depressive episode again.