Clearly derived from the observation of nature, the sometimes
deceptively simple drawings demonstrate Kelly's mastery of line and his continual fascination with abstract form, positive and negative space, and color.
His methods and materials range from
deceptively simple drawings on paper of squares, lines, and dots, sometimes in light pastel colors; to collage and assemblage work with folds and cuts; to artist's books that are like works of sculpture.
Not exact matches
The «Persepolis» books are
drawn in a
deceptively simple, stark style, all in black - and - white: They're captivating and elegant in their austerity, like Japanese woodcuts.
The subject matter of his sculptures and paintings is
deceptively simple: most works depict one seemingly innocuous subject (often pastel - hued children and animals
drawn with confident, cartoonish lines) with little or no background.
His installation works utilise a range of media including lenses and light, large scale mirrors,
drawing and video to explore the
deceptively simple fact of our presence in and perception of the world.
Ostensibly, his
deceptively simple works (
drawings, paintings and animations — reflecting choices of medium, which are solidly within the mainstream tradition of the Japanese graphic story - telling tradition of Manga) is predicated around self - portraits of his alter ego, «Bunny», and his adventures in the contemporary world, surrounded by a host of other reappearing symbolic characters.
In 1975 Birch moved to New York and began to develop the characteristic style for which he is most known; a breaking down of formal training to create
deceptively simple flat narrative surfaces that
draw as much from «primitive» and folk styles as from the Western canon.
The figures are
deceptively simple like a child's
drawing.
The
deceptively simple methods used to produce the «Range
Drawings» result in highly articulated surfaces which reward attention while attempting to deny information.
His idiosyncratic
drawing style is
deceptively simple and has the magical, faux naïve quality of Paul Klee.
Working primarily through a technique of «wash
drawing» in black India ink, he used
deceptively simple gestures that were simultaneously controlled and spontaneous, in the manner of Chinese monochrome painting.
The plant
drawings are, for the most part,
deceptively simple line
drawings made in graphite or ink.
These four contemporary artists represent radically different approaches to
drawing today, from Kelly's pure and
deceptively simple line
drawings to Baselitz's painterly and expressive style.