Sentences with phrase «decision of the book title»

• An inside look into a book's packaging If you're being published by a traditional publisher, a lot of people are involved in decisions of your book title, what the jacket looks like, the book's marketing and publicity and everything else about the book's development and publication.

Not exact matches

Broadcast by tweets from influential theologians / pastors such as John Piper bidding «Farewell, Rob Bell,» the article's writer is convinced that Bell can no longer claim the title of «Christian» because he suspects Bell of universalism (this decision being made, it seems, simply by viewing the video above and reading the publisher's summary rather than, you know, reading the book first).

For as much as Churchill's Secret War seems to zero in on decisions taken by the war - time prime minister and his adviser Lord Cherwell, the racism and sheer odium of both of whom is on stark display in the evidence presented by Mukerjee, this book is much more of an indictment of what colonialism was really about than the title suggests.

Self - publishing authors have final say in all decisions about editing, proofreading, title, cover design, interior page design, marketing and, ultimately, of their book's entire publication schedule.

It's the best tool to help you make informed decisions along your publishing journey — from editing recommendations, to your book's title and cover design considerations, to tips on taking advantage of marketing connections you may not even realize you have.

This includes decisions on final edits, the title of the book, and the book cover.

It's a tool to help you make informed decisions along your publishing journey — from tweaking your book's title, to cover design considerations, to tips on taking advantage of connections you may not even realize you have.

But don't make the decision to change titles of published books lightly.

On Mike Shatzkin's blog, he speculated that the publishers» decision to delay the e-book versions of some major upcoming titles isn't «a battle to rescue hardcover books from price perception issues caused by inexpensive ebooks» so much as it is about «wresting control of their ebook destinies back from Amazon.»

He is the editor of three philosophy books, titled Why We Fight, Why We Need Love, and Why Our Decisions Don't Matter.

The anger over the decision by several retailers to stop carrying self - published titles continues to rage, as it is even extending to authors whose books were not even remotely close to the adult nature of titles that stores like WHSmith and Whitcoulls railed against.

The decision has been hailed by libraries and their partner organizations, in light of Google's tireless efforts to establish a searchable book database through scanning of millions of titles, many of which are housed in secure collections due to their rarity.

For many, those are valuable business decisions; remember, however, that without the legwork of contacting independent bookstores and asking them to stock your title (or having a customer genuinely request it from them), the chances of them simply browsing the catalog of hundreds of thousands of available books and deciding to purchase yours aren't very high.

Many of them would be able to relate to my wife Darlene's decision this week to buy a Kindle version of a book, even though she'd been given a free paperback of the title, to read for a book club.

We made the decision to use the original cover of Pentecost, and to keep the English version of the title, as it is quite common for German books to use a foreign word as the title.

Random House reached a similar deal back in March for the English - language Bond backlist outside of Canada and the U.S. Barnes & Noble, which has vowed never to stock titles published by Amazon, is going to have an interesting decision to make once the physical Bond books are published by Amazon, since Barnes & Noble stores currently stock Fleming's novels.

For the past five years in my role at Author Solutions, I have been working with our team to build relationships and partnerships in Hollywood and help create events like the Book - to - Screen Pitchfest to expose entertainment executives to self - published titles and give our authors unique opportunities to put their books in front of people who are making decisions about what makes it to the screen.

Although I could have pitched some of my books to traditional publishers, I didn't want a gatekeeper making a decision about whether readers would or would not be interested.For example, my Vanquish Writer's Block (originally titled The Visual Writer) book is fairly short but packed with tips on using images when you're stuck.

They figure out perceived quality based on title, description, front cover, back cover, total number of reviews, number of positive reviews, number of negative reviews and then make a final decision after making a qualitative analysis of the negative reviews (i.e. they ask themselves why a particular reviewer has reviewed the book poorly and if the reviewer is justified.)

With millions of books available in your genre alone, people will make decisions based on your cover design, your description and your title.

Harlequin is one publisher who I see is really taking advantage of the digital opportunities with its epublished only fiction, it's decision to digitize its entire front list of over 120 titles every month while digitizing its backlist at the same time, by offering all series books a month in advance, by pushing its content onto devices through partnerships with Daily Lit, providing its content for cellphone users.

In a saturated and non-consolidated field, Recorded Books hopes to distinguish itself with a platform that will allow publishers to set their ebook licensing terms for libraries on a title - by - title and market - by - market basis, and then analyze the impact of those decisions by comparing circ and consumer sales at the zip code level.

In a saturated and non-consolidated field, Recorded Books hopes to distinguish itself with an ebook sales platform that will allow publishers to set their licensing terms for libraries on a title - by - title and market - by - market basis, and then analyze the impact of those decisions by comparing library circ and consumer sales at the zip code level.

By putting your print titles in front of the industry's most important book buyers and decision - makers, we open doors to new sales opportunities and can broaden the reach and visibility of your titles.

Mike Shatzkin this morning said that one of the decisions that took the most time in planning Digital Book World's sixth annual conference was what order to put the options in the title of this panel.