A decisive time of its development occurred during the summer of 1911, [6] when Georges Braque and Pablo Picasso painted side by side in Céret in the French Pyrenees, each artist producing paintings that are difficult — sometimes virtually impossible — to distinguish from those of the other.
It would be nonsense to assume that the experience
of these early peoples has had no
decisive effect on the spiritual and moral
development of present - day mankind, as also on Christians
of our own
times.
His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This
decisive development is documented here for the first
time, from the early work
of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.