The scale of the works was so large that Mehretu used
a decommissioned church in Harlem as her studio for the project.
In a reference to the minor arts, or traditional crafts and trades such as ceramics and roofing, Theaster Gates extends his consideration of time, place, history and culture in a series of new works that incorporates the roof of
a decommissioned church, the gym floor of a shuttered high school, and an archive of Ebony magazines.
In one work, Gates brings the slate roof of a local
decommissioned church down to eye level, making it into a wall, part fortress and part mosaic.
Not exact matches
The canvases were too big for her regular studio, so Mehretu worked on the project in a
decommissioned Harlem
Church not far from her home.
she asks from the
decommissioned Harlem
church used as her studio for the project.