Including an original composition by guitarist Marisa Anderson and incorporating constrained writing and abstract cartoons that
decompose frame by frame, the work refuses a single mode, method, or explanatory thesis.
Mr. Deitch has ringed Stettheimer's frothy, joyous, but also radically
decomposed scene with works
by later inheritors of her style, including Laura Owens and Cecily Brown; the booth itself is a shocking magenta and is
framed by plastic curtains that echo Stettheimer's set design for the opera «Four Saints in Three Acts.»