Sentences with phrase «decorative wall paper»

Frivolous interiors are layered with majestic landscapes; decorative wall paper patterns overlap austere grids and color fields.

Not exact matches

Use double - sided tape to fasten the wrapping paper to the wall, then cut and add decorative ribbon around the edges for a clean, graphic look.

The industries represented include apparel textiles, home textiles, decorative fabrics, wall coverings, floor coverings, stationery, greeting cards, gift wrap and other paper products, plus tabletop, housewares, giftware, toys, ceramics, packaging and publishing.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greaWall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

That means it's sparkling clean with decorative soaps, a shower curtain if it's not an enclosed stall, art on the walls, and, yes, toilet paper.

I have seen faux tile jobs done with decorative tapes and or permanent markers, but never with a wall paper.

Peel the decorative paper off the backing and adhere it to a primed and painted wall.

You use wall paper on the fronts of the drawers then put decorative molding around the edges.

Tape the pattern on the decorative paper applied to the wall; use a crafts knife to cut around the template.

pedestal top, Memoirs Fire Clay Topmount Bath Sink (white), Kohler, 167220 pedestal Base, Memoirs Lavatory Pedestal Base (white), Kohler, 35421 floor tile, 12» x 12» Polished Iceberg Marble, Faber Stone & Tile, 4975 toilet, Memoirs Stately White Toilet, Kohler, 335319 faucet, Pinstripe with Cross Handle Kohler, K -13132-3A accessories, Murano Lotion Holder, 355946 accessories, Murano Tumbler, 355943 accessories, Murano Soap Dish, 355944 accessories, Murano Toothbrush Holder, 355945 towel bar, 24» Towel Bar, Allen + Roth, 272318 shelf, Glass Vanity Shelf, Allen + Roth, 272322 toilet paper disp., Toilet Paper Tissue Holder, Allen + Roth, 272319 mirror, Decorative Oval Wall Mirror, Allen + Roth, 291538 medicine cabinet, 25» Surface Mount Mirrored Medicine Cabinet, Allen + Roth, 169378 fan, 100 CFM 1.5 SN Humid Energy Star Sensor Fan, Broan Elite, 256739 sconces, alvanized Outdoor Wall Fixture, Portfolio outdoor, 190827 baseboard, 19/32» x 6-1/4» MDF Base, Evertrue, 165037 casing, 1» x 3-1/4» MDF Case (PT3)- 8» -0» lengths, Evertrue, 85847 crown, 19/32» x 4-1/2» MDF crown (5982), Evertrue, 268736 door stop, 3/8» x 1-3/16» Primed, Evertrue, 268600 chair rail, 1» x 2-7/8» MDF CHRL (L300), Evertrue, 85834 door knobs, RP Hancock Privacy Knob, Weiser, 315565 doors, 6 Panel Pine Interior Doors 30» x 80», ReliaBilt, 2paper disp., Toilet Paper Tissue Holder, Allen + Roth, 272319 mirror, Decorative Oval Wall Mirror, Allen + Roth, 291538 medicine cabinet, 25» Surface Mount Mirrored Medicine Cabinet, Allen + Roth, 169378 fan, 100 CFM 1.5 SN Humid Energy Star Sensor Fan, Broan Elite, 256739 sconces, alvanized Outdoor Wall Fixture, Portfolio outdoor, 190827 baseboard, 19/32» x 6-1/4» MDF Base, Evertrue, 165037 casing, 1» x 3-1/4» MDF Case (PT3)- 8» -0» lengths, Evertrue, 85847 crown, 19/32» x 4-1/2» MDF crown (5982), Evertrue, 268736 door stop, 3/8» x 1-3/16» Primed, Evertrue, 268600 chair rail, 1» x 2-7/8» MDF CHRL (L300), Evertrue, 85834 door knobs, RP Hancock Privacy Knob, Weiser, 315565 doors, 6 Panel Pine Interior Doors 30» x 80», ReliaBilt, 2Paper Tissue Holder, Allen + Roth, 272319 mirror, Decorative Oval Wall Mirror, Allen + Roth, 291538 medicine cabinet, 25» Surface Mount Mirrored Medicine Cabinet, Allen + Roth, 169378 fan, 100 CFM 1.5 SN Humid Energy Star Sensor Fan, Broan Elite, 256739 sconces, alvanized Outdoor Wall Fixture, Portfolio outdoor, 190827 baseboard, 19/32» x 6-1/4» MDF Base, Evertrue, 165037 casing, 1» x 3-1/4» MDF Case (PT3)- 8» -0» lengths, Evertrue, 85847 crown, 19/32» x 4-1/2» MDF crown (5982), Evertrue, 268736 door stop, 3/8» x 1-3/16» Primed, Evertrue, 268600 chair rail, 1» x 2-7/8» MDF CHRL (L300), Evertrue, 85834 door knobs, RP Hancock Privacy Knob, Weiser, 315565 doors, 6 Panel Pine Interior Doors 30» x 80», ReliaBilt, 272747

Family Room: sofa, chair, wall unit, side tables and kids table - Ikea; mirror - Winners; chairs - thrifted (with plans to be recovered); sheepskin - Costco; tray on wall - ibride; print - luludee; throw cushions - Ikea, Winners and Zellers; lamps - Zellers; rocking horse - childhood treasure; damask paper for backing bookshelf and frames - Michael's; decorative corner accent in archway - Home Depot.

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If you are dreaming of installing a decorative wallpaper to add pizzazz to one of your rooms, think of how much less paper you'll need if you divide the wall with a chair rail.

Toilet Paper Tissue Holder Allen + Roth 272319 mirror Decorative Oval Wall Mirror Allen + Roth 291538 medicine cabinet 25» Surface Mount Mirrored Medicine Cabinet Allen + Roth 169378 fan 100 CFM 1.5 SN Humid Energy Star Sensor Fan Broan Elite 256739 sconces Galvanized Outdoor Wall Fixture Portfolio outdoor 190827 baseboard 19/32» x 6-1/4» MDF Base Evertrue 165037 casing 1» x 3-1/4» MDF Case (PT3)- 8» -0» lengths Evertrue 85847 crown 19/32» x 4-1/2» MDF crown (5982) Evertrue 268736 door stop 3/8» x 1-3/16» Primed Evertrue 268600 chair rail 1» x 2-7/8» MDF CHRL (L300) Evertrue 85834 door knobs RP Hancock Privacy Knob Weiser 315565 doors 6 Panel Pine Interior Doors 30» x 80» ReliaBilt 272747