Sentences with phrase «deep collaborations on»

Not exact matches

We are focused on developing deep client relationships and earning our clients» trust through unparalleled execution and innovation, and strong collaboration across CIBC.»

For while there are bits and pieces of new information here, the essential truths about the man — his deep (and deeply Bavarian) faith, his extraordinary intelligence, his human decency — were already on display in Seewald's three previous interview - collaborations with Ratzinger.

The fact is that painful though current events are for the Polish Church, collaboration with a profoundly anti-Catholic materialist culture has gone further and deeper in our own Church and has had an infinitely more debilitating effect on English Catholic spirituality.

This research program partly relies on the use of ships and deep - sea vehicles, and is carried out in collaboration with many other federal programs and research centres.

The European research collaboration behind this study focuses on deep immunological analysis of the immunogenicity and reactogenicity of the Ebola vaccine in healthy volunteers.

«The Budget creates new opportunities for collaboration with industry on space station operations, supports public - private partnerships for deep - space habitation and exploration systems, funds data buys from companies operating small satellite constellations, and supports work with industry to develop and commercialize new space technologies,» OMB officials wrote.

Kojima also confirmed that Del Toro's collaboration is on a deep level.

Harvard Graduate School of Education will work with the Strategic Education Research Partnership and other partners to complete a program of work designed to a) investigate the predictors of reading comprehension in 4th - 8th grade students, in particular the role of skills at perspective - taking, complex reasoning, and academic language in predicting deep comprehension outcomes, b) track developmental trajectories across the middle grades in perspective - taking, complex reasoning, academic language skill, and deep comprehension, c) develop and evaluate curricular and pedagogical approaches designed to promote deep comprehension in the content areas in 4th - 8th grades, and d) develop and evaluate an intervention program designed for 6th - 8th grade students reading at 3rd - 4th grade level.The HGSE team will take responsibility, in collaboration with colleagues at other institutions, for the following components of the proposed work: Instrument development: Pilot data collection using interviews and candidate assessment items, collaboration with DiscoTest colleagues to develop coding of the pilot data so as to produce well - justified learning sequences for perspective - taking, complex reasoning, academic language skill, and deep comprehension.Curricular development: HGSE investigators Fischer, Selman, Snow, and Uccelli will contribute to the development of a discussion - based curriculum for 4th - 5th graders, and to the expansion of an existing discussion - based curriculum for 6th - 8th graders, with a particular focus on science content (Fischer), social studies content (Selman), and academic language skills (Snow & Uccelli).

Assessing deeper learning requires performance — we assess collaboration by observing collaborative work and through student reflection on their ability to collaborate.

In Online Communities: Online communities are another great avenue for connection and collaboration with colleagues, since they generally support deeper discussions in groups and threads on specific issues, and questions.

The William and Flora Hewlett Foundation's Education Program initiated a new strategic initiative in 2010 that focuses on students» mastery of core academic content and their development of deeper learning skills (i.e., critical - thinking, problem - solving, collaboration, communication, and learn - how - to - learn skills).

Real sustainable change requires building a foundation and establishing deep trusting relationships that foster collaboration on every level.

• A deep - seated belief in the inherent right of all children to a quality education; • A professional life dedicated to improving education for teachers and their students; • A passionate commitment to improving teaching and learning in America; • Unwavering dedication to the professional integrity and competence of teachers; • Visionary and boundless energy, eternal optimism, and expert leadership; • An innate capacity to inspire collaboration and mobilize support that enabled unparalleled achievements in the history of American education reform; and • A clear vision coupled with steadfast commitment and fierce determination which has led to historic milestones in American education and meaningful impact on teaching and learning.

Based on extensive research and interviews with school leaders, teachers, and students, Deeper Learning makes the case for why schools that seek to innovate must empower students with more than just academic knowledge — skills like critical thinking, collaboration, and effective communication.

The Common Core standards» cross-content focus on deep learning and real - world situations closely parallels a number of the tenets of project - based learning, which emphasizes not only content, but also communication, collaboration, and critical thinking.

It allows for opportunities to dig deep into meaningful projects with real world applications, peer collaboration, and hands on learning.

Better Together builds on CRPE's deep expertise in establishing and promoting «District - Charter Collaboration Compacts.»

We build on each other's ideas until we've created this beautiful synthesis that can only emerge from deep respect and collaboration.

One possible reason behind our students» perceptions of the Ning as an add - on rather than an essential tool is that both our class and the teacher education program as a whole promoted meaningful, deep, and ongoing interpersonal collaboration about questions of praxis.

After analyzing the data and writing each case we found that four components stood out as consistently prominent across all the schools: a broad and deep curriculum designed for all students with little tracking or ability grouping (meaning that most students get the same high quality learning experiences in all classes); a teaching staff with advanced content knowledge; a mission - focused administrative structure with a flattened hierarchy that invited collaboration with and among teachers and students; and supports for underrepresented students, such as advisories with personalized college planning, tutoring or summer research programs on college campuses.

On the right side you can see more the deep professional collaboration.

It also means deeper instruction focused on projects and collaboration, says Anthony Kim, founder and CEO of Education Elements, a personalized learning company that works with districts nationwide.

WHEREAS, the over-reliance on high - stakes standardized testing in state and federal accountability systems is undermining educational quality and equity in U.S. public schools by hampering educators» efforts to focus on the broad range of learning experiences that promote the innovation, creativity, problem solving, collaboration, communication, critical thinking and deep subject - matter knowledge that will allow students to contribute and thrive in a democracy and an increasingly global society and economy; and

Frequently in academy groups there is a focus on shared «back office» systems which can deliver savings and improve efficiency, but deep collaboration between educationalists, which can impact more directly on standards and progress, can often prove more challenging.

Pedro Noguera was a presenter on LPI's inaugural webinar in the series Achieving Equity Through Deeper Learning, which addressed ways schools and school districts can improve academic achievement, particularly among students who are farthest from opportunity, through engaging students in learning that focuses on meaningful mastery of subjects, critical thinking, problem - solving, collaboration and other skills necessary for college, career, and civic participation in the 21st Century.

In addition to providing a range of supports and services, the school has built - in time for planning and collaboration and for teachers and students to get feedback on their work — all critical practices to support deeper learning.

Curriculum, instruction, and assessment focused on deeper learning seek to support students» development of skills — such as collaboration, communication, and creative problem solving — required by life in the 21st century.

Tripwire Interactive — in collaboration with Deep Silver and Iceberg Interactive, have announced that their successful survival shooter Killing Floor 2 will be released on Xbox One August 29th.

Founded in 2011 by Weisman and his partner - in - crime Mitch Gitelman, the Seattle - based studio is centered on deep collaboration between seasoned veterans and fresh talent who share a passion for crafting game worlds and delighting their audience.

Tripwire Interactive — in collaboration with Deep Silver and Iceberg Interactive, have announced that their successful survival shooter Killing Floor 2 will be released on GO →

Our California and North Carolina studios will work on the game together — marking our deepest cross-country collaboration since the Durham studio was founded in 2009.

«Our collaboration with the Fine Arts Museums of San Francisco on this historic acquisition is at the heart of our mission to make the work of these African American artists from the South accessible to the public and scholars alike,» said Anderson, Souls Grown Deep's president.

With the support of an Arts, Science & Culture Initiative Graduate Collaboration Grant from the University of Chicago, I worked with John Santerre, a computer science PhD at UChicago, to train a deep neural network (DNN) on a publicly available dataset of satellite images.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

Participants on stage and on air included: Peter Adamson; Etel Adnan; Sophia Al - Maria; Ayşe Gül Altınay; Katherine Angel; Julieta Aranda; Mary Bauermeister; Helen Benigson; Liz Berry; Nick Bostrom; Roy Boswell; Rosi Braidotti; Federico Campagna; Judy Chicago; Ken Cockburn; Gabriella Coleman; Company: Movements, Deals and Drinks (Myvillages); CA Conrad; Hilary Cottam; Aimee Meredith Cox; Elysia Crampton; Andrea Crespo; Jude Crilly; Abraham Cruzvillegas with Mark Godfrey; Keren Cytter; Deep Lab with Kate Crawford, Harlo Holmes, Madeleine Varner, Joana Varon and Addie Wagenknecht; Moussa Dembele; John Densmore; Leah Borromeo and Katharine Round as Disobedient Films in collaboration with Jamie Perera; Marcus du Sautoy; Jimmie Durham; Francine Elena; Tim Etchells; Alec Finlay; Gilbert & George and Victoria; Harry Gilonis; Dominique Gonzalez - Foerster; Adam Greenfield; Robert Grenier; Haunted Machines (Natalie Kane and Tobias Revell); Lynn Hershman Leeson; Helen Hester; Adrian Hon; Charles Hope; Juliet Jacques; Alejandro Jodorowsky; François Jullien; Samson Kambalu; Alexandra Kleeman; Bill Kouligas; Bruno Latour; Gil Leung; Candice Lin; Anthony Arthur Long; Maurice Louca; Gabriel Ann Maher; Jumana Manna; Christien Meindertsma; Lucy Mercer; Patrick Mudekereza; Nil Mutluer; Nkisi; Jaakko Pallasvuo; William Pope.L; Alice Rawsthorn; Rachel Rose; Declan Ryan; Aram Saroyan; Saskia Sassen; Tino Sehgal; Lorenzo Senni; Patrick Staff; Koki Tanaka; Yıldız Tar; Julia Tcharfas; Territorial Agency; Time Is Away; Jalal Toufic; Dorothea von Hantelmann; Peter Wächtler; Binyavanga Wainaina; Mark Waldron; Grace Wales Bonner; Steven Warwick (Heatsick); Eyal Weizman; Kim West; Holly White and more.

Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, KCollaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kcollaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea

Lynn Hershman Leeson, Deep Contact, 1984, Interactive videodisk installation, including first touch screen created on hypercard and ported, video, color, sound, with coding in collaboration with Sarah Roberts, Infinite duration.

In addition the IEA goals require regulatory measures, which it describes as, «broader and deeper global efforts on technology collaboration to facilitate low - carbon technology development and deployment».

Conway's account of his collaboration with Oreskes on this «tobacco industry - connected climate scientists» matter doesn't offer a clearer picture of why atmospheric physicist Dr S Fred Singer was seemingly «the most dangerous man on the planet», it begs for deeper investigation of why and how this portrayal of him coalesced in the first place.

From verification of plumbness to the structural bonding of the brick courses, methods of brick laying were devised through a deep on - site collaboration between the masons and the architects.

The Principles go on to say: «To this end, the Government of Canada will look for opportunities to build processes and approaches aimed at securing consent, as well as creative and innovative mechanisms that will help build deeper collaboration, consensus, and new ways of working together.»

For a deeper dive on the original Onramp / Cisco collaboration, see Henderson, «Three Generations of U.S. Lawyers: Generalists, Specialists, Project Managers,» 70 Md..

After due diligence on the current state of many blockchain projects, after deep collaboration with Ethereum developers, and after understanding their respective roadmaps, we concluded that the current and near - term Blockchain architectures can not meet these requirements.

De Masi told USA Today that the Essential - Sprint collaboration came about due to both companies having a deep focus on the future.

The collaboration between the child and the therapist, and on a deeper level between the mind, breath, body is an important support in the therapeutic process.