Sentences with phrase «deep cultural change»
A very deep cultural change is needed, hard to see it coming from the current leadership either politically or from anyone in the DfE.
https://schoolsweek.co.uk/
They are caught between class size and «effect» size (the impact of variables on student achievement); caught between the need for quick fixes and the value of slower, deeper cultural change; and trapped between transparency and public shaming (á là MySchool).
We need sweeping legal changes — but we also need deeper cultural changes which legal changes don't always bring.
Not exact matches
So, be sure to dig deeper into the organization when staffing your cultural change initiatives.
When I heard Hillary Clinton's statement at the recent 2015 Women in the World Summit that «Deep - seated cultural codes, religious beliefs and structural biases have to be changed» for the sake of giving women access to «reproductive health care and safe childbirth,» at first I was confused.
Perhaps most troubling was her recent statement at a Women in the World Conference where she suggested that in order to expand worldwide access to abortion, «deep - seated cultural codes, religious beliefs, and structural biases have to be changed.»
The only answer is repentance, «deep change,» and a «bold cultural revolution.»
The fear of losing one's job or reputation has made many Americans afraid to speak publicly about this issue, even though their deep convictions about life, marriage, and family have not changed in response to elite cultural pressure.
In describing and accounting for the lives of the Religious Right, which we define simply as religious conservatives with a considerable involvement in political activity, the book and the series tell the story primarily by focusing on leading episodes in the movement's history, including, but not limited to, the groundwork laid by Billy Graham in his relationships with presidents and other prominent political leaders; the resistance of evangelical and other Protestants to the candidacy of the Roman Catholic John F. Kennedy; the rise of what has been called the New Right out of the ashes of Barry Goldwater's defeat in 1964; a battle over sex education in Anaheim, California, in the mid-1960's; a prolonged cultural war over textbooks in West Virginia in the early 1970's — and that is a battle that has been fought less violently in community after community all over the country; the thrill conservative Christians felt over the election of a «born - again» Christian to the Presidency in 1976 and the subsequent disappointment they experienced when they found out that Jimmy Carter was, of all things, a Democrat; the rise of the Moral Majority and its infatuation with Ronald Reagan; the difficulty the Religious Right has had in dealing with abortion, homosexuality and AIDS; Pat Robertson's bid for the presidency and his subsequent launching of the Christian Coalition; efforts by Dr. James Dobson and Gary Bauer to win a «civil war of values» by changing the culture at a deeper level than is represented by winning elections; and, finally, by addressing crucial questions about the appropriate relationship between religion and politics or, as we usually put it, between church and state.
Because its roots run so deeply into the religious and cultural subsoil of history — because we have been forcefully reminded over the past few months that the deepest currents of world - historical change are religious and cultural — analyzing the causalities that brought us to September 11, 2001 is no simple business.
Reading the history of the Anglicans in the 20th century, through the records of the Lambeth Conferences, ACCs and Primates» meetings, one sees the faithfulness of God through world war, economic crisis, civil and international conflicts, persecution and deep changes in cultural context.
Frank Field, Maurice Glasman, Sir Robin Wales and Jon Cruddas have all expressed deep (and «labour» orientated) misgivings about the radical cultural and economic change wrought by Blairite / Brownite mass immigration.
Very widely reviewed, Queen of Dreams gets a thumbs up from most, for example, Donna Seaman writing for Booklist says that «Divakaruni masterfully illuminates the tangible and the numinous, the abruptly changing present and the deep past in a page - turner lush with emotional, cultural, and spiritual insights.»
She brings to the Foundation more than 30 years of experience leading cultural institutions, a fundamental belief in the power of artists to catalyze social change, and a deep commitment to the role artist foundations can play in expanding opportunities for cultural conversation.
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
University of Chicago / Visiting Artist / April 2018 School of the Art Institute of Chicago / Botanical Speculations Symposium / Speaker / Sept 2017 College of DuPage / Visiting Artist Talk / Sept 2017 Wexner Center for the Arts / Artist Talk / June 2017 ACRE / Visiting Artist with the Deep Time Chicago collective / Aug 2017 University of Chicago / Artist Talk / May 2017 School of the Arts Institute of Chicago / Guided Wild Foraging Walk & Workshop / May 2016 Wexner Center for the Arts / Artist Talk / Sept 2016 School of the Art Institute of Chicago / Closing Lecture - Shapiro Research Symposium / Chicago / Apr 2015 Human Impacts Chicago / Goethe - Institut Chicago / Panel on climate change solutions / Chicago / Sept 2014 ArtTable / Artist Lecture / Chicago / Aug 2014 6018NORTH / Artist Lecture / Chicago / 2013 Art Institute of Chicago / Moderator of Panel Discussion on Environmental Activism in Art / Chicago / 2013 Chicago Artist Writers / A Project by Jason Lazarus & Sophia Leiby / Guest Editor / Chicago / Nov 2012 ACRE Residency / Visiting Artist / Wild foraging walk & wild - crafted meal / Steuben, WI / 2011 - 2013 Art Institute of Chicago / Panel Discussion / Chicago / 2012 The Chicago Cultural Center / Panel Discussion / Chicago / 2012 Art Institute of Chicago / Panel Discussion / Chicago / 2011 AWARDS & HONORS
172 actors, designers and theatre employees have penned an open letter to the city senate and German culture minister Monika Grütters stating «deep concern» over the change - over at the cultural institution.
Empirical research shows that a substantial part of the deep cultural divide over human - driven climate change is not a result of a lack of information or overabundance of disinformation, but filters in the human mind that powerfully shape how different people absorb, and respond to, information of any kind.
«Digging Deeper into the Why: Cultural Dimensions of Climate Change Skepticism among Scientists.»
The cumulative effects of climate change in Alaska strongly affect Native communities, which are highly vulnerable to these rapid changes but have a deep cultural history of adapting to change.
While this Convention and Recommendation is certainly a step in the right direction, such issues often have deep roots in the cultural and social norms of a country and change isn't always necessarily quick in coming.