Sentences with phrase «deep cultural traditions»

Dating Asian girls also means that you need to understand their deep cultural traditions and be willing to accept them into your own life.

Not exact matches

Often raised in several places in no specific cultural or religious community, educated with no deep connection to a particular region, history, or tradition, and now employed mostly in academia, the American writer is becoming as standardized as the American car — functional, streamlined, and increasingly interchangeable.
This massive shift has had a devastating effect on the once - deep cultural values that exerted their force upon most of society's institutions — values of truth, duty, discipline, reading, beauty, family, tradition, justice, among many others.
As a master of literary fiction in the American Gothic tradition, Jackson always subverted the trappings of genre, using the classic tropes of the haunted house and the mysterious villagers to illustrate deep cultural and personal anxieties.
In the tradition of Michael Ondatjee's Anil's Ghost and Arundhati Roy's The God of Small Things, Island of a Thousand Mirrors is an emotionally resonant saga of cultural heritage, heartbreaking conflict and deep family bonds.
Travel deep into the protected Pacaya - Samiria Reserve getting unrivalled access to the Peruvian rainforest's most pristine areas and the opportunity to experience the abundant wildlife and natural beauty of Amazonia, learning about her ecosystems, botany, wildlife habitats and cultural tradition.
# 1: Cartagena reflects on the cultural traditions of the people, the history and the deep connections to the colonial past,...
Every morning during an annual weeklong celebration, members of the Apsáalooke gather along the Little Bighorn River in Montana in a parade that expresses the deep - rooted cultural tradition of movement in Apsáalooke society.
In a press release announcing the news, Gagosian Gallery said, «While the content of his epic figurative paintings is unmistakably of his own time and cultural context, his formal virtuosity and complex layering of narrative reveal a deep and astute working knowledge of the inventions and traditions of painting from the Renaissance to the present day.»
curated by David Hunt 2005 NAPOLI PRESENTE Posizioni e Prospettive dell - Arte Contemporarea, PAN Contemporary Art Museum, Naples Italy (Oct) Wish, COCA Center of Contemporary Art, Seattle WA (Sept) Only Skin Deep: Chancing Visions of the American Self, San Diego Museum of Art and Museum of Photographic Arts, CA, curated by Coco Fusco (catalogue) Crossings: 10 artists from Kaohsiung & Chicago Chicago Cultural Center (July), Museum of Fine Art, Kaohsiung, Taiwan (Nov), co-curated by Greg Knight & Tseng Fangling International Biennale of Contemporary Art 2005, Prague (May - Sept) In Search of a Continuous Present curated by Lynne Warren, MCA Chicago Not Too Loose and Not Too Tight, DCKT Contemporary, New York 2004 Only Skin Deep: Chancing Visions of the American Self, Seattle Art Museum, WA curated by Coco Fusco (catalogue) A Perfect Union... More or Less, Renaissance Society at the University of Chicago curated by Hamza Walker About Face: Photographic Portraits from the Collection, Art Institute of Chicago Common Ground: Discovering Community in 150 Years of Art, Corcoran Museum of Art, Washington, DC Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum, NY The Perfect Number, 404contemporanea, Naples, Italy 2003 Only Skin Deep: Chancing Visions of the American Self, ICP New York curated by Coco Fusco (catalogue) The Squared Circle: Boxing in Contemporary Art, Walker Art Center Minneapolis curated by Olukemi Ilesanmi A Century of Collection: African American Art, Art Institute of Chicago curated by Daniel Schulman 2002 Manumission Papers, Sunrise Museum, Charleston, WV Cut, Pulled, Colored, and Burnt, Hyde Park Art Center, Chicago, IL curated by Michael Rooks 2001 Freestyle, Studio Museum in Harlem, NY curated by Thelma Golden Bastard (son of hot sauce), Law Office, Chicago IL Musings: Contemporizing Tradition Gallery 312, Chicago, IL curated by Kathryn Hixson and Nathan Mason 2000 A Decade of Acquisitions, Detroit Institute of Arts, Detroit, MI 1999 Seeing In the Dark, G.R. N'Namdi Gallery, Birmingham, MI, Chicago, IL New Artists, Old Techniques, Schneider Gallery, Chicago, IL
«While the content of his epic figurative paintings is unmistakably of his own time and cultural context», the gallery said in a statement, the «formal virtuosity and complex layering of narrative» in the work of the Beijing - based artist «reveal a deep and astute working knowledge of the inventions and traditions of painting from the Renaissance to the present day.»
Brian Swimme, a mathematical cosmologist who collaborated with Father Berry on the 1992 book «The Universe Story,» said in an interview that the strength of Dr. Berry's ideas lay in his broad but also deep knowledge of religious and cultural traditions and the full scale of Earth history.
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