Sentences with phrase «deep enough the house»

If the keyboard was made deep enough the house one, the entire unfolding design would go out the window.

Not exact matches

What remains to be seen is whether their wallets will be deep enough to ensure the White House stays blue for a few more years.»

In response to a follow - up question from Gotham Gazette, Stringer's spokesperson said that the current city housing plan is not geared enough toward those in deeper poverty and with current subsidies favoring low - income households, those with extremely low - income or virtually no income face even more pressure, especially when the rezonings are taken into consideration, given that they can risk furthering the threats of displacement.

«We have got to make sure in New York City that we now lead by example,» said Stringer, reiterating past attacks on de Blasio that his affordable housing plan does not reach deep enough into the lowest brackets of the poor, and that his administration has failed to properly utilize city - owned lots for housing.

That's enough conflict for one documentary, but Kate Plays Christine has more on its mind; every time you think you've got a grip on it, it plunges deeper into its own house of mirrors.

Still reigning: cats and dogs If your brow is high enough and your quest for a deeper understanding of the intricate bond between animal and human life is strong enough, The Philosopher's Dog: Friendships with Animals (Random House, $ 23.95, 240 pages, ISBN 1400061105) by Raimond Gaita offers provocative insight.

My fondest hope is that having opened up this can of worms the right parties will dig deep enough to determine what a pack of greedy ripoff artists the traditional publishing houses actually are.

They found the house, but the water around it was more than 6 feet deep, the current strong enough to sweep them away.

The area's first settlers and descendants have nurtured this land over time by putting down deep roots so the peninsula is a perfectly - balanced mix of tropical green space, natural wonders and enough bistros, guest houses, luxury resorts and other amenities to satisfy anyone in search of a paradise.

The map size was barely enough to house a hen coop, the AI was woefully erratic and unreliable, and the game was lacking in the deep complexity and detail which defined the series in the past.

Wearing a sport coat and a bow tie, he'd enter and leave his house like anyone else, but if his neighbors cared to look (or stayed up late enough), they'd notice his light was on deep into the night, either in his tiny studio at the top of the stairs or in his bedroom, as he kept easels in each place.

His recent exhibitions include: «Can't Help It» (solo) at Black Tower Projects, London 2017; «Pre-Fix», Unofficial Northern Ireland Pavilion, Sella Del Giardini, Venice 2017; «Swimming with Sharks» (solo), Galeria Breve, Mexico City 2017; «On Becoming Fluid», Hardwick Gallery, Cheltenham 2017; «Wysing Polyphonic», Wysing Arts Centre, Cambridge 2016; «Sticky Enough», Chalton Gallery, London 2016;» Salon Sebastian Monteux», Glasgow International 2016; «Deep Inside» (solo), Galeria Breve, Mexico City 2016; FUSO & Carpe Diem, Lisbon 2015; «Post-Terminal & Ex-Ultimate», West, Den Haag 2016; «Center Point» (solo), House of St. Barnabas, London 2015; «Let's build our own tomb», Matt's Gallery, London 2015; «Neutral», TULCA Festival of Visual Art, Galway 2014; «London Dust», Chandelier Projects, London 2014; «Stone Dreams» ORGY PARK, New York 2014.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

The Palm Springs spaceship / volcano house, designed for Bob and Dolores Hope by John Lautner in 1973, needed a buyer with deep pockets who would appreciate its futuristic leanings, have appreciation for architects who think outside the box, and young enough at heart to enjoy a bit of whimsy.

When we built our house last year, which my husband designed and was the contractor for — I thought ahead about Christmas — and what I'd wished I had in other homes, such as a mantle deep enough to put a garland on (last one wasn't) and outlets to plug lights into on it.