Sentences with phrase «deep violets in»

From modern living spaces to eclectic bedrooms, these home accents from Houzz have us jumping to sprinkle bold blues and deep violets in every room of our house.

Not exact matches

Arriving in South Korea, FLOTUS wore a deep burgundy Delpozo coat dress paired with blue - violet stiletto pumps.

That deep violet purple is the Pantone color of the year, so I wore this bag I had in my closet to bring out the purple in the striped jacket.

China Glaze Queen Of Sequins is a deep red based violet with copper and purple shimmers mixed in.

Lumiere is a dusty mauve pink in a satin finish and Flawless is deep red violet in a satin finish.

The deep violet - blue of natural aventurine captivates the eye in this beaded necklace from Narayani of India.

NYX Matte Lipstick in Sweet Pink and Troy Surratt Lip Crayon in Deep Vogue are saturated violets that look amazing on dark skin.

As colorful as the Andean textiles that served as inspiration for its design, this knit ruana features patterned and solid stripes in gorgeous hues such as blue - violet, kelly green, deep rose,

«In low light, it appears almost black with a touch of deep violet.

The Red Rocks series, whether on canvas or paper, are characterized by the kind of rich colors (reds, violets, yellows, deep oranges) not seen in Marden's work since the 1970s.

In this case, low - key violets and greens along the edges set up an expectation of deep space in the center, exactly where an incandescent swath of yellow — by far the warm ¬ est, most saturated area — thrusts to the surface, asserting color, light and flatness as dominant concernIn this case, low - key violets and greens along the edges set up an expectation of deep space in the center, exactly where an incandescent swath of yellow — by far the warm ¬ est, most saturated area — thrusts to the surface, asserting color, light and flatness as dominant concernin the center, exactly where an incandescent swath of yellow — by far the warm ¬ est, most saturated area — thrusts to the surface, asserting color, light and flatness as dominant concerns.

The same violet paint defines two circles of soft, irregular contours that ring the center, the inner one with a streak of grass green echoed in the outer ring by a streak of deep purple.

In works such as Orchids, a vase full of the violet flowers rests upon a deep plum background.

In 1964, on return from his first visit to New York, Hoyland started work on a group of paintings that seemed to signify a maturation point; Mel Gooding has described them as «an astonishing series of huge acrylic canvases of high - key deep greens, reds, violets and oranges deployed in radiant fields, stark blocks and shimmering columns of ultra-vibrant colouIn 1964, on return from his first visit to New York, Hoyland started work on a group of paintings that seemed to signify a maturation point; Mel Gooding has described them as «an astonishing series of huge acrylic canvases of high - key deep greens, reds, violets and oranges deployed in radiant fields, stark blocks and shimmering columns of ultra-vibrant colouin radiant fields, stark blocks and shimmering columns of ultra-vibrant colour.

The indigo color recalls the deep blue - violet dye originated in India and traced throughout the African slave trade.

As with Johns, it often appears in thin bright lines on white, but it can also deepen into darker traces against deep violet, almost like Johns in encaustic.

«This is especially true of the mountain paintings and the circular canvases in the first gallery, among them «Night Above the Woods» (2001), a deep eggplant, and «the venusian atmosphere» (2001), a chalky violet.

Each painting comprises four wood panels on which three roses in full bloom are depicted in pulsating colours, ranging from deepest burgundy to tangerine, gold, violet and crimson, set against a background of vibrant turquoise.

In these canvases, brilliant shades of green, pale and deep blue, violet, deep red, light red, orange, and yellow are offset by white areas of untouched raw canvas, suggesting jewel - like Byzantine mosaics.

His hues play naturally off one another, as in «Quince,» where pinks segue into violet and then deep mauve; greens flirt with yellows; oranges cozy up to reds; and occasional small slabs of black, blue and brown lend an earthy gravitas.

Not long after, he embarked on an astonishing series of huge acrylic canvases of high - key deep greens, reds, violets and oranges deployed in radiant fields, stark blocks and shimmering columns of ultra-vibrant colour.

It's the Rastrera algae, and the colour is reflecting back mostly violet which makes sense as violet penetrates deeper than blue and, like green for plants above ground, not requiring it for photosynthesis it reflects this back which is what we see, and, a bit of blueygreen, which main green is absorbed in oceans before the shorter blue and violet wavelengths.

The color is a deep, rich violet or amethyst and is described as «exhibiting a variety of nuanced undertones as the light in a room shifts during the day.»