Sentences with phrase «deeper theme in»

This idea reconnects us to a deeper theme in the story — because the creature Dr. Frankenstein created is so ugly, people assume it's evil.

Critic Consensus: It may favor spectacle in place of the deeper themes in Herman Melville's novel, but John Huston's Moby Dick still makes for a grand movie adventure.

That might be another genre to consider classifying your book as Linda because it has some pretty deep themes in it.

Not exact matches

From a macro perspective, there's a common theme among all of these developments: Namely, that the digital music business is becoming an industry in which only a truly massive company with huge scale and deep pockets can hope to compete.

So marketers working in these industries soon realized they needed to delve deeper into themes to really add value for their target consumers, regardless of whether the content directly «sells» their product or brand.

Philanthropy plays an important role in developing deep, multigenerational relationships and offers ways for uninitiated advisors to begin incorporating charitable themes into their client communication.

Deep Fluency, or mastery of the subject material you're dealing with, was the second of Peter's Kaufman's «investment aces» and a recurring theme in the talk generally.

The songs on this two - cd set are arranged thematically rather than chronologically and reflect many of the recurring themes of Cash's oeuvre: love, sin, redemption, life, death... Adding to the intimacy level, many of the songs feature spoken introductions by Cash, as if he were introducing the songs to an audience, in which he talks about his history with the song, how he learned it, or wrote it and, more personally, why he feels such a deep connection with the composition.

Yet some of the most substantive theology being written by Baptist scholars today comes from a little - known circle of mostly younger moderates who have shown a surprising interest in quite traditional themes such as the deeper meaning of baptism and the Lord's Supper, the covenantal disciplines of congregational life, and the positive role of creeds and confessions in the life of the church.

The oft - iterated theme of Cheever's stories is that human life is caught in a contradiction which may be comic on the surface but is tragic deep down.

The unifying theme of my lectures is that the failure of the church to think through the meaning of Christ for our time is the deepest cause of the lukewarmness in our oldline churches, which in turn is the deepest cause of our decline.

For example, virtually absent from our lament over the threats to religious freedom in the juridical sense is any mention of that deeper freedom opened up by the transcendent horizon of Christ's resurrection, though this was a frequent theme of Pope Benedict's papacy.

Stratford Caldecott, on Zenit.org argues, in a piece entitled «Metaphysics has returned: And more overlooked themes of new encyclical», that «the encyclical takes Catholic social teaching to a new level by basing it explicitly on the theology of the Trinity and calling for «a deeper critical evaluation of the category of relation.»

Some turn to the East, particularly to Taoism; some to Native American perspectives and other primal traditions; some to emerging feminist visions; still others to neglected themes or traditions within the Western heritage, ranging from materials in Pythagorean philosophy to neglected themes in Plato to Leibniz or Spinoza; and still others to twentieth - century philosophers such as Heidegger or to philosophical movements such as the Deep Ecology movement.9 As one would expect in an age characterized by a split between religion and philosophy, few environmental philosophers turn to sources in the Bible or Christian theology for help, though some — Robin Attfield, for example — argue that Christian history has been wrongly maligned by environmental philosophers, and that it can serve as a better resource than some might expect (WTEE 201 - 230).

In my view, no thinker better highlights the necessity or dignity of intermediary associations (a conservative theme par excellence) nor provides a deeper account of the dependence of modern liberal democracy upon the «moral capital» of premodern times.

I will return to these themes below, but for now my point is a simple one: Catholic moral theology needs to reestablish a connection with the broader and deeper just war tradition, and especially with the form given that tradition in the classic period of its development.

CHRIST AND EXCLUSIVISM The unifying theme of my lectures is that the failure of the church to think through the meaning of Christ for our time is the deepest cause of the lukewarmness in our oldline churches, which in turn is the deepest cause of our decline.

Even with the deep theological themes, Glass says he didn't have any interest in making a movie that tried to convince anyone to believe in any kind of doctrine.

It is important to note that these themes not only mark a life that succeeds in being faithful — which is what it is all about — but these are also the ingredients we need in our lives in order to achieve a deep sense of satisfaction and meaning, to experience joy in the wonders of the world, and — dare I say it?

This theme of Christ as creative transformation is emphasized in Christ in a Pluralistic Age, but it is overlaid by another account of Christ, namely, as the particularization of divine aims in images or symbols capable of evoking deep human response.

The theme of revelation brings out how faith can help us see things in an ever wider and deeper perspective.

And in doing so, it challenges us to bring the theme of historical revelation into deeper synthesis with cosmology.

Terence Fretheim has dug deeper than anyone else in bringing this theme to light.

So it's fascinating to see a Pixar movie reject this typical theme in favor of a deeper message: that what we love to do, when solely in the service of our own desires, can lead to regret and perhaps evil, if we're not careful.

A deeper understanding of the contextual emphasis of Asian and Latin American theologies might lead North American Christians to consider even more such themes as powerlessness in corporate America and anomie in a society that so emphasizes personal autonomy.

One can take this as a cultural bias, or take it as a tribute.3 In any case the fact is that the woman who fails to measure up in some way to the higher standards expected of her is more likely to excite the contempt of those around her, to forfeit the respect of her children, and (what is most important to our theme) to be dogged by a deep inner sense of personal failurIn any case the fact is that the woman who fails to measure up in some way to the higher standards expected of her is more likely to excite the contempt of those around her, to forfeit the respect of her children, and (what is most important to our theme) to be dogged by a deep inner sense of personal failurin some way to the higher standards expected of her is more likely to excite the contempt of those around her, to forfeit the respect of her children, and (what is most important to our theme) to be dogged by a deep inner sense of personal failure.

With a deeper look into the grape crush report, certain themes emerge that are in line with what we're seeing in the bulk wine and grape market as well as what we're reading and hearing about in case good sales.

I found her poems very touching, very deep in meaning, dealing with themes of death and immortality.

Other songs in the charts that week included Black Night, by Deep Purple; Band of Gold by Freda Payne, which had previously been a number one; War, by Edwin Starr (what is it good for, absolutely nothing); Paranoid, by Black Sabbath (with Ozzy Osbourne on vocals); Voodoo Chile, by Jimi Hendrix, about to become the number one in the following week; Whole Lotta Love, by CCS (the theme tune to a TV institution for so many years, Top of the Pops), Ride A White Swan, by T Rex; and Cracklin» Rosie by Neil Diamond.

The slow start has been a common theme in a lot of Arsenal's recent trips to Anfield, as it seemed the initial ploy was to sit a bit deeper and soak up pressure, as has worked for Arsenal in other big games this season.

Sometimes though, my art deals with deeper themes, such as a sense of belonging, something I identify with since I was born in Northern Ireland but lived in Chile for nearly a decade.

The resulting map reveals that we organise words according to their deeper meaning, in subcategories based around numbers, places, and other common themes.

While it's perhaps instinctual to think of spiders as existing in a big monolith of vague «spideriness» with minor tweaks on a common, eight - legged theme, spiders actually divide up into distinct groups with important biological differences, the result of deep evolutionary rifts that stretch back hundreds of millions of years.

Very quickly, those same themes (or their antonyms) were showing up in her deepest trauma and biggest dreams.

For a variation of the monochromatic theme try just an outfit of distinct shades in the same color family that differ more than just being a deeper or lighter shade of the same color.

I don't consider myself a floral person and they don't feature in my spring capsule wardrobe, but I do have a deep love of consistency — those key themes and pieces that come back around year after year.

We also wanted to keep similar color schemes for our winter themed wedding back in Florida which was done in ivory, antique golds, and hints of deep red.

Inspired by the deep rich colors of fall, K+B Photography teamed up with local artists to create a vintage themed styled shoot rich in color, and big on vintage romance.

In the end you can say the film lack entertainment, yeah there's enough to keep you amused for 100 minutes but the film uses all of it's tricks way too soon withou going deep into the themes it tres to explore.

«I, Tonya» is funny when it wants to be, poignant when it needs to be and surprisingly effective in harnessing these deeper themes to a character who might otherwise be dismissed as a lightweight laughingstock.

This is the deepest of Jewison's three racially themed films, the other two being «In the Heat of the Night» and «A Soldier's Story.»

It's the kind of work that I like to classify as «deep shallow,» in that it deals in familiar tropes and simple themes but articulates them in a clever, stylish way.

The storytelling either lazes out something awful or tries much too hard, hammering on and on with its themes, a couple of which are very problematic, for although the aforementioned themes about misunderstanding people and trying to find a better path in life are reasonably worthy, there are underlining themes about the benefits of taking advantage of the vulnerable, and about running away from certain conflicts that are just about offensive, that is, when you look deep enough into this film to spots its sorry intentions.

Ultimately it is deep with rich themes and a great cast, and nearly every line in the movie has become legendary.

However, this is where the mix of genres gets too rich and tends to dilute the themes, with the result that the deep thoughts seem shallow — imagine, if you dare, The Playboy of the Western World in a wading pool with The Demon Seed.

I admit I've never seen or read a play from the famed Russian author, but it has always been my understanding they've included deep thoughts, heavy themes and everything done in subtext.

It tells a simple story, but tells it well, and with its themes of a woman finding a means to self - identity through a deep - seated belief that there's more to life than the one she's made for herself, it strikes a resonant chord for those stuck in similar ruts.

It should also be noted that some of themes throughout the film were surprisingly much deeper than I expected to see in a film of this nature.

In Pitof's CGI Paris, the city is being terrorized by a cloaked monster able to steal souls with his mirrored mask, a theme that lacks resonance here despite its deep roots in Japanese folklore (or Nietzsche, if you prefer); Pitof sees it only as a springboard for an interesting visuaIn Pitof's CGI Paris, the city is being terrorized by a cloaked monster able to steal souls with his mirrored mask, a theme that lacks resonance here despite its deep roots in Japanese folklore (or Nietzsche, if you prefer); Pitof sees it only as a springboard for an interesting visuain Japanese folklore (or Nietzsche, if you prefer); Pitof sees it only as a springboard for an interesting visual.

These deeper themes are explored in some excellent special features, including an enlightening interview with John Hill.