Not exact matches
After praising the DreamWorks brand, he said the main goal was the company's «
deep library
of intellectual property,» which would help NBCUniversal «grow our
film, television,
theme parks and consumer products businesses for years to come.»
In the end you can say the
film lack entertainment, yeah there's enough to keep you amused for 100 minutes but the
film uses all
of it's tricks way too soon withou going
deep into the
themes it tres to explore.
This is the
deepest of Jewison's three racially
themed films, the other two being «In the Heat
of the Night» and «A Soldier's Story.»
The storytelling either lazes out something awful or tries much too hard, hammering on and on with its
themes, a couple
of which are very problematic, for although the aforementioned
themes about misunderstanding people and trying to find a better path in life are reasonably worthy, there are underlining
themes about the benefits
of taking advantage
of the vulnerable, and about running away from certain conflicts that are just about offensive, that is, when you look
deep enough into this
film to spots its sorry intentions.
It should also be noted that some
of themes throughout the
film were surprisingly much
deeper than I expected to see in a
film of this nature.
But the
film doesn't really have time to dig into
deeper themes or nudge us to appreciate the difficulty
of implementing a utility we largely take for granted — for these men, power is simply power, and they each race to gobble up exclusive contracts with one city after another.
On a
deeper level, though, this brief opening battle establishes the central
theme of Lincoln, and it's a
theme that lies very much at the heart
of Spielberg's cinema: if Lincoln is intended to be a biopic about arguably the most revered commander - in - chief in the history
of the Republic, it also positions itself with its opening images as a
film about race.
Suffice to say that many
of the original
film's
themes are echoed, and it's to the credit
of screenwriters Hampton Fancher and Michael Green that they delve
deeper into this world without giving concrete answers to mysteries that fans have argued about for decades.
Birth is a challenging and provocative
film that offers up limited but
deep themes, and wisely leaves it up to the audience to make
of it what they will.
Unfortunately, the story only skims many
of these
deeper themes, focusing instead on populating the
film with numerous visually impressive characters.
As you realize this is intentional and make your way onto the same wavelength on which Pegg and Edgar Wright (and Nick Frost and the rest
of the cast) are operating, you discover a
film that may not be as overly funny as Hot Fuzz or Shaun
of the Dead, but is exponentially
deeper in its
themes, tones and characterizations.
It is here that the
film feels most like family entertainment; there are
deep and resonant
themes of the importance
of family and the unshakeable resolve
of children (none
of which should come as a surprise to those who have seen Laika's other works), but these are little more than surface reads that could have benefitted from a more robust screenplay.
This a
film of many moving narrative parts — parallel storylines,
deep thought - provoking
themes, and thoughtful explorations
of the human experience.
Monahan's script adapts the story
of James Toback, whose actual gambling exploits first inspired the 1974
film; only in this 2014 version, the character drama is saddled with an attempt at greater depth, with Monahan relying on lengthy explanations and pontifications where the original
film preferred action and implication to convey its
deeper themes and ideas.
But he has a
deep influence on Ip Man, opening him up to innovation in his martial art just as his time at an English college in Hong Kong is opening him up to the possibilities
of the wider world (one
of the primary
themes of Wong Kar - wai's
film).
These classic cinematic moments aside, he's also known for the occasional deviation from the norm
of his criminal outings and delivered
films with
deep religious
themes; The Last Temptation
of Christ, Kundun and now Silence completes his unofficial religious trilogy.
It is a
film that is designed to overwhelm you in terms
of both its imagery and
themes; cinema is
deep within its DNA, and to rob it
of its true home feels like a disservice.
For every viewing, a
deeper understanding
of Wakanda, its people, and the
film's
themes is reached and it only makes the
film that much more wonderful.
The
film does not dramatize or analyze; it's simply a reflection on its
themes, which run as simple as the uniting power
of music to the
deeper implications
of love — lost and never realized.
The design
of the
film is dazzling and visionary, and engages the audience on a surface level, allowing them to be more alert to the
deeper themes.
While a review expresses only your opinion and summarizes the plot
of the movie, a movie evaluation essay involves
deeper analysis
of different layers
of the
film, such as symbolism, settings,
theme, and so on.