Sentences with phrase «deeper themes of the film»

Not exact matches

After praising the DreamWorks brand, he said the main goal was the company's «deep library of intellectual property,» which would help NBCUniversal «grow our film, television, theme parks and consumer products businesses for years to come.»
In the end you can say the film lack entertainment, yeah there's enough to keep you amused for 100 minutes but the film uses all of it's tricks way too soon withou going deep into the themes it tres to explore.
This is the deepest of Jewison's three racially themed films, the other two being «In the Heat of the Night» and «A Soldier's Story.»
The storytelling either lazes out something awful or tries much too hard, hammering on and on with its themes, a couple of which are very problematic, for although the aforementioned themes about misunderstanding people and trying to find a better path in life are reasonably worthy, there are underlining themes about the benefits of taking advantage of the vulnerable, and about running away from certain conflicts that are just about offensive, that is, when you look deep enough into this film to spots its sorry intentions.
It should also be noted that some of themes throughout the film were surprisingly much deeper than I expected to see in a film of this nature.
But the film doesn't really have time to dig into deeper themes or nudge us to appreciate the difficulty of implementing a utility we largely take for granted — for these men, power is simply power, and they each race to gobble up exclusive contracts with one city after another.
On a deeper level, though, this brief opening battle establishes the central theme of Lincoln, and it's a theme that lies very much at the heart of Spielberg's cinema: if Lincoln is intended to be a biopic about arguably the most revered commander - in - chief in the history of the Republic, it also positions itself with its opening images as a film about race.
Suffice to say that many of the original film's themes are echoed, and it's to the credit of screenwriters Hampton Fancher and Michael Green that they delve deeper into this world without giving concrete answers to mysteries that fans have argued about for decades.
Birth is a challenging and provocative film that offers up limited but deep themes, and wisely leaves it up to the audience to make of it what they will.
Unfortunately, the story only skims many of these deeper themes, focusing instead on populating the film with numerous visually impressive characters.
As you realize this is intentional and make your way onto the same wavelength on which Pegg and Edgar Wright (and Nick Frost and the rest of the cast) are operating, you discover a film that may not be as overly funny as Hot Fuzz or Shaun of the Dead, but is exponentially deeper in its themes, tones and characterizations.
It is here that the film feels most like family entertainment; there are deep and resonant themes of the importance of family and the unshakeable resolve of children (none of which should come as a surprise to those who have seen Laika's other works), but these are little more than surface reads that could have benefitted from a more robust screenplay.
This a film of many moving narrative parts — parallel storylines, deep thought - provoking themes, and thoughtful explorations of the human experience.
Monahan's script adapts the story of James Toback, whose actual gambling exploits first inspired the 1974 film; only in this 2014 version, the character drama is saddled with an attempt at greater depth, with Monahan relying on lengthy explanations and pontifications where the original film preferred action and implication to convey its deeper themes and ideas.
But he has a deep influence on Ip Man, opening him up to innovation in his martial art just as his time at an English college in Hong Kong is opening him up to the possibilities of the wider world (one of the primary themes of Wong Kar - wai's film).
These classic cinematic moments aside, he's also known for the occasional deviation from the norm of his criminal outings and delivered films with deep religious themes; The Last Temptation of Christ, Kundun and now Silence completes his unofficial religious trilogy.
It is a film that is designed to overwhelm you in terms of both its imagery and themes; cinema is deep within its DNA, and to rob it of its true home feels like a disservice.
For every viewing, a deeper understanding of Wakanda, its people, and the film's themes is reached and it only makes the film that much more wonderful.
The film does not dramatize or analyze; it's simply a reflection on its themes, which run as simple as the uniting power of music to the deeper implications of love — lost and never realized.
The design of the film is dazzling and visionary, and engages the audience on a surface level, allowing them to be more alert to the deeper themes.
While a review expresses only your opinion and summarizes the plot of the movie, a movie evaluation essay involves deeper analysis of different layers of the film, such as symbolism, settings, theme, and so on.
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