Sentences with phrase «deeply in art making»

She believes deeply in art making as a way for all kinds of learners to solve problems and share what they care about.

Not exact matches

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

Further, as part of the literacy team, which included three language arts teachers and two ELD teachers, Sarah was deeply involved in decision making about reading and writing instruction and assessment, making sure that her colleagues were attentive to distinct needs of ELLs in these areas.

Home shares very little in common with the average horror game; its pixel - art graphics, subtle atmosphere, sensible sound - design, deeply psychological nature and short length make it a one of a kind offering.

«We run OtherPeoplesPixels to make artists» lives easier, more connected, and to share the power of art online, because we believe deeply in the important of art and artists.»

May 12, 2014: Theaster Gates addresses the School of Art Institute of Chicago commencement, speaking to students about greatness and emphasizing that «artists should believe deeply in the things we make... that we should imagine ourselves as full citizens of the world.»

The couple's interest in living with, and exploring the meaning of, art runs parallel to a desire to be surrounded by other kinds of beauty that make one think and feel deeply: books and music.

Kohn Gallery is pleased to announce its participation in this year's Art Basel Miami Beach showcasing prominent Californian artists of the 20th century whose legacies continue to deeply resonate today within contemporary art makiArt Basel Miami Beach showcasing prominent Californian artists of the 20th century whose legacies continue to deeply resonate today within contemporary art makiart making.

Now recognized as a master — the subject of major shows at the Philadelphia Museum of Art in 2008 and the Museo Nacional Centro de Arte Reina Sofía in 2011 — Castle made small, intimate works of art composed of soot and spit, materials he turned into agents of prodigious, if deeply personal, achievemeArt in 2008 and the Museo Nacional Centro de Arte Reina Sofía in 2011 — Castle made small, intimate works of art composed of soot and spit, materials he turned into agents of prodigious, if deeply personal, achievemeart composed of soot and spit, materials he turned into agents of prodigious, if deeply personal, achievement.

In his art, Wurm consistently realizes architecture's highest aim as he creates works whose extraordinary power lies not only in how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwelIn his art, Wurm consistently realizes architecture's highest aim as he creates works whose extraordinary power lies not only in how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwelin how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwelin how they let us see the complexity of our feelings, in meaningful environments which help us to dwelin meaningful environments which help us to dwell.

They are deeply concerned with what makes every day experiences stand out from the constant exposure to advertising, music, movies, art, and other forms of popular culture — especially in an over-stimulating environment like New York City.

«I want to keep all that is good about the museum, which I admire deeply, while developing ways in which it can make more of its context and position, especially in relation to the neighbouring Modern Art Centre, and more widely.»

«[A] deeply researched, panoramic depiction of how black artists made not only great art, but their own art world in Los Angeles during two crucial decades....

Missing Peace Art Space finished its first full year with several strong graphic exhibitions: «Art Makes Us Human» by the late Mary Perry Stone devoted to peace and social justice through March 7; the deeply humanistic watercolors of Muncie, Indiana watercolorist Martha Gilliom through July 11; the satirical and comedic style of peace activist Frank Swift with his «Planet Gazimbo in Galaxy Zamz» through September 9; and the pristine political posters of Bulgarian / now New York Luba Lukova in «Graphic Guts» through December 12.

All the work exhibited in the three gallery spaces will have been made over the past year, and the pièce de résistance will be Smith's 11 - metre long painting called This Artist Is Deeply Dangerous, based on an article written by the Guardian's sports correspondent Steve Bierley about an exhibition he saw of the art of Louise Bourgeois.

Make no mistake, this is an artist who is deeply embedded in the world that she depicts through her art; she lives that world.

Marten herself acknowledges how deeply entrenched she is in making art.

As for artists who work across cultural boundaries, their challenge is to make art that is at once both deeply personal and broadly meaningful while addressing the issues and experiences of the different worlds in which they live.

Alexander writes that Shields» work is»... deeply rooted in a ritualization of the painting process and an assertion of art - making as an ancient practice... the large paintings possess a rich merger of painterly field and constructed objecthood — at once offhanded and painstakingly built.»

Deitch claims to be the first person to have bought Basquiat («five little drawings for $ 50 each»), midwifed the incredible ascent of Jeff Koons, forged the loss - leader gallery model of supporting exciting and attention - getting but deeply weird work with an aggressive backroom secondary - market hustle, helped give Art Basel Miami its bacchanalian gloss with his annual music - art extravaganzas (Fischerspooner, Devendra Banhart, Santigold, Chicks on Speed), and abetted the process by which the contemporary - art museum became a showcase and playroom for private collections, many of which he helped assemble, in part with work from artists he made stars: Vanessa Beecroft, Cecily Brown, Dan Colen, Shepard Fairey, and Miranda July, among many otheArt Basel Miami its bacchanalian gloss with his annual music - art extravaganzas (Fischerspooner, Devendra Banhart, Santigold, Chicks on Speed), and abetted the process by which the contemporary - art museum became a showcase and playroom for private collections, many of which he helped assemble, in part with work from artists he made stars: Vanessa Beecroft, Cecily Brown, Dan Colen, Shepard Fairey, and Miranda July, among many otheart extravaganzas (Fischerspooner, Devendra Banhart, Santigold, Chicks on Speed), and abetted the process by which the contemporary - art museum became a showcase and playroom for private collections, many of which he helped assemble, in part with work from artists he made stars: Vanessa Beecroft, Cecily Brown, Dan Colen, Shepard Fairey, and Miranda July, among many otheart museum became a showcase and playroom for private collections, many of which he helped assemble, in part with work from artists he made stars: Vanessa Beecroft, Cecily Brown, Dan Colen, Shepard Fairey, and Miranda July, among many others.

They show curators deeply immersed in thinking about the exigencies of practice, the contexts of exhibition - making, the platforms through which art may be made public, and about what their work can contribute toward understanding what it means to be alive today.

Making its only stop in North America at the AGO, Georgia O'Keeffe features more than 80 works of art capturing the essence of her deeply personal connection to the landscape, architecture and nature that inspired her iconic style.

V - A-C is deeply committed to the growing importance of art made in Russia as well as the new generations of artists from around the world.

Art critic Joseph Tarrab has stated, «With the sea stars Nahas gave his paintings a cerebral elegance backed by a dense tactility and saturated chromatism, whereas the trees deeply rooted in his soul, with so many ramifications in his heart, make an astonishingly beautiful and powerful statement.»

«Illuminating... Modern Art in America is a magisterial book - rich, readable, and resplendent - that promises radically to realign our understanding of a visual age more native and deeply complex in its making than has hitherto been shown.»

His survey of 8,000 gallerists was published in his 2015 «Management of Art Galleries» book, from which data was paraphrased by Bloomberg Business: «It turns out that the upbeat world of biennials and art fairs and parties is in fact a cutthroat, antiquated, deeply flawed industry hampered by an obsession with keeping up appearances and an often misguided aversion to making money.&raqArt Galleries» book, from which data was paraphrased by Bloomberg Business: «It turns out that the upbeat world of biennials and art fairs and parties is in fact a cutthroat, antiquated, deeply flawed industry hampered by an obsession with keeping up appearances and an often misguided aversion to making money.&raqart fairs and parties is in fact a cutthroat, antiquated, deeply flawed industry hampered by an obsession with keeping up appearances and an often misguided aversion to making money.»

In Talking Contemporary Curating, Terry Smith is in conversation with 12 curators, art historians and theorists deeply immersed in reflecting upon the demands of their respective practices; the contexts of exhibition making; and the platforms through which art may be made public, including Zdenka Badovinac, Claire Bishop, Zoe Butt, Germano Celant, Carolyn Christov - Bakargiev, Okwui Enwezor, Boris Groys, Jens Hoffmann, Mami Kataoka, Maria Lind, Hans Ulrich Obrist, and Mari Carmen RamíreIn Talking Contemporary Curating, Terry Smith is in conversation with 12 curators, art historians and theorists deeply immersed in reflecting upon the demands of their respective practices; the contexts of exhibition making; and the platforms through which art may be made public, including Zdenka Badovinac, Claire Bishop, Zoe Butt, Germano Celant, Carolyn Christov - Bakargiev, Okwui Enwezor, Boris Groys, Jens Hoffmann, Mami Kataoka, Maria Lind, Hans Ulrich Obrist, and Mari Carmen Ramírein conversation with 12 curators, art historians and theorists deeply immersed in reflecting upon the demands of their respective practices; the contexts of exhibition making; and the platforms through which art may be made public, including Zdenka Badovinac, Claire Bishop, Zoe Butt, Germano Celant, Carolyn Christov - Bakargiev, Okwui Enwezor, Boris Groys, Jens Hoffmann, Mami Kataoka, Maria Lind, Hans Ulrich Obrist, and Mari Carmen Ramírein reflecting upon the demands of their respective practices; the contexts of exhibition making; and the platforms through which art may be made public, including Zdenka Badovinac, Claire Bishop, Zoe Butt, Germano Celant, Carolyn Christov - Bakargiev, Okwui Enwezor, Boris Groys, Jens Hoffmann, Mami Kataoka, Maria Lind, Hans Ulrich Obrist, and Mari Carmen Ramírez.

Made in L.A. 2018 presents a diverse group of artists who are deeply engaged with vital aspects of our culture today and believe in art's capacity to engage social discourse.

The work had a tie - dyed hippie look to it that was alive and playful, but also deeply rooted in a ritualization of the painting process and an assertion of art - making as an ancient practice.