His talking - while - walking specialty (from TV's West Wing to the movie The Social Network) is considered masterly, but his shtick merely exemplifies the overexcited, sarcastic babbling that has come to
define contemporary pop drama.
Not exact matches
Dialing up Arcade Fire, Of Monsters and Men, and The Lumineers (and practically every other
contemporary band you can think of that writes rousing, lighter - raising
pop hymns), the two - thirds mark of the movie is essentially
defined by sequences serving as launch pads for yet another life affirming music moment (the score by Theodore Shapiro also employs the help of autumnal indie
pop troubadour Jose Gonzalez to mildly better effect).
The
pop - cultural consensus on horror director Tobe Hooper would seem to be that, with The Texas Chainsaw Massacre, he somehow made one of the genre's
defining masterpieces right out of the gate only to squander a promising career on a string of strange mediocrities that ultimately marked him more as a hack - for - hire than an auteur in the tradition of more respected
contemporaries such as John Carpenter, Wes Craven, or George A. Romero.
The most significant of the often loosely
defined movements of early
contemporary art included
pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.
A Ray Array is a wonky, wordless and amused bit of science that harkens back to Ed Ruscha's early meditations on the banal and John Baldessari's Surrealist, saturated
Pop while also
defining a
contemporary left - coast aesthetic — one that is disarmingly sincere, visually beautiful and unexpectedly spiritual.