Sentences with phrase «defined as a conceptual artist»

She auto defines herself as a conceptual artist: «I don't paint, I don't take photographs, I don't handle the camera or edit.

LeWitt was, therefore, categorically defined as a Conceptual artist.

It should come as no surprise, then, that I became interested in what is now termed historical Conceptual Art, which is to say work by artists who defined themselves as conceptual artists in the late «60s and early «70s.

Not exact matches

As defined by Tony Godfrey in Conceptual Art, appropriation in art is «the act of one artist assuming the work of another artist and claiming it as their owAs defined by Tony Godfrey in Conceptual Art, appropriation in art is «the act of one artist assuming the work of another artist and claiming it as their owas their own.

Guest - curated by former Blanton curator Gabriel Pérez - Barreiro and jointly organized with the Fundação Iberê Camargo (Porto Alegre, Brazil), this retrospective aims to make the Brazilian conceptual artist, who defines his practice as sculpting the distance between objects in pursuit of «maximally present work through minimal action,» better known in the United States.

Seeking to define African American art practice as more than theater or folk art, Cassel Oliver has opted to locate recent art by black artists within a conceptual framework.

Unlike Duchamp and conceptual artists who depended on theoretical concepts to define their artworks, Pollock and the Abstract Expressionists (often abbreviated as AbEx) considered painting an action, not an object.

What can be defined as conceptual art at its best, the artist's often times participatory and always haunting works once again caught the New York audience with surprise and contemplation.

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

A defining characteristic of Hoffmann's work is his conception of an authorial role for the curator, as well as applying the ideas and strategies of artists (in particular Conceptual art) to his curatorial efforts.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

Thus, in describing or defining a work of art as conceptual it is important not to confuse what is referred to as «conceptual» with an artist's «intention.»

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets

One might be excused for believing it if «conceptual art» is defined by the overwhelmingly white and male canon of American artists lionized by institutions such as MoMA over the past several decades.

For Conceptual artists, Duchamp proved that art is not defined by the qualities of particular objects, but by the discourse surrounding them as works of art — discourse generated by artists, critics, and art historians, and by museums, galleries, and art publications.