Sentences with phrase «defined museum exhibition»

Does placing these artists in another racially defined museum exhibition do the artists or the viewer any honor or justice?

Other notable exhibitions that range from historical scholarship to pushing the conceived boundaries of what defines a museum exhibition are Technicolor: New Works by Jaime Hayon (2017); Dream Cars: Innovative Design, Visionary Ideas (2014), which is the tenth most - attended show at the High Museum; Earl Pardon's Portable Art: Jewelry & Design (2015); and Bangles to Benches: Contemporary Jewelry and Design (2013).

Not exact matches

To many people, art is defined by what museums exhibit, and apparently this important museum considers this game to be real art, and shows it in a normal exhibition.

When Arnold Lehman cedes the helm of the Brooklyn Museum next month, he'll use his newfound freedom to pen a book on «Sensation,» the legendary exhibition that defined his turbulent tenure.

Tworkov was featured in many historic exhibitions that defined the period including «New American Painting» organized by The Museum of Modern Art, which introduced the world to Abstract Expressionism and toured Europe in 1958.

Early in his career, his work was included in a number of significant exhibitions that defined the sphere of postwar art, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 1971).

Organized by Tumelo Mosaka (Curator of Contemporary Art at the Krannert Art Museum), University of Illinois, this exhibition focuses on the various ways artists from around the world respond to issues about identity particularly those defined by race and ethnicity.

In Savannah, a major exhibition by deFINE ART honoree and keynote speaker Xu Bing will be on view at the SCAD Museum of Art from Tuesday, Feb. 17 through Friday, July 3.

Featured deFINE ART exhibitions by Tim Rollins and K.O.S., Dustin Yellin, Sam Nhlengethwa, Viviane Sassen, Jason Middlebrook, Matthew Brandt, Tallur L.N. and Nathan Mabry, among others, will be on view at the SCAD Museum of Art.

Stella's work was included in several important exhibitions that defined 1960s art [citation needed], among them the Solomon R. Guggenheim Museum's The Shaped Canvas (1965) and Systemic Painting (1966).

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art muMuseum in Exposition Park (prior to LACMA's existence as an independent art museummuseum).

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

Prior to entering the exhibition Regarding Beauty: A View of the Late Twentieth Century, visitors to the Hirshhorn Museum come upon a wall covered with quotations that alternately define, question, repudiate and buttress the subject at hand.

The exhibition presents a layered examination of the intersecting biological, social, political and technological systems that define our lives, according to the museum.

Richard Klein, Exhibitions Director of the Aldrich Contemporary Art Museum, has remarked: «It is Lichtenstein's innate ability as a colorist, together with his belief in spontaneity and accepting what others would consider accidents or mistakes, which has defined his studio.

SCAD Museum of Art presents «Chroma,» an exhibition by deFINE ART honoree Carlos Cruz - Diez, known for his groundbreaking color theory philosophies developed and refined over seven decades.

Early in his career, his work was included in a number of significant exhibitions that defined the art in the postwar era, including Sixteen Americans (Museum of Modern Art, New York, 1959), Geometric Abstraction (Whitney Museum of American Art, New York, 1962) The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), Documenta 4 (1968), and Structure of Color (Whitney Museum of American Art, New York, 1971).

«The Schoolhouse and the Bus: Mobility, Pedagogy, and Engagement, an exhibition formerly at the Art, Design & Architecture Museum at the University of California, Santa Barbara, and opening February 9 at the Rubin Foundation's The 8th Floor gallery in New York, pairs two genre - defining works of social - practice art: Suzanne Lacy and Pilar Riaño - Alcalá's Skin of Memory (1999) and Pablo Helguera's The School of Panamerican Unrest (2006)...

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!

Early in his career, his work was included in a number of significant exhibitions that defined the art of the postwar era, including Sixteen Americans, The Museum of Modern Art, New York, 1959; Geometric Abstraction, Whitney Museum of American Art, New York, 1962; The Shaped Canvas, Solomon R. Guggenheim Museum, New York, 1964 — 65; Systemic Painting, Solomon R. Guggenheim Museum, New York, 1966; Documenta 4, Kassel, 1968; and Structure of Color, Whitney Museum of American Art, New York, 1971.

Blue Diamond (1960) is Ortman's most widely reproduced work and was a centerpiece of Toward a New Abstraction, the important 1963 exhibition at the Jewish Museum that defined then emerging post-painterly tendencies.

Set to debut at the Modern Art Museum of Fort Worth Sept. 21, Urban Theater: New York Art in the 1980s promises to be a blockbuster exhibition with highlights from major artists who helped define a generation.

Presented as part of the 2012 deFINE ART program Exhibition and reception are free with SCAD Museum of Art admission.

Museum Director Thomas Padon noted, «Homer defined the look of America in the second half of the 19th century and is central to key artists in our collection, which gives the exhibition particular resonance here at Brandywine.»

Throughout the 1960s and 70s, his work was included in a number of significant exhibitions that proved to define the art of the time, including Geometric Abstraction (Whitney Museum of American Art, New York, 1962), Toward a New Abstraction (The Jewish Museum, New York 1963), The Shaped Canvas (Solomon R. Guggenheim Museum, New York, 1964 - 65), Systemic Painting (Solomon R. Guggenheim Museum, New York, 1966), XXXII Venice Biennale (1966), Dokumenta 4 (1968), New York Painting and Sculpture 1940 - 70 (Metropolitan Museum of Art, New York, 1970), Structure of Color (Whitney Museum of American Art, New York, 1971).

Defining Structures: History of Exhibitions Tuesday, April 1, 6:30 pm A conversation exploring exhibition history through curatorial practice, featuring Jens Hoffmann, Deputy Director, Exhibitions and Public Programs and curator Germano Celant, moderated by Bruce Altshuler, Director, Program in Museum Studies, Graduate School of Arts and Science, New York University.

Not quite art exhibition, not quite wax museum, FADE IN forcibly asserts a dichotomy of understanding: on the one hand it asks an art audience to face and acknowledge the shallowest version of itself — defined by props in the background and character tropes.

Stella's work was included in several important exhibitions that defined 1960s art, among them the Solomon R. Guggenheim Museum's The Shaped Canvas (1964 — 65) and Systemic Painting (1966).

The exhibition marks the CMA debut of Song (2007), a monumental abstract work given to the museum in 2008, positioning it between Bartlett's career - defining work Rhapsody (1975 — 76) and the later Recitative (2010).

«The works in this exhibition demonstrate how this ambiguity has defined the evolving genre of time - based media, and how we must reflect critically on the representation of reality both inside and outside of the museum.»

In 1962, Dine was one of eight artists — along with Andy Warhol, Roy Lichtenstein, Ed Ruscha — included in the seminal New Paintings of Common Objects exhibition curated by Walter Hopps at the Pasadena Art Museum (now the Norton Simon Museum), which is often credited with defining the then - emerging field of Pop art.

The cornerstone of deFINE ART 2012's programming will be exhibitions in the new 82,000 - square - foot SCAD Museum of Art, which reopened in Savannah in October 2011 following extensive restoration and expansion.

At the Studio Museum, Adjaye's concept is defined by innovative design features and improved space planning, including: a light - filled core that soars upward for four stories intended to echo the volume of a church sanctuary; a 199 - seat «inverted stoop» that invites the public into a lively multi-use space for lectures, performances and other public programs; and a variety of graciously proportioned spaces for presenting featured exhibitions as well as works from the museum's permanent colleMuseum, Adjaye's concept is defined by innovative design features and improved space planning, including: a light - filled core that soars upward for four stories intended to echo the volume of a church sanctuary; a 199 - seat «inverted stoop» that invites the public into a lively multi-use space for lectures, performances and other public programs; and a variety of graciously proportioned spaces for presenting featured exhibitions as well as works from the museum's permanent collemuseum's permanent collection.

Central to SCAD AT MIAMI is «Chroma,» an exhibition of immersive installations by renowned international artist and SCAD deFINE ART 2017 honoree Carlos Cruz - Diez, presented by the SCAD Museum of Art, in collaboration with Articruz and the Cruz - Diez Art Foundation.

Exhibition to Feature 14 Large - Scale Paintings from Contemporary Artists Considered Pivotal Career Works Long Beach, CA — The Long Beach Museum of Art will open its newest exhibition this fall entitled Masterworks: Defining A New Exhibition to Feature 14 Large - Scale Paintings from Contemporary Artists Considered Pivotal Career Works Long Beach, CA — The Long Beach Museum of Art will open its newest exhibition this fall entitled Masterworks: Defining A New exhibition this fall entitled Masterworks: Defining A New Narrative.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imMuseum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and immuseum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

Rediscovered Brueghel painting to go on show in Bath In its announcement of the upcoming exhibition «Bruegel: Defining a Dynasty», the Holburne Museum has revealed that a painting in its collection previously believed to be by a follower or copyist has been reattributed to Pieter Brueghel the Younger himself.

Painting on Paper augments Abstract Expressionist New York: Masterpieces from The Museum of Modern Art, the AGO's major summer exhibition, which features three paintings and one drawing by Motherwell, exhibited alongside era - defining works by Jackson Pollock, Mark Rothko and Willem de Kooning, among others.

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her...

Melvin Edwards @ Alexander Gray Associates Oct. 30 — Dec. 13, 2014 FINAL DAYS Houston - born Melvin Edwards's metalwork objects and installations are defined by his aesthetic, philosophical and personal connections to Africa, where he has regularly traveled throughout several countries since 1970 (the same year he became the first African American artist to mount a solo exhibition at the Whitney Museum), establishing a studio in Dakar in 2000.

Given that it is major exhibitions, museum collections and art publications that will define the historical record, it is clear that at the top level of the art world it is pretty much business as usual when it comes to women.

Reflecting current interest in this period of art from India, Abby Grey and Indian Modernism will complement a related exhibition at the Queens Museum of Art, After Midnight: Indian Modernism to Contemporary India 1947/1997 (on view March 1 — June 28, 2015), which highlights two defining moments in Indian history: independence in 1947, and the nation's 50 - year anniversary.

Unlike the other museums around the country, the Contemporary Arts Museum had a special opportunity to really define the space with Jones» work given the unique diamond shape of the institution, leading to the unique presenting methods and custom building that was involved with the exhibition.

The other spaces of the exhibition fall under the title of The [Absent] Museum, where the works offer a blueprint or suggestion for the type of art practice that could define the art - historical program of a future museum of contemporary art in BruMuseum, where the works offer a blueprint or suggestion for the type of art practice that could define the art - historical program of a future museum of contemporary art in Brumuseum of contemporary art in Brussels.

The Guggenheim Museum states that Robert Morris in 1968 had a groundbreaking exhibition and essay defining the movement and the Museum Website states as «Process artists were involved in issues attendant to the body, random occurrences, improvisation, and the liberating qualities of nontraditional materials such as wax, felt, and latex.

Jack Whitten's lecture at the deFINE Art Conference at the Savannah College of Art and Design, coinciding with the exhibition Jack Whitten: Erasures at SCAD Museum of Art, is featured in a Hyperallergic article by Kyle Chayka.

· Dallas: Passion for Art: 100 Treasures 100 Years is an exhibition designed to dramatize defining moments in the development of the century - old Dallas Museum of Art.

As encapsulated by first «Contemporary Bay Area Figurative Painting» at Oakland Museum in 1957 and later the «Funk» exhibition mounted by University of California, Berkeley Art Museum in 1967, the art being made in California became progressively more unique and transgressive, establishing an identity, perhaps, of individualism that would continue to define the region.

«Primary Matters: The Minimalist Sensibility, 1959 to the Present,» just opened at the San Francisco Museum of Modern Art, echoes the title of one of the defining New York museum exhibitions of the»60s: «Primary Structures.&Museum of Modern Art, echoes the title of one of the defining New York museum exhibitions of the»60s: «Primary Structures.&museum exhibitions of the»60s: «Primary Structures.»

This year so far has had some stellar exhibitions, including the insanely popular Alexander McQueen blockbuster, the sublime Defining Beauty at The British Museum and Carsten Holler ensured we had a ton of fun in a gallery setting.