For both artists, pictorial space is accompanied by a strongly
defined picture plane.
Although her depictions of urban fixtures and studio debris approach hyperrealism in terms of rendering, there is a perceived emphasis on the abstract geometry
defining the picture plane.
Not exact matches
The gradual arc of gray iron reaches out of the space
defined by the traditional
picture plane to break new ground (literally and metaphorically), occupying an area normally denied to it by wall mounted work.
«Saccoccio proceeds to disrupt the
picture plane either by continually contradicting space or by
defining it.
The destruction of traditional perspectival space in the
picture plane has
defined everything from cubism through Ellsworth Kelly and Andy Warhol all the way up to Takashi Murakami at the turn of the millennium, making «flat» one of the prime qualities sought in good, honest painting.
As a variety of technical devices were employed by early modernist painters to intimate extension beyond the space
defined by the
picture plane, and by later artists to reveal and acknowledge the two - dimensional surface of illusion, the artists in this exhibition have utilized devices which indicate a contemporary view of time and space and the work of art.
Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the
picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces
defined by veils or blankets of color.