But it's also a boldly attempted strike against the monolithic corporatization of fan service, and arguably one of the few films that
defines dystopia as nothing less than a marketplace of trademarked, cross-promotional intellectual property.
I prefer to
define a dystopia as a dysfunctional society.
Not exact matches
Robbie plays a smirking, knowing femme fatale — sometimes called «Annie» and sometimes «Bonnie,» for reasons explained late in the story — who spends her life manipulating and befuddling violent men in some vaguely
defined urban
dystopia.