Noting that the Project Space is not designed for the conventional display of paintings, Cavers will allow intuition and gut feeling to guide him in the exploration of a freestanding display system, which questions and
defines ideas of painting placement, in an entertaining and inventive manner.
Not exact matches
This approach, editor Helen A. Harrison explains, «lies at the core
of what was then being
defined as the new American
painting, although many artists would replace
ideas with even more subjective stimuli such as experiences and emotions.
It was a moment when de Kooning turned to what he called the tableaux: «forcefully composed
paintings with
ideas of less frontal or variously posed figures in a well
defined landscape space» (J. Cowart, «De Kooning Today,» de Kooning 1969 — 78, Gallery
of Art, University
of Northern Iowa, 1978, p. 15).
He
defines systems in his work as «a way
of communicating an intelligible
idea in terms
of shapes colours and forms, or an organisation principle that I predetermine and allow to run to see what the outcomes will be...» In his
painting here, Triangles within a Dodecagon, he takes the regular twelve sided shape as its starting place and bases an equilateral triangle between two
of the vertices, or along one
of the sides.
I went on to
define the technical
ideas developed in the late 19th century that had been imposed on the sensibilities
of the artists
of the 20th century that worked against representational
painting.
As Linda Nochlin famously pointed out in 1971, for centuries women were excluded from even attending the academies, never able to learn the skill - sets and tools
of painting, and were persona non grata among those who
defined the status quo and controlled the flow
of ideas and capital.
Matthew Ritchie's installations, which integrate
painting, wall drawings, light boxes, performance, sculpture, and projections, are investigations
of the
idea of information explored through science, architecture, history and the dynamics
of culture,
defined equally by their range and their lyrical visual language.
Using thick, impasto
paint and heavy pigment he celebrated American culture, creating well -
defined shadows not only
of elements in his
paintings but also
of ideas typical to the country's middle - class.
Biography: Matthew Ritchie's installations, which integrate
painting, wall drawings, light boxes, performance, sculpture, and projections, are investigations
of the
idea of information explored through science, architecture, history and the dynamics
of culture,
defined equally by their range and their lyrical visual language.
Steinberg championed Robert Rauschenberg, Jasper Johns, and Philip Guston when it mattered, with the
idea of the picture as a «flatbed» that helped
define Rauschenberg's combine
paintings for others.
With more than 100 illustrations, Sean Scully: Vita Duplex provides a comprehensive look at the artist's visual oeuvre, as well as his world
of ideas, and
defines its place in the history
of abstract
painting.
The
ideas that
define the discipline
of painting are as malleable as the material itself.
Athier's definitive
idea of what «futuristic» looked like was strongly fused with the Metaphysical
Painting movement, the Futurists and the Memphis movements throughout Europe in the early twentieth century, as well as early visual effects
defined by the late 80s and early 90s aesthetic: bright colours and crude grid - based computer animation.
The Baltimore Museum
of Art (BMA) presents Meleko Mokgosi: Acts
of Resistance, an exhibition that includes a suite
of new
paintings by the artist that examines the
idea of resistance,
defined by Mokgosi as any instance in which a subject refuses to give in to the oppression
of her or his spirit.
What both tendencies have in common is a rejection, or at least a deep skepticism,
of formalism — a
defining idea that Rubinstein's latest curatorial effort, Reinventing Abstraction: New York
Painting in the 1980s at Cheim & Read, gets to the heart
of.