The stories we consume in youth — whether through books, television, film or song — often become
the defining narrative of our lives.
Not exact matches
Scripture no longer
defined the world in which Christians
lived in a normative way; rather, the Bible was turned into a source
of support for modern
narratives of progress or for other doctrinal norms.
As the waves pound, it's tough to decide what is more unsettling: the boat's incessant rocking or the mounting evidence that the arrow
of time — the flow that
defines the essential
narrative of our
lives — may be not just an illusion but a lie.
It's important to keep pushing for the types
of characters people want to see on screen, and Black Panther has done great work in giving the world a cast
of crucial black women whose
lives are full and whose actions
define the
narrative.
It takes a good storyteller to hone in on the
defining moments
of one's
life without descending to biographical collage
narrative work.
Screencraft.org has a fabulous video interview with this writer extraordinaire and master
of dialogue in which he talks about creating memorable characters («what a character wants, and how they go about getting it
defines a character»), and how characters do not resemble real people («people don't speak in dialogue» and «their
lives don't unfold in
narrative arcs.»)
-LRB-...) Poignant
narratives are hinted at by small objects scattered about the backside
of the walls — ceramic replications
of cigarette butts, bottle caps, toilet paper rolls and beer bottles seem remnants
of lives that once inhabited the spaces that these walls no longer
define» (Excerpt from Eleanor Heartney's essay, «Something there is that doesn't love a wall»).
Whilst the drawings are not
narrative in the traditional sense, they succeed in creating an evocative slice
of contemporary
life, embodying what Brian O'Doherty
defined as Rauschenberg's «vernacular glance.»
The artist, whose solo exhibition «Sanctuary,» is on view at the Museum
of Arts and Design in New York through Aug. 12, says the
narratives of African American
life and history in Lawrence's paintings are so familiar to him and his experiences that what really draws his attention is how he constructs his images, a
defining element Thomas also emphasized.
Defined ife with texture, color and organic forms, Nnenna Okore's abstract sculptural works are infused with
narrative elements that draw on the landscapes and environs
of Nigeria, where she was raised, and Chicago, where she
lives, works and is a professor
of art.