Sentences with phrase «definition video installation»
The Magpie Index» — a co-commission by Locus + and the De La Warr Pavilion — is a single screen high - definition video installation which focuses on the English singer - songwriter and recording artist Roy Harper, who delivers a series of monologues, largely as a talking head.
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Three - channel high - definition video installation with 5.1 audio.
The four interrelated «digital playgrounds» that comprise Surveillance, a new four - channel high - definition video installation created in and about historic Madison Square Park by avant - garde filmmaker Ernie Gehr, take inspiration from two seemingly disparate sources.
Two - channel high definition video installation (sound, color), run time: 7:24.
The two new works by Doug Foster, large rusted metal boxes containing high - definition video installations, are the focus of the upper space.
Not exact matches
Mixed - media installation with high - definition video projection with sound, dimensions variable
Installation View, Grand Paris Texas, 2009 Teresa Hubbard / Alexander Birchler High Definition Video with Sound Duration: 54 min.
Installation View, Movie Mountain (Méliès), 2011 Teresa Hubbard / Alexander Birchler High Definition Video with Sound Duration: 24 min.
Installation View, Giant, 2014 Teresa Hubbard / Alexander Birchler High Definition Video with Sound Duration: 30 min.
If early efforts by video pioneers such as Nam June Paik, Bruce Nauman and David Hall took the definition of an art object beyond its conventional parameters as a static entity produced for visual consumption, perhaps the greatest strength of video art triumphed in this show is the unprecedented potential of experiential interactivity between artist, installation and spectator.
Beginning in 2000, the formal and conceptual rigor, minute attention to detail and rich, sensuous imagery that characterize Gehr's work in film have become the hallmarks of his recent experiments with digital media, including the multi-channel high definition digital video installation format used in Surveillance, his 2010 commission for the Madison Square Park Conservancy.
Definitions of play — as in the record button, in the interaction with the technology, in the performance, in the approach, or in the game — connect the videos, video installations, mixed - media and sculptural works addressing the subjects of mass media, identity, and stereotypes, among others, with humor and deceptive simplicity.
Maria Taniguchi, «Untitled (Dawn's arms)», 2011, installation view, two - channel high - definition digital video, 16:9 aspect ratio, colour, sound; wooden plinth and 2 wooden benches, 22:07 minutes; (a) 63.5 x 300 x 63.5 cm, (b) 46 x 300 x 38 cm, (c) 46 x 300 x 38 cm.
2012 video installation HD video projector, Blu - Ray player, stereo amplifier, two speakers, High definition video, colour and sound duration: 20 mins
Kate Gilmore, Love»em, Leave»em, 2013, sculptural installation and high definition video with sound.
This first book on the Philadelphia - based artist features work from his 2009 ICA exhibition — an installation composed of a six - minute, animated, high - definition projected video and five bronze sculptures.
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video w / Karen Hatch
«Since there is no equivocal definition of life, most current definitions are descriptive,» reads Hannah Black «s «Beginning, End, None» three - channel film installation, a triptych of audio - video collage exploring what it means to be alive through the ambivalent idea of the «cell.»