Sentences with phrase «definition video transferred»

ANRI SALA, Long Sorrow, 2005, High definition video transferred from super-16; colour, sound, 12 minutes 57 seconds, Courtesy of Marian Goodman Gallery © Anri Sala

In celebration of its 60th anniversary (hardly an important milestone, but one that sounds impressive nonetheless), the studio has spared no expense for the film's Blu - ray debut, which boasts a new 4k high definition video transfer that looks amazing.

It's sometimes easy to forget how much a good high definition video transfer can do for a film's presentation, but the director - approved HD transfer on «Pulp Fiction» is absolutely stunning.

Not exact matches

Such blazing fast data transmission will vastly improve the quality of streaming high - definition video, playing online video games, participating in video conferences and using voice over IP, all of which struggle with latency at today's average data transfer rates, which range from less than one megabit per second (Mbps) to 10 Mbps (pdf).

Special Features High - definition digital transfer from the 2004 Film Foundation restoration, with uncompressed monaural soundtrack Archival introduction to the film by director Jean Renoir «Around the River,» a 60 - minute 2008 documentary by Arnaud Mandagaran about the making of the film Interview with filmmaker Martin Scorsese from 2004 Audio interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by film writer Paul Ryan Trailer Plus: An essay by film scholar Ian Christie and original production notes by Renoir

Rare Video really did this film a solid and gave it a very impressive new high - definition transfer which was taken from the original 35 mm negative.

However, having watched the whole thing on disc twice, I'm convinced Friedkin did the right thing with it, because the visual scheme has what you could call a narrative arc of its own, and this transfer articulates it with everything the high - definition video format has to give it.

I assume that is what has occurred here, which explains why Thor's 2.40:1 transfer isn't harmed by anything but the limitations of standard definition video.

Enough to make you think that VistaVision was developed by Paramount engineers with Blu - ray in mind, their high - definition transfer of Hitchcock's film — the second in his career to take the Best Cinematography Oscar — is one of the best - looking home - video reproductions of a color film I've ever seen, up there with the studio's own disc of North by Northwest, or Criterion's The Leopard.

That goes for whether you see it in 2D or 3D, high - def or standard def, which is a good thing, given that this particular high - definition transfer — which Warner Home Video touts as employing «a 4K scan of the original camera negative» — is something less than pristine.

February 6 — 12 Dawn Surf Jellybowl Film (16 mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark's tooth, edits made by the surf and a seal while film floated in waves - surfing performed by Andy Perry, Makela Moore, Alanna Moore, Zach Moore, Johnny McCann — shot by Peter West — film negative sanded by Mariah Csepanyi, Andy Perry and Jwest) 2011, 8 minutes 15 seconds 16 mm film negative transferred to high - definition video, no sound Commissioned by the Contemporary Arts Forum, Santa Barbara, California and Thanks to Andy Perry

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

Yass filmed the process in color before transferring it to high - definition video, to combine the warmth of one medium with the clarity of another.

The At Any Given Moment series was filmed in Iceland between 2006 and 2008 with a Bolex H16 Reflex 16 mm film camera and transferred to high - definition video.

Super 16 mm film transferred to high - definition video, color, sound; 32:48 minutes.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

Film, 16 mm, transferred to high - definition video (color, silent).

Shred the Gnar Full Moon Film Noir (35 mm film print and negative shredded and stomped on by a bunch of Snowboarders and a few Skiers getting ginormous catching air during Aspen Big Air Competition and Fallen Friends Event — marked up with blue course dye — sprayed with Diet Coke, Bud Lite & Whiskey — taken hot tubbing with Epsom salts, rubbed with Arnica, K - Y Jelly, butter and Advil — full moon shot by Peter West) 35 mm film transferred to high definition video, 5 minutes 9 seconds 2010 Image courtesy of the artist.

The new format helps meet the growing consumer demands for video on - the - go by adopting new technologies to improve overall streaming, encoding quality, process and timing, with a rate of 1 - 2 Mbps and 720P (1280 x 720) to transfer standard definition of audio and video.