I interpret the idea of theo - drama as, in one sense, a theological commentary on Ingold's concept of life as movement, a human becoming through
deliberate placing of the human person in the movement of the play as a way of bringing forth not simply that which is unique to human beings, but structuring human life as part of a wider bringing forth (p. 51).
However, these issues start with the disadvantage (for their proponents)
of trying to overcome the bulwark
of human rights laws which, since the end
of the Second World War, have increasingly
placed duties on nations to protect life and to outlaw any
deliberate deprivation
of life.