The deliberate vulgarity of these paintings contrasts with the French painter Jean Dubuffet's no less harsh Corps de Dame series of 1950, in which the female, formed with a rich topography of earth colours, relates more directly to universal symbols.
Equally, the viewer is seduced with the intensity of color heightened by the inlay of precious and semi-precious stones — emeralds, rubies, sapphires, diamonds — which all contrive to push the boundaries of excess and allow for those moments of humorous, even
deliberate vulgarity.