Roughly - cut canvases are tacked onto irregularly - shaped handmade thick wood panels, where the layered plywood edges and staples are
deliberately left exposed as compositional elements.
There are smaller paintings than this, some of theme equally concerned with the process of painting, and with the «
deliberately accidental», Callum Innes «s words for the process he adopts of dividing the canvas into two, painting a quarter with a flat colour
leaving the other quarter
exposed, and then taking the same colour and applying it to the other half of the canvas before «unpainting» it by rubbing it off with turpentine,
leaving a ghost of the original colour.