cat., Museo Nacional Centro de Arte Reina Sofía, Madrid, p. 30) This is evident in Untitled, 1961, which demonstrates a strong relationship with Pape's earlier Tecelares, through a rigorous exploration of space and the economy of line, as well as a foreshadowing of her later Ttéias, in which Pape filled entire rooms with glimmering
golden columns made of
delicate threads through which participants traversed, begging viewers to immerse themselves wholly in an unadulterated experience of light and physical sensation.
Untitled, 1961 demonstrates a strong relationship with Pape's earlier Tecelares while foreshadowing her later Ttéias, in which she filled entire rooms with glimmering
golden columns made of
delicate threads through which participants traversed — begging viewers to immerse themselves wholly in an unadulterated experience of light and physical sensation.