Sentences with phrase «delirious art»

«Delirious times demand delirious art.

Delirious times demand delirious art, or so this exhibition proposes.

Embracing irrationality, the premise of this exhibition is that delirious times demand delirious art.

Not exact matches

It was a delirious, horribly stupid piece of art that we'll remember until the next time the Nationals are involved in a delirious, horribly stupid piece of art in the NLDS.

Our goal is to champion the cause of film literacy, foster public discussion of the place of movies in society, and promote the serious, sometimes delirious cause of film as art.

Channeling «La femme Nikita,» «Kill Bill,» Nikkatsu's»70s female exploitation films and a gazillion Hong Kong martial arts heroines, «The Villainess» nonetheless succeeds in being one - of - a-kind for its delirious action choreography and overall narrative dementia.

In 2002, a group of Seattle film professionals, enthusiasts, teachers, and critics formed Parallax View, a small film society whose goal was to champion the cause of film literacy, foster public discussion of the place of movies in society, and promote the serious, sometimes delirious cause of film as art.

From the opening party full of knights throwing devil horns to gentle medieval music, to the utterly amazing end sequence (which, if you've never seen before, is pure delirious joy), Castle Crashers is an endearing, sometimes hilarious, experience full of visual gags and unapologetic silliness that's helped along by Dan Paladin's terrific art and animation.

Delirious, an exhibit of willfully nonsensical and absurd art upcoming at the Met Breuer, will focus on works produced during the Cold War decades, and might provide context for those who see today's socio - political havoc, or the irrational art it begets, as something entirely new.

Mr. has been participating in exhibitions such as «Krazy: the Delirious World of Anime + Comics + Video Games + Art» at the Vancouver Art Gallery, and «Little Boy: The Arts of Japan's Exploding Subculture» at Japan Society, in New York.

Diana Al - Hadid's first major public art project, Delirious Matter, will be installed in Madison Square Park.

Delirious: Art at the Limits of Reason, 1950 - 1980 The Metropolitan Museum of Art - Met Breuer, New York, NY September 12, 2017 — January 14, 2018 http://www.metmuseum.org/

At the Met Breuer's recent exhibition «Delirious: Art and the Limits of Reason», I was struck by evidence that the grid — often a structural cipher for rationality in Western art — could be used to demonstrate its opposiArt and the Limits of Reason», I was struck by evidence that the grid — often a structural cipher for rationality in Western art — could be used to demonstrate its opposiart — could be used to demonstrate its opposite.

2016 Passages in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

2015Äppärat, Ballroom Marfa (curated by Tom Morton), Marfa, US Blue Moon - The feeling of light, Kunsthalle HGN, Duderstadt, Germany Anagramma, Cura, Rome, Italy Pavillon de l'esprit Nouveau 2.0, Swiss Institute, New York Raw and Delirious, Kunsthalle Bern, Bern Road to Ruin, Cooper Cole Gallery, Toronto Terrapolis, École Française d'Athènes, Athens Deep Screen, Parc Saint Léger Centre D'Art Contemporain, Pougues - les - Eaux, France Art in the age of... Energy and Raw Material, Witte de With, Rotterdam, Holland To the End of the Line, Chateau Shatto, Los Angeles, US

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

«Delirious: Art at the Limits of Reason» ran at The Met Breuer through January 14.

With «Delirious,» the Met Breuer sees only art in the throes of a bad trip.

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AtlArt, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlart films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AtlArt Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AtlArt Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

Exhibition: «Delirious: Art at the Limits of Reason 1950 — 1980» at Met Breuer This expansive show explores 30 years of absurd and irrational art made in part as a response to the political and cultural turbulence from the 1950s through the»8Art at the Limits of Reason 1950 — 1980» at Met Breuer This expansive show explores 30 years of absurd and irrational art made in part as a response to the political and cultural turbulence from the 1950s through the»8art made in part as a response to the political and cultural turbulence from the 1950s through the»80s.

Delirious: Art at the Limits of Reason, 1950 — 1980, Met Breuer, Metropolitan Museum of Art, New York.

Dean Fleming In New York: Included in the Met Breuer Exhibition, «Delirious: Art at the Limits of Reason, 1950 - 1980» and An Upcoming Solo Exhibition, «Duality» at David Richard Gallery's New Location in Harlem 211 East 121st Street New York, NY 10035

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Fleming's artwork is included in the current exhibition at the Met Breuer in New York, «Delirious: Art at the Limits of Reason, 1950 — 1980», organized by Kelly Baum and on exhibition through January 14, 2018.

A shape - shifter of styles and mediums, Poke created work that was a delirious melange of Pop Art and painterly Expressionism.

I was looking forward to «Delirious: Art at the Limits of Reason» at the Met Breuer, which promised to be one of the big adventures of the fall art seasArt at the Limits of Reason» at the Met Breuer, which promised to be one of the big adventures of the fall art seasart season.

Previous performances include: Six Actions for NYC, Creative Time, New York (2007); Money, Art Perform / Art Basel Miami Beach (2006) and Delirious, Serpentine Gallery (2006).

Along with her participation in documenta 14 in Athens, Greece and Kassel, Germany (April through September 2017), works by the artist will also be included in the ARoS Triennial, ARoS Aarhus Kunstmuseum, Denmark (April 8 through September 10, 2017); Urban Planning: Contemporary Art and the City 1966 — 2017, Contemporary Art Museum, St. Louis (May 5 through August 13, 2017); and Delirious: Art at the Limits of Reason, 1950 — 1980, The Met Breuer, New York (September 12, 2017 through January 14, 2018).

Delirious: Art at the Limits of Reason, 1950 - 1980 Through Jan. 14 at the Met Breuer, 945 Madison Avenue; 212-535-7710; metmuseum.org.

From left, «Human Nature / Life Death» by Bruce Nauman; «Tower of Babel» by León Ferrari; and «Jazzmen,» by Jacques Mahé de la Villeglé in «Delirious: Art at the Limits of Reason, 1950 - 1980.»

The agency will also support a number of upcoming exhibitions, including «Andy Warhol: Before and After» at the Whitney Museum of American Art, «Diana Al - Hadid: Delirious Matter» at the Bronx Museum of the Arts, and «Mark Bradford: Tomorrow is

Simultaneous to Delirious Matter's display in Madison Square Park, the Bronx Museum of the Arts has organized Diana Al - Hadid: Delirious Matter, which will be on view in the Bronx from July 18 — October 14, 2018.

Delirious Matter is the artist's first major public art project.

Group shows include: Raw and Delirious, Kunsthalle Bern (2015); Unshelling and Shelling again, Kunsthall Stavanger, Stavanger (2014); Champs Elysées, Palais de Tokyo, Paris (2013); Revolution: John Chamberlain, Ida Ekblad, Christina Streuli, Kunstmuseum Luzern (2013); The Garden of Forking Paths - An Outdoor Sculpture Project on the Blum Family Estate in Samstagen, Migros Museum, Zurich (2011); Younger Than Jesus, curated by Lauren Cornell, Massimiliano Gioni and Laura Hoptman, New Museum, New York (2009); and Dark Continents, MOCA, Museum of Contemporary Art, Miami (2008).

Delirious Matter is supported in part by an award from the National Endowment for the Arts.

The Delirious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery (2008); RED HOT: Asian Art Today from the Chaney Family Collection, Museum of Fine Arts Houston (2007); and Little Boy: The Arts of Japan's Exploding Subculture, Japan Society, New York (2005), among others.

Art's thirty - sixth exhibition, Delirious Matter by artist Diana Al - Hadid, on view from May 14, 2018 through September 3, [Read More]

Delirious: Art at the Limits of Reason 1950 - 1980.

Following performances at New York Theatre Workshop, Red - Eye to Havre de Grace, a play by Pew Fellow Thaddeus Phillips about the delirious final days of Edgar Allen Poe's life, heads south for performances at Georgia Tech's Ferst Center for the Arts, April 14 — 16.

In her latest delirious pastiche, Warren continues to craft canny and campy post-Internet mashups of pop culture, religious iconography, and art history by playing Michael Jackson in a reimagining of a 16th — 17th century Dominican genealogical painting that traces the pious descendants of Saint Dominic.

This is the case with «Delirious: Art at the Limits of Reason, 1950 - 1980» at the Met Breuer, a nervy multimedia survey of postwar aArt at the Limits of Reason, 1950 - 1980» at the Met Breuer, a nervy multimedia survey of postwar artart.

«Delirious», the unapologetically fun exhibition currently on view at the Met Breuer, explores how an international group of artists in the 1960s and 1970s declared war on Order, Stability, and Rationality and instead made art that was messy, hallucinary, and sometimes outright deranged.

The Metropolitan Museum of Art Breuer is hosting an exhibition titled «Delirious: Art at the Limits of Reason, 1950 - 1980» that will be running through January 14, 2018.

At the Met Breuer, «Delirious» proposes a new version of art history, one short on blue - chip names but with a terrific soundtrack.

Seth Price, who combines a visual art practice with writing, is perhaps the most self - conscious heir to Smithson's delirious sci - fi - and - George - Kubler - influenced writing...» Read more.

Hales is delighted to announce the inclusion of Carolee Schneemann's Viet Flakes in The Met Breuer exhibition Delirious: Art at the Limits of Reason 1950 — 1980.

The Delirious World of Anime + Comics + Video Games + Art (2008) exhibitions.

* Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976, The Jewish Museum, New York The 1930s: The Making of «The New Man», National Gallery of Canada, Ottawa * Art is for the Spirit: Works from the UBS Art Collection, Mori Art Museum, Tokyo Monet Kandinsky Rothko: und die folgen, Kunstforum, Wein, Austria * Krazy: The Delirious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery, British Columbia, Canada Moving Horizons: The UBS Art Collection: 1960 to the present day, National Museum of China 2008 - 2009 * Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles 2009 * After Many Springs: Regionalism, Modernism & the Midwest, Des Moines Art Center, IA Paint Made Flesh, Frist Center for the Visual Arts, Nashville, Tennessee: traveled to The Phillips Collection, Washington D.C.; Memorial Art Gallery, University of Rochester, NY * Die Gegenwart der Linie, Die Pinakothek der Moderne, Munich, Germany * Exhibition of Musee National d'Art Moderne du Pompidou, Seoul Museum of Art, Korea * The Third Mind: American Artists Contemplate Asia, 1860 to 1989, Solomon R. Guggenheim Museum, New York Artists and the Natural World, McKee Gallery * Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York Poor.

Upon further viewing, the stunning art titled Lucid Stead imposes a delirious, almost spiritual experience.