Sentences with phrase «delivered by the cast»

The acting performances delivered by the cast are wonderful and they each bring something effective to the screen.

Not exact matches

For if God did not spare the angels who sinned, but cast them down to hell and delivered them into chains of darkness, to be reserved for judgment; and did not spare the ancient world, but saved Noah, one of eight people, a preacher of righteousness, bringing in the flood on the world of the ungodly; and turning the cities of Sodom and Gomorrah into ashes, condemned them to destruction, making them an example to those who afterward would live ungodly; and delivered righteous Lot, who was oppressed by the filthy conduct of the wicked (for that righteous man, dwelling among them, tormented his righteous soul from day to day by seeing and hearing their lawless deeds) then the Lord knows how to deliver the godly out of temptations and to reserve the unjust under punishment for the day of judgment, and especially those who walk according to the flesh in the lust of uncleanness and despise authority.

From clueless bosses to wacky neighbors, One Day at a Time hits refresh on your usual sitcom character tropes by bringing a distinctive familiarity as the cast uses their synergy to deliver their scripts and convince audiences that they do in fact care about one another and the journey they're all on together.

(The I.D.C.'s official line, delivered by a spokesman, is that «We're humbled that so many New Yorkers came out yesterday to cast a ballot in support of the I.D.C.'s policy - driven agenda.

Bennet's forces acknowledge a close race but believe the organizational strength of their campaign will deliver a narrow victory as a large majority of votes will be (and have already been) cast by mail.

It suggests that savings could be delivered by reducing the unit funding per votes cast and offset by an increase to the unit funding for the absolute number of MPs.

By contrast, Trump's presidency casts serious doubt on the United States» ability to meet its own commitment to cut emissions between 26 and 28 percent below 2005 levels by 2025 — though the U.S. delegation has promised foreign colleagues here that America's private sector can deliver without federal supporBy contrast, Trump's presidency casts serious doubt on the United States» ability to meet its own commitment to cut emissions between 26 and 28 percent below 2005 levels by 2025 — though the U.S. delegation has promised foreign colleagues here that America's private sector can deliver without federal supporby 2025 — though the U.S. delegation has promised foreign colleagues here that America's private sector can deliver without federal support.

Well meaning but ultimately vacuous, though saved somewhat by a competent cast that delivers whenever verbal sparring needs materialize.

Bucking the odds against a 2nd sequel delivering the excitement and discovery of a hugely successful original, and after a first sequel («Shrek 2») that outdid its predecessor by $ hundreds of millions and critical approval, Shrek the Third holds onto the cast of characters and the animated expressiveness that marks the series.

Supported by a top notch cast of veterans and newcomers such as Peter Fonda, Logan Lerman, Gretchen Mol, Alan Tudyk, Luke Wilson and the impressive Ben Foster (Alpha Dog) as psycho gunslinger and Wade's right hand man Charlie Prince, Mangold delivers a rich tableau that speaks to the true, humble motivations of heroism and the ability for empathy to be found even in the darkest recesses of the self - centered human heart.

Reeves does a nice job of distancing himself from The Matrix trilogy by playing Constantine as an exceedingly grizzled figure (smart choice, given that the man can literally see demons), while the supporting cast is peppered with a host of familiar faces (Peter Stormare even pops up as Satan, delivering a flamboyant performance that's easily the highlight of the film).

He's accompanied by a stellar supporting cast too; Jennifer Lopez is not normally someone I'd rate very highly but she delivers some strong work as the doggedly determined Federal Marshall and shares great chemistry with Clooney.

Lena is portrayed by an always dependable Portman, and Ventress» character is brought to life nicely by a well - cast Leigh, who's always one to deliver a stern but immersive performance.

Overwought and thinly sketched disaster flick but buoyed by a cast that delivers better than decent performances.

We do get a strong cast here, populated by the likes of Nicole Kidman, Julianne Moore, Meryl Streep, Ed Harris, Claire Danes, Jeff Daniels, John C. Reilly, Toni Collette, and Allison Janney among others, and, as you'd expect, they deliver when it comes to the acting.

There are plenty of talented components to this cast, and most every one of them has his or her time to shine, even such much too briefly present forces as episodes 1's Martin Sheen - who nails both Irish - American accent and depth of the good - hearted slaver who comes to find flaws in the traditions he has had to follow - and episode 3's Richard Jenkin, who effectively despicable in his audacious portrayal of a despicable radical racist who is as willing to die as he is to kill to preserve his questionable sense of order - and plenty of other people in between, from the compelling Dennis Haysbert to the charming Danny Glover, so you know that it's saying something to proclaim that leading lady Halle Berry is this series» strongest performance, delivering on powerful layers and emotional range in her engrossing portrayal of a mulatto who is trapped in society by her mixed race, and will face many unbearable hardships that will test her innocence and humanity.

Luckily, to combat this issue, the more vital pieces of information are highlighted well in the dialogue, and most importantly, they are delivered by a stellar cast including Dennis Quaid («The Words»), Topher Grace («Interstellar»), Elisabeth Moss («Get Him to the Greek») and Bruce Greenwood («Wildlike») among others.

«We are so proud of our amazing cast, led by Terrence and Taraji, who deliver powerful performances week after week.

Summary The Light Between Oceans is a depressing story that the viewer knows can not end well for the characters; however, the film is beautifully shot, delivers wonderful surround - sound audio, and is carried by outstanding performances from its cast.

Featuring dazzling performances from an all - star cast led by Greta Gerwig, Ethan Hawke, Julianne Moore, and Bill Hader, Rebecca Miller (The Ballad of Jack and Rose, The Private Lives of Pippa Lee) delivers a brilliant genre - bending film that works on many levels.

Paramount has delivered the first trailer for Michael Bay's Transformers: Age of Extinction, the fourth film in the ongoing cinematic Transformers franchise that introduces a new human cast lead by Mark Wahlberg, Nicola Peltz and Jack Reynor.

It's a simple plot that has been around as long as movies have, but the touches of humor and Tarantino-esque digressive dialogue delivered by an ace cast raise the film to another level.

Russell's smart, snappy script is delivered by a top - notch cast, including two thoroughly likeable and well - matched leads.

The cast has never been better, with Evans, Downey Jr, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle Paul Rudd, Jeremy Renner, Elizabeth Olsen and Paul Bettany delivering the goods, scene by scene.

But it's genuinely powerful, thanks in large part to a peerless cast: Lawrence has rarely been better, and she's matched — unexpectedly — by Hutcherson, delivering a peculiarly soulful turn.

The red - band trailer is packed full of the deeply dark comedy we've come to expect from McDonagh (with a not so subtle social commentary nod to Ferguson) and he's assembled a pitch - perfect cast for it, led by Oscar winner Frances McDormand, delivering possibly the funniest, raunchiest lines of her career.

«We came to Sundance looking for high - concept, quality commercial fare, and Cortés» paranormal thriller — anchored by memorable performances from an exceptional cast — fully delivers,» said Millennium Entertainment CEO Bill Lee.

With a stellar cast, headlined by Patrick Stewart (Star Trek: The Next Generation) and including Imogen Poots (Need for Speed), Alia Shawkat (Pee - wee's Big Holiday) and Anton Yelchin (Only Lovers Left Alive), the carnage is delivered with great dramatic chops, so there's that.

Evan Creevy's sophomore effort, «Welcome to the Punch,» attempts to bridge that gap by delivering a Hollywood - style crime thriller on an indie budget, but although he's landed an impressive cast of A-list British talent, it's mostly squandered on a bland and overly predictable script.

Director Brad Furman usually does a good job with B - movie thrillers like «The Lincoln Lawyer» and «Runner Runner,» and with a stellar cast that's anchored by the always thrilling Cranston, it's possible he's risen to the material and will deliver some good pulp fun.

The strongest moments are when slapstick recalls the antics of Wallace & Gromit, but the script's packed with quips, ably delivered not just by the inspired parental pairing of Hugh Bonneville and Sally Hawkins (their kids are thinly written, as stroppy or awestruck; Julie Walters» housekeeper is part Mrs Doubtfire, part Mrs Overall) but also by a sterling supporting cast culled from Peep Show, Spy and Sightseers by ex-Mighty Boosh director Paul King.

With strong performances by a very intriguing cast, particularly by Kate Winslet, Little Children manages to overcome the obstacles of the artificiality of the characters and situations to deliver ultimate truths about the human condition, particularly in the lives of people who normally wouldn't make for interesting study.

The tense verbal exchanges are witty and entrenched with politics, delivered by an exceptional cast who revel in their character's various hatreds and hostilities.

A stunning debut that delivers both laughs and thrills in equal measure, Attack the Block features superb performances from its young cast — led by John Boyega as gang leader Moses — and although it went largely unnoticed in cinemas (banking just under # 2.5 m here in the UK), it will surely go on to become a cult classic.

The difference between the grand old days and the dilapidated present is completely believable, while Anderson's writing is delivered exceptionally well by the cast.

While» 75's cast included the likes of Erik Estrada, Sid Caesar and Jerry Stiller, this one had extended contributions by such movie legends as James Stewart, Joseph Cotten, Olivia De Havilland and the great Jack Lemmon who passionately delivers the typical «Airport» lines without sounding foolish (the ultimate compliment for any actor).

So far nobody else has been cast in the film that will be directed by Scott Derrickson (Deliver Us from Evil) and written by Jon Spaihts (Prometheus), though there have been rumblings (and potentially confused details) about Daniel Bruhl's character from Captain America: Civil War potentially crossing over into Doctor Strange.

The dialogue is simply perfect — scabrous, poetic, witty, crude — and delivered with gusto by a spot - on cast whose most famous names now are Rhys Ifans and Dougray Scott.

Not memorable, not ground breaking in any way, but delivered by a talented cast and serviceable director.

The largely improvised dialogue disguises the lack of acting experience by the cast, with lines being shuffled around willy - nilly when it appears that someone (mostly Strong) isn't up to the task of delivering them.

Jennifer Lawrence delivers yet another strong performance as Katniss and through her journey she is helped immensely by her supporting cast featuring Liam Hemsworth, Josh Hutcherson, Woody Harrelson, Philip Seymour Hoffman (RIP) and Donald Sutherland among others.

It's not as original or enjoyable as Eleven, but Thirteen still delivers a mostly winning heist flick with its mix of guys, gadgets, and gambling presented in a slick and stylish manner by Steven Soderbergh and the talent - filled cast.

Just three years ago, Joss Whedon pulled off a remarkable feat by giving us a film that featured a cast of some of the biggest superheroes in the Marvel universe, known collectively as «The Avengers,» and delivering just the kind of action - packed adventure that fans ha...

Just three years ago, Joss Whedon pulled off a remarkable feat by giving us a film that featured a cast of some of the biggest superheroes in the Marvel universe, known collectively as «The Avengers,» and delivering just the kind of action - packed adventure tha...

Complete with bongs and bell bottoms, macrame and mood rings, and featuring classic rock music by Aerosmith, Black Sabbath and KISS, this superb ensemble cast of up - and - comers (Ben Affleck, Matthew McConaughey, Parker Posey and Milla Jovovich) delivers an enduring film that Rolling Stone...

The cast delivers, of course, by injecting an effortless charisma and natural camaraderie into threadbare material that doesn't deserve their participation.

Luckily, he's matched by a superior supporting cast of actors who deliver equally assured performances here, even when the people they're playing feel less organic than machined to make a political point about tolerance and hypocrisy: To name just a few, Jesse Plemons, Rory Cochrane, Bill Camp, Ben Foster and the ubiquitous Timothée Chalamet are all on hand for some duration of the journey; Rosamund Pike, as a woman they meet named Rosalie Quaid, delivers a searing portrayal of trauma at its most physically excruciating and psychically disorienting.

A simple heist story is transformed into a gripping and very rewatchable film by its brilliant cast, most of all the phenomenon that is George Clooney who delivers one of his best performances.

Finally, the script itself features some downright poorly written dialogue that is cheesily delivered by the admittedly talented cast.

A top flight cast led by Patricia Clarkson, Kristen Scott Thomas and Timothy Spall deliver a fast paced dose of witty barbs that may or may not be your cup of tea.