Sentences with phrase «demanding objects they see»

Not exact matches

There's a huge pent - up demand for ways of seeing large objects with nanoscale precision.»

Sure to be one of the most in - demand exhibitions of the season, the Royal Academy's window onto Matisse's working environment allows visitors to see how his collection of objects from around the world shaped his art.

William E. Jones, Laura Parnes, Andrea Bowers, the Bernadette Corporation, Sung Hwan Kim, and countless others produce films that demand continuous viewing but can only be seen in museums and galleries, augmented by saleable photographs, drawings or objects.

«The textual object,» she writes, «demands to be seen as a live, or «living,» work, an interface of bio and res.»

If you're a purist, you might object to the notion of seeing your work reproduced in a print - on - demand basis, or on calendars, postcards, magnets and other items, but art licensing can open up a world of opportunities and revenue streams that help pay the bills — and bring you a great deal of exposure.

Traveled to Nasher Sculpture Center, Dallas The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai Grand National: Art from Britain, Vestfossen Kunstlaboratorium, Norway The Contemporary Figure, Donald Young Gallery, Chicago 2009 Accrochage, Galerie Max Hetzler, Berlin Classified, Tate Britain, London DLA Piper Series: This is Sculpture, Tate Liverpool Donald Young Gallery, Chicago British Council Collection: The Third Dimension, Whitechapel Gallery, London 2008 The Vincent Award 2008, Stedelijk Museum CS, Amsterdam Origins, Hudson Valley Center for Contemporary Art, Peekskill, NY Martian Museum of Terrestrial Art, Barbican Art Gallery, London Donald Young Gallery, Chicago 2007 Five Works in Bronze: Darren Almond, Robert Gober, Ellsworth Kelly, William de Kooning, Rebecca Warren, Matthew Marks Gallery, New York Unmonumental: The Object in the 21st Century, New Museum, New York The Third Mind, Palais de Tokyo, Paris Makers and Modelers, Gladstone Gallery, New York No Room for the Groom, Herald St. London 2006 Turner Prize Exhibition, Tate Britain, London Tate Triennial 2006: New British Art, Tate Britain, London Toutes Compositions Florales, Counter Gallery, London Anne Chu, Gary Hill, Martin Puryear, Rebecca Warren, James Welling, Donald Young Gallery, Chicago flutter, The approach, London If it didn't exist you'd have to invent: a partial Showroom history, The Showroom, London China Art Objects Galleries, Los Angeles 2005 The British Art Show 6, Hayward Gallery (catalogue) Trumpets of Justice, Counter Gallery, London Body: New art from the UK, Vancouver Art Gallery (1995); The Ottawa Art Gallery (2006); Oakville Galleries (2006); Edmonton Art Gallery (2006)(catalogue) 2004 Strange, I've seen that face before, Gallery of Modern Art, Glasgow, Scotland Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Vienna Collage, Bloomberg Space, London 2003 Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren, Matthew Marks Gallery, New York Still Life, Museo Nacional de Bellas Artes, Santiago, Chile.

«People are demanding more of museums,» says Crosby, «as curators we need to take objects out of the march of time and present them differently to see how art created long ago and recently resonate with today.»

Mark Rothko saw these paintings as objects of contemplation, demanding the viewer's complete absorption.