Scientists have decoded faint distortions in the
patterns of the universe's earliest
light to map huge tubelike structures invisible to our eyes - known as filaments - that serve as superhighways for delivering matter to
dense hubs such as galaxy clusters.
The principle
of serial composition can be discerned in Haggerty's work:
light - colored stripes alternate with darker ones to form regular, often horizontal arrangements, which also have a
pattern - like quality due to their
dense structure.
The exhibition allies a range
of highly varied works; Reza Aramesh's critical reconfiguration
of postures
of oppression taken from the documentary photographic record
of the late 20th century within the context
of high - cultural legacy
of the Enlightenment, Jake & Dinos Chapman's attack
of those same Enlightenment spawned delusions
of cultural progress, Desiree Dolron's exquisite,
dense, almost painterly rendering
of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration
of Eternal Love, Wayne Horse's
lighter -
lit display
of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits
of female film stars, re-contextualized from the objectifying gaze
of cinematic
light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play
of material, surface and
light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient
light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting
pattern in shadow and
light.