Examples include a 1968 poster by Viennese Actionist Günter Brus proclaiming «Kunst und Revolution,» a suite of miniature paintings by Wilhelm Sasnal
depicting victorious
black athletes in the ’68 Olympic Games who used their moments of glory to espouse Black Panther politics, a sculpture by Fausto Melotti memorializing the victims of political oppression, a mirror piece by Rashid Johnson exhorting its viewer to «run» (suggesting confrontations with the American police), and, of course, McCarthy's blistering artistic attacks on George W. Bush, one involving the former president having sex with a
black athletes in the ’68 Olympic Games who used their moments of glory to espouse
Black Panther politics, a sculpture by Fausto Melotti memorializing the victims of political oppression, a mirror piece by Rashid Johnson exhorting its viewer to «run» (suggesting confrontations with the American police), and, of course, McCarthy's blistering artistic attacks on George W. Bush, one involving the former president having sex with a
Black Panther politics, a sculpture by Fausto Melotti memorializing the victims of political
oppression, a mirror piece by Rashid Johnson exhorting its viewer to «run» (suggesting confrontations with the American police), and, of course, McCarthy's blistering artistic attacks on George W. Bush, one involving the former president having sex with a pig.