Featuring photographic images of indigenous masks, beach
scenes, and tropical foliage arranged into complex geometric patterns alongside embedded tiles, the collages
depict kaleidoscopic visions of
imaginary landscapes.
The exhibition, inspired by 18th century Fête Champêtre paintings and taking its title from Aldous Huxley's first novel,
depicts scenes from an
imaginary 1920s garden party in the English countryside into which Milbrath has inserted her main character, Poor Gray, who resembles a Baudelairean dandy with his wealth, melancholy and inactivity.