A collaboration between MoMA curators and the Columbia Business School
depicts early modernism as a vast social network.
Not exact matches
Words Without Thoughts Never to Heaven Go, recently on view at Almine Rech in New York, the exhibition
depicts a history of words used in artwork, from
early modernism through to contemporary.
Earlier European
modernism was a strong influence on Houshang Pezeshknia, who
depicted oil workers on the island of Khark in this 1958 portrait.
In the «Black» paintings (included in the Museum of Modern Art's 1959 Sixteen Americans exhibition) and the «Aluminum» paintings which followed (his
earliest shaped canvases, exhibited in this first solo show at the Leo Castelli Gallery in 1960) the picture's surface echoed and reiterated its
depicted shape, reinforcing
modernism's notion of painting's flatness as it sought to establish the painting as an object.