Not exact matches
The New York Review of Books observes how, in her later portraits, Neel was able to «unflinchingly
depict the gamut of
human vulnerabilities, emotions and attitudes.»
Instead, her strange forms, which
depict things such as spiders, architectural forms such as houses and cages, and the
human body, explored themes of loneliness, conflict, frustration,
vulnerability, sexual desire, and love.
Most interestingly, the weather
depicted in Wilson's paintings provides an immersive experience for the viewer, steeped in
human vulnerability and anomie, an inspired tradition which extends back to epochal paintings like J.M. Turner's «Sunrise with Sea Monsters» (1845) and Gustave Caillebotte's «Rainy Day» (1877).
«His art... is about the
human condition, which is why the images or scenes
depicted are not specific to China, nor especially to the era... and individual experience in this rapidly modernising society acts as a backdrop to Jia Aili's awareness of
human frailty,
vulnerability, and the need to be mindful of one's surroundings.»