Sentences with phrase «depth by painting»

Instead of creating a seamless line with the built - in shelves the same white, we decided to add contrast and an additional layer of depth by painting them Benjamin Moore Black Satin.

Instead of creating a seamless line with the built - in shelves the same white, we decided to add contrast and an additional layer of depth by painting them Benjamin Moore Black Satin.

Not exact matches

My guess is that if you do use FolkArt ® Home Decor ™ Chalk by Plaid for painting your jars, you will be mesmerized by the depth of color, the ease of application, and the rapid drying power of this paint.

Long answer: I once gave a chair frame a metallic look by painting it gray, dry brushing with light gray, then mixing dark gray (almost black) paint with Annie Sloan's clear wax, to give dimension and depth to the crevices of the chair.

By layering paint colors, you can create beautiful depth and detail on your pieces.

Choose a tour by medium — painting, sculpture, photography — or learn about a specific artist or artistic theme through an in - depth, online investigation.

The presentation acts as a step by step guide to painting, and covers skills such as layering tones to create depth, basic modulation and brushwork.

Due to the application of several layers of paint followed by high - gloss polishing, they boast a sporty and elegant depth effect.

The new Mazda6 has also been launched with a very cool exterior paint color: «Soul Red» - a new color born of a unique technological process developed by Mazda, that balances depth and shading which accentuate the car's dynamic form, and vividness which expresses sportiness.

The interiors are finished in a «Dusk» hue leather whereas the exterior colour scheme is inspired by the night sky — integrating glass particles into the paint for a sense of light and depth.

They currently advertise a «Wyeth Experience» tour, which starts with an in - depth look at the Wyeth paintings housed in the main museum in Rockville, followed by a van trip through the Maine countryside past landmarks that appear in Wyeth's paintings, culminating with a tour of the Olson House and its grounds.

Visit by foot of hidden cave paintings in the «dry thorny forest» characteristic of the region before continuing the trip towards the Hoyo Cimarrón: a mystery of the nature consisting of a cylindrical hole of 170 ms approximately of diameter and similar depth.

Wood carving, painting, dancing, Gamelan and healing classes are all presented by professionals and really allow you to learn and feel the culture in new depth and further appreciate the skill and beauty surrounding you.

Parkinson writes that «Opticality seems an important sub plot in this show, and its» not just the Peter Young or the stunning Cantus Firmus by Bridget Riley that I have in mind, there is also the early Sean Scully painting East Coast Light 2, the pulsating Auditorium by Dan Walsh, Depth of Field by Richard Kirwan, as well as the strangely photographic Flirt by Jane Harris and Untitled (fold) by Tauba Auerbach.

Despite (or, perhaps, because of) the trauma of the fire, the mournful, anxious introspection that marked the «Remembrance and Renewal» paintings was replaced by a new confidence and depth of feeling.

Organized by the Pennsylvania Academy of Fine Arts, this is the first in - depth museum look at the work of this lifelong Harlem resident with 90 paintings and works on paper from the early 1930s through the late 1970s.

These paintings neither suggest infinite depth nor firmly reinforce the flatness of the support; instead there is continuous expansion of space generated by the relationship of each movement to the next.

With his 1964 «What you see is what you see» — eerily contemporary with Marshall McLuhan's own tautological formula about the medium being the message — Stella brings Greenberg's literal flatness to a metaphorical level: Painting is the message and metaphorical flatness is now achieved in painting by denying it any depth of Painting is the message and metaphorical flatness is now achieved in painting by denying it any depth of painting by denying it any depth of content.

The paintings of Monique van Genderen are something to move into: spaces defined by shape, color, depth, and motion.

Forms operating in shallow depth reveal a huge range of possibilities for the painter» (R. Diebenkorn, quoted in Modern Painting and Sculpture Collected by Louise and Joseph Pulitzer, Cambridge, 1958, p. 43).

«Kill My Mother was just published at the end of 2014; Life & Times of an Orb Weaver features recent acquisitions, augmented by newly discovered works by Zucker; and the untimely loss of Robert Dash is recognized by an in - depth look at his process through the lens of his final series of paintings.»

By adjusting the intensity of colours I was able to bring out a depth in the image which painting on glass didn't seem to allow me.

He later adds that by the mid-1940s, Rothko's «allegiance to conventions of spatial order in painting had withered to the point where depth and contours could barely be detected, much less interpreted... Rothko used the fluidity of watercolor to erode distinctions and diminish resolution.

In 1974, in reference to a New York gallery show by Judy Rifka, Jeremy Gilbert - Rolfe wrote that the artist addressed «the question most crucial to painting in general at the present time: the question as to how far the — currently compromised — abstract «depth» of pictorial space can be newly considered — retrieved — through attention to the material basis of the conventions on which that experience of «depth» relies.»

A lively essay by former museum curator Charles Stuckey offers an in - depth exploration of the painting, one of many groundbreaking works by Pollock in MoMA's collection.

Organized by Malba — Fundación Costantini and curated by Philip Larratt - Smith (Deputy Chief Curator, Malba, Buenos Aires) and Frances Morris (curator of Kusama's retrospective at Tate Modern, London) in collaboration with the artist's studio, the exhibition offers an in - depth survey of the work of the most prominent living Japanese artist through over 100 carefully chosen works from 1950 to 2013, including paintings, works on paper, sculptures, videos, slideshows, and installation works.

By brilliantly asserting the action of his paintings out in front of the picture plane (the final frontier after painting had been so thoroughly explored in terms of depth and then flatness), Resnick pioneered and then painted himself out of the picture.

By spraying paint, rather then by brushing, the effects are like a photographer's use of depth of fielBy spraying paint, rather then by brushing, the effects are like a photographer's use of depth of fielby brushing, the effects are like a photographer's use of depth of field.

Marcus uses traditional perspective here to simulate the scene captured by the camera's lens, which contrasts starkly with the rest of the painting's shallow depth of field and its vibrant colors and bold patterning.

Calling for a rejuvenation of abstraction by achieving the depth of baroque painting, [18] these six talks were published by Harvard University Press in 1986 under the title Working Space.

Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.

An introductory essay by John Elderfield, MoMA's Chief Curator Emeritus of Painting and Sculpture, provides an in - depth exploration of de Kooning's development, context and sources, theory of art and working methods.

Yuka Kashihara uses oil paint applied in a thinly diffuse manner similar to that of Japanese nihonga painting, and by applying it in numerous layers she is able to create a unique depth of color.

Like Hofmann, Tétot relishes the hand painted mark, and is masterful at expressing depth by allowing contrasts between hues and tints to speak for themselves.

Those who managed to get up in time for this morning's breakfast opening of Peter Doig's new paintings at Fondazione Bevilacqua La Masa's Palazzetto Tito were treated to an unexpectedly in - depth interview of the artist by Tate director Nicholas Serota, which went way beyond the sparse smattering of introductory words that generally accompany such occasions.

Throughout his multi-faceted career in stand - up comedy, music, film and television, Mull has become well known as an ironist and satirist, however, the comedic quality of his paintings is contradicted by an equal amount of sorrow - he has moved beyond irony and satire to successfully achieve depth and meaning...

His large - scale abstract paintings feature fields of solid color with little depth or perspective, created by pouring, spraying, and sponging paints and dyes onto the canvas.

In one of the new landscape paintings, traditional pictorial devices used to suggest depth or perspective are playfully challenged by the use of filmic text or explicit engagement with the flatness of the canvas.

These 1967 paintings by Komodore and Anuszkiewicz demonstrate the New York interest in ambiguous spatial depth which varied greatly from the California artists for whom a unified composition with no sense of background and foreground was essential.

As well as seeing the show you can also book a tour of the abstract paintings in the University of Warwick collection, attend a talk by Daniel Sturgis artist and curator of the show and join a symposium for an in - depth discussion of the origins and endurance of abstraction.

For example, in Giorgio Morandi's deceivingly simple still - life paintings, shallow space and depth are conveyed by the overlapping bottles, allowing the viewer to perceive distinct rows.

The pigment is not painted within the outlines of the shape; instead it is layered thickly on to the paper, mixing in small amounts of turpentine, and then adding varnish little by little in a laborious process which lends physicality and depth to the two - dimensional works.

In his recent retrospective, the same depth and humor persisted with a presumably expensive coat, tarnished on its back side by blue enamel paint.

In the present work, the depth of Basquiat's frenzied tableau becomes apparent under UV lighting, revealing a plethora of additional scrawlings erased by swathes of white paint.

Each painting created by artist Yevgeniya Baras is an exploration in meaning, material, and depth formed through her strong visual language.

They signify art as commodity - fetish / object - of - desire / desired - object by exaggerating references to commodity manufacture - as in the printed surfaces, the repetition of the same shapes and imagery, the synthetic palette (hues typical of process inks used for photocolor separations), and the stacking (an allusion to surplus goods and conspicuous consumption); and by conflating these with burlesque allusions to sexuality and eroticism - as in the greasy holes of Painting of Depth or the pornographic photographs of Untitled (1986).

Moreover a photograph, with its smooth reflective surface, printed by a chemical reaction or digitally manipulated with no material depth or presence, is entirely different from a painted portrait.

Anchored by fine examples of abstract painting and sculpture from Woodmere's collection, the exhibition also presents selections from the transformative promised gift of artist and Chestnut Hill resident Karen Segal, which will bring previously unimagined depth to the Museum's holdings of twentieth - and twenty - first century art.

The artworks, many painted by white grandees influential in giving shape and depth to the city's art scene in the early 20th - century, were easy targets.

A term originating in the late 1950s for abstract paintings characterized by sharply defined geometric areas of flat colors conveying little or no depth, such as works by Ellsworth Kelly, Kenneth Noland, Ad Reinhardt, and Barnett Newman.